Cultural Horizons of India
author: Musashi Tachikawa
edition: 1990, International Academy of Indian Culture and Aditya Prakashan
pages: 2743
Topic: History
Brahmana in the East Asian tradition
This chapter describes Brahmana in the East Asian tradition located on page 283 of volume Volume 1 in the book Cultural Horizons of India compiled by Musashi Tachikawa. This book comprises 50 years of research material of Lokesh Chandra and represents a thorough study of the ancient culture of India, dealing with Tantra, Buddhism, Art, Archaeology, Language and Literature in 7 volumes.
The first volume presents the evolution of ideas that emerge from a broad spectrum of quests in languages such as Sanskrit, Greek and Latin (etc.) and further presents an introduction to Indonesian history, art and linguistics.
This book covers the research articles and general surveys of Professor Lokesh Chandra. For example, this chapter describes Brahmana in the East Asian tradition. Everything together represents a huge collection of writings related to languages such as Sanskrit, Iranian, Sino-Japanese, Tibetan, Thai, Greek, Latin, Celtic, and Slavic..
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You can look up the meaning of the phrase “Brahmana in the East Asian tradition” according to 28 books dealing with History. The following list shows a short preview of potential definitions.
Impact of Vedic Culture on Society [by Kaushik Acharya]
One of them was Brahmana Bhaila, son of Hari. He was emigrated from an unnamed place in Latadesha. Another brahmana was Murmjala, son of Isvara from Nandipura in Latadesha, i. e. , Nandod near Broach, in Gujarat. And the third of them was Brahmana Nenaiyaka, son of Madhu from Khetaka or Kaira, also in Gujarat. Another two of them was Brahmana Sarvananda and Lokananda. The first-mentioned donee of this grant was Brahmana Sarvananda, who received as many as 8 parts of the village....
Read full contents: Sanskrit Inscriptions (K): The Paramaras
Vietnamese Buddhist Art [by Nguyen Ngoc Vinh]
Nevertheless, during this process the South East Asian never lost their independence, for though they adopted a new religion or art but they adopted only individual elements with their local characteristic to become ‘localization . So South East Asian Buddhist art can be seen as independence school of art for themselves. (* 1) Ananda K. Coomaraswamy, History of Indian and Indonesian Art, Delhi: 1972, p. 169. (* 2) P. V....
Read full contents: 2b. The Shaping Cultural Expression of Buddhist Art
Pallava period (Social and Cultural History) [by S. Krishnamurthy]
Agarwal, “The Copper Hoard Problem: A Technological Angle”, in Asian Perspective no. 12, pp. 113–119. (* 30) W. Jurgen Frembgen, “On Copper age Anthromorphic figures from North India: An ethnographical interpretation”, in East and West no. 46, no. 1 -2, pp. 177–182. (* 31) Paul Yule, “The Copper hoards of northern India”, Expedition-P hiladelphia, Vol. 39, no. 1, pp. 22 -32. (* 32) M....
Read full contents: Origin of Sculptural Art (a): Pre And Proto-Historic Period
Total 28 books found: See all results here.
Summary:
You can return to the book Index to buy or shop for other books, or you can read the available online pages below:
[Cultural Horizons of India: index]
[About the Author (Lokesh Chandra)]
[Volume 1 (summary)]
[Volume 1 (preface)]
[Volume 2 (summary)]
[Volume 3 (summary)]
[Volume 4 (summary)]
[Volume 5 (summary)]
[Volume 6 (summary)]
[Volume 7 (summary)]