Dramaturgy in the Venisamhara

by Debi Prasad Namasudra | 2016 | 70,412 words

This page relates ‘Description of Utsrishtanka’ of the study dealing with the Venisamhara of Bhatta Narayana and its practical application of Sanskrit Dramaturgy. The Veni-Samhara is an extraordinary drama in Sanskrit literature which revolves around the great war of Mahabharata within six Acts. This study deals with the author, background and the technical aspects, reflecting the ancient Indian tradition of dramaturgy (Natya-Shastra).

Utsṛṣṭāṅka depicts a well-known story. Bharata, however, permits even an imaginary plot to form its basis. It has only moral characters. Mainly it contains the pathetic sentiment (Karuṇa-Rasa); and there is a total absence of strife and affrays. It has profuse lamentations of bewailing women, and speeches full of remorse and sorrow, but the end is never tragic. There is only one and one mode of behaviour, namely, the Bharata Vṛtti. It is called an “Utsrshtanka” for the reason of absence of other Vṛtti’s; and as such, it is an isolated piece dealing with the one incident of bewailing of a person whose life is about to end[1].

Footnotes and references:

[1]:

Nāṭaka-lakṣaṇa-Ratnakośa 1281.

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