Dramaturgy in the Venisamhara

by Debi Prasad Namasudra | 2016 | 70,412 words

This page relates ‘Description of Ihamriga’ of the study dealing with the Venisamhara of Bhatta Narayana and its practical application of Sanskrit Dramaturgy. The Veni-Samhara is an extraordinary drama in Sanskrit literature which revolves around the great war of Mahabharata within six Acts. This study deals with the author, background and the technical aspects, reflecting the ancient Indian tradition of dramaturgy (Natya-Shastra).

Īhāmṛga[1] is a one-act play or a play in four acts. The hero is necessarily a vehement (Uddhata) character, whether a divine or a human being. The whole plot hinges round the acquisition of a woman, mostly a celestial damsel, who is difficult to obtain. There are feuds and combats on her account, leading to a tragic end, though the actual death of the hero is to be tactically avoided from the stage. The plot of the play is of a mixed kind, partly, invented by the poet and partly, legendary. It is necessary to bring the leaders of the episode (Patākā Nāyaka) on the stage. They could be mortal or divine, but ever-ready to rise to the occasion and help the hero. According to Viśvanātha the number of such auxiliaries should be ten, making a total of twelve characters in all[2].

Footnotes and references:

[1]:

Nāṭyaśāstra XX-45; Sāhityadarpaṇa VI-131a; Rasārṇava-sudhākara I-266; Nāṭaka-lakṣaṇa-Ratnakośa 1298.

[2]:

Nāṭyaśāstra XX-42; Sāhityadarpaṇa VI-132a; Rasārṇava-sudhākara I-267.

Like what you read? Consider supporting this website: