Pataka, aka: Patākā, Paṭāka, Patāka, Pātaka, Pāṭaka, Paṭaka, Paṭākā; 12 Definition(s)
Pataka means something in Hinduism, Sanskrit, Buddhism, Pali, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Natyashastra (theatrics and dramaturgy)
1) Patāka (पताक, “flag”) refers to a gesture (āṅgika) made with a ‘single hand’ (asaṃyuta), according to the Nāṭyaśāstra chapter 8. The hands (hasta) form a part of the human body which represents one of the six major limbs (aṅga) used in dramatic performance. With these limbs are made the various gestures (āṅgika), which form a part of the histrionic representation (abhinaya).
2) Patākā (पताका, “episode”) refers to one of the “five elements of the plot” (arthaprakṛti), according to the Nāṭyaśāstra chapter 21. These five elements represents the five means of attaining objects of the Plot (itivṛtta or vastu).
The associated ‘stage of action’ (avasthā) of patākā is the prārambha (beginning). These stages represent a Hero’s striving towards the object in a dramatic playwright (nāṭaka).(Source): Wisdom Library: Nāṭya-śāstra
One of the Twenty-eight Single Hands (hasta):—Patāka (flag): the thumb bent to touch the fingers, and the fingers extended. Usage: beginning a dance, cloud, forest, forbidding things, bosom, night, river, world of the gods, horse, cutting, wind, reclining, walking, prowess, graciousness, moonlight, strong sunlight, knocking, meaning of the seven cases, wave, entering a street, equahty, applying sandal paste, one’s self, taking an oath, silence, benediction, a good king, palmyraleaf, slap, touching, saying “Such and such”, the sea, the wayof good deeds, addressing (a person some distance away), goingin front, the form of a sword, month, year, rainy season, day, sprinkling water.
According to another book, the thumb is bent against the baseof the forefinger and the palm and fingers extended. When Brahmā, the Shaper, went to Parabrahmā, as he saluted him with the cry of “Victory!” he held his hand like a flag, since when it has been called the “flag hand”. It is the first of all hands, it originates from Brahmā, its colour is white, its sage Śiva, its race Brāhmaṇa, its patron deity Parabrahmā. Usage:saying “Victory, victory!”, clouds, forbidding things, forest, night, saying “Go!”, going, conveyance, wind, chest, front, merit (puṇya), preëminence, flow, abode of the wise, crying “Ha! ha!”, moonlight, sunlight, abode of the gods, removal of hindrance, wall, cutting, pleasing others, cheek, applying sandal paste, mustering an army, boundary, removing fear, having no refuge, decrease, covering, reclining, the earth, flame, pouring rain, wave, wings of a bird, petitioning a king, saying “Thus”, eye, saying “Like what?” and “Like that”, slap, touching, lake, massage, closing a dispute, strong wind, end of the robe (ancala), cold, heat, radiance, shadow, ear, season, half-year, day, fortnight, month, purity, high birth, approach,saying “Protect”, or “Caress”, Brāhmaṇa caste, pure colour.
Note: The Patāka hand is commonly seen in the abhaya-mudrā of images, but is sometimes replaced by ardha-candra.(Source): archive.org: The mirror of gesture (abhinaya-darpana)
1) Patāka (पताक, “flag”).—A type of gesture (āṅgika) made with a single hand (asaṃyuta-hasta);—(Instructions): The fingers extended and close against one another, and the thumb bent.
(Uses): To represent an administration of blows, scorching heat, urging, attainment of happiness and arrogant reference of one’s ownself this hand is to be raised on a level with the forehead. To represent the glare of heat, torrential rain and shower of flowers two Patāka hands with the fingers separated and moving, are to be joined together. A shallow pool of water, present of flowers, grass and any design [lit. object] made on the ground are to be represented by two such hands separated from the Svastika position. The same Patāka hands with their fingers pointing downwards are to be used to represent anything closed, made open, protected, covered, dense or private (to be concealed)
2) Patākā (पताका).—One of the five elements of the plot (arthaprakṛti);—The event which is introduced in the interest of the Principal Plot and is treated like it, is called an Episode (patākā).(Source): archive.org: Natya Shastra
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Shaivism (Shaiva philosophy)
Patākā (पताका):—One of the twelve guṇas associated with Dhvaja, the fourth seat of the Svādhiṣṭhāna-chakra. According to tantric sources such as the Śrīmatottara-tantra and the Gorakṣasaṃhitā (Kādiprakaraṇa), these twelve guṇas are represented as female deities. According to the Ṣaṭsāhasrasaṃhitā however, they are explained as particular syllables. They (eg. Patākā) only seem to play an minor role with regard to the interpretation of the Devīcakra (first of five chakras, as taught in the Kubjikāmata-tantra).(Source): Wisdom Library: Ṣaṭsāhasra-saṃhitā
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
1) Patākā (पताका).—A R. of the Bhadra continent.*
- * Vāyu-purāṇa 43. 30.
2) Pātaka (पातक).—To kill one to advance one's own interest is sin; but not so, if done for the sake of many.*
- * Vāyu-purāṇa 62. 161-2.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
India history and geogprahy
Pāṭaka (पाटक) is a word denoting a ‘village’ or ‘hamlet’ and can be seen as a synonym for grāma, often used in inscriptions.—Terms such as pāṭaka are in many cases, associated with the names of the villages so as to become the ending part of the different place-names. Inscriptions throw light on the location of the villages in different ways. Firstly, they communicate us an idea about the country, the division and the sub-division to which these villages belonged. Secondly, the inscriptions provide information regarding theboundaries of the donated villages.(Source): archive.org: Geography in Ancient Indian inscriptions
Pāṭaka (पाटक) refers to a name-ending for place-names mentioned in the Gupta inscriptions (reigned from 3rd century CE). Pāṭaka literally means “a splittler” or “divider”; it means the half or any part, or a kind of village. Pāṭaka is also the name of a land measure, hence earlier pāṭaka, pāḍaga or pāḍā may have denoted a large but private house, or settlement within a village. Gradually the village and sometimes the city also came to be called after it.(Source): archive.org: Personal and geographical names in the Gupta inscriptions
The history of India traces the identification of countries, villages, towns and other regions of India, as well as royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
patākā : (f.) a flag; banner.(Source): BuddhaSasana: Concise Pali-English Dictionary
Paṭāka, (nt.) (cp. Sk. paṭāka, connected with paṭa) a flag M. I, 379; Miln. 87; Vism. 469; ThA. 70. (Page 391)
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Patākā, (f.) (cp. later Sk. patākā) a flag, banner (cp. dhaja) J. I, 52; VvA. 31, 173. (Page 405)(Source): Sutta: The Pali Text Society's Pali-English Dictionary
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
paṭakā (पटका).—m (paṭṭa S through H) A cloth about a span in breadth worn round the waist, a girdle.
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paṭakā (पटका).—m (paḍaṇēṃ) Great and rapid falling (as of men or cattle under plague or murrain, of fruits in a high wind &c.) v lāga.
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pataka (पतक).—n m A body of horse; about a hundred, and generally under an independent chieftain. 2 The office or business of patakī.
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patākā (पताका).—f (S) sometimes patāka f A small flag or banner. 2 An emblem carried as an ensign or banner, a symbol.
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pātaka (पातक).—n (S That causes falling.) Sin or crime: also a sin or a crime. pā0 khāṇēṃ in. con. To undergo the gnawing or stinging of conscious sin. Ex. pāpiyāsi nijapātaka khātēṃ||.(Source): DDSA: The Molesworth Marathi and English Dictionary
paṭakā (पटका).—m A cloth about a span in breadth worn round the head.
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pataka (पतक).—n m A body of horse.
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patākā (पताका).—f sometimes patāka f A small flag or banner. An emblem carried as an ensign or banner.
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pātaka (पातक).—n Sin or crime.(Source): DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Search found 100 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Tripatāka (त्रिपताक).—1) the hand with three fingers stretched out or erect. 2) the forehead ma...
Mahāpātaka (महापातक).—1) a great sin, a heinous crime; ब्रह्महत्या सुरापानं स्तेयं गुर्वङ्गनागम...
ajñāta-pātaka (अज्ञात-पातक).—n A sin of ignorance.
Akṣapāṭaka (अक्षपाटक).—[akṣe vyavahāre pāṭayati; paṭ dīptau-ṇvul] one who is well-versed in law...
One of the Twenty-eight Single Hands (hasta):—Ardha-patāka (half-flag): the little fin...
Kāṇḍapaṭaka (काण्डपटक).—a screen surrounding a tent, curtain (Mar. kanāta); उत्क्षिप्तकाण्डपटका...
Patākāsthāna (पताकास्थान, “episode indication”).—When some matter being taken in hand (lit. alr...
Ahipatāka (अहिपताक).—a kind of snake (not venomous). Derivable forms: ahipatākaḥ (अहिपताकः).Ahi...
Patākāṃśuka (पताकांशुक).—a flag. Derivable forms: patākāṃśukam (पताकांशुकम्).Patākāṃśuka is a S...
Viyatpatākā (वियत्पताका).—lightning; सौदामिनी स्फुरति नाद्य वियत्पताका (saudāminī sphurati nādy...
Svacchandapāṭaka (स्वच्छन्दपाटक) is a place-name classified as a pāṭaka and mentioned in the Gu...
Patākāsthānaka (पताकास्थानक).—(in dramaturgy) intimation of an episodical incident, when instea...
Patākādaṇḍa (पताकादण्ड).—a flag-staff. Derivable forms: patākādaṇḍaḥ (पताकादण्डः).Patākādaṇḍa i...
Upanandapāṭaka (उपनन्दपाटक) is the name of a village visited by Mahāvīra during his third year ...
Nandapāṭaka (नन्दपाटक) is the name of a village visited by Mahāvīra during his third year of sp...
Search found 13 books and stories containing Pataka, Patākā, Paṭāka, Patāka, Pātaka, Pāṭaka, Paṭaka or Paṭākā. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Mirror of Gesture (abhinaya-darpana) (by Ananda Coomaraswamy)
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 1.2.146 < [Part 2 - Devotional Service in Practice (sādhana-bhakti)]
Verse 1.2.128 < [Part 2 - Devotional Service in Practice (sādhana-bhakti)]
Verse 2.1.103 < [Part 1 - Ecstatic Excitants (vibhāva)]
The Natyashastra (by Bharata-muni)
Part 4 - The Ancient Indian Drama in Practice < [Introduction, part 1]
Manusmriti with the Commentary of Medhatithi (by Ganganatha Jha)
Early Chola Temples (by S. R. Balasubrahmanyam)
Maha Prajnaparamita Sastra (by Gelongma Karma Migme Chödrön)
Act 10.1: Samantaraśmi arrives with gifts before Śākyamuni < [Chapter XV - The Arrival of the Bodhisattvas of the Ten Directions]
Bhūmi 9: the ground of good wisdom (sādhumatī) < [Chapter XX - (2nd series): Setting out on the Mahāyāna]
II. Metonymical meaning of kuśalamūla (‘roots of good’) < [Part 1 - Honoring all the Buddhas]