Pose: 2 definitions
Introduction:
Pose means something in the history of ancient India. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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India history and geography
Source: Singhi Jain Series: Ratnaprabha-suri’s Kuvalayamala-katha (history)Poses (between the male and the female) were commonly depicted on the Saṃsāracakra paintings (representing scenes of human life), in ancient India, as mentioned in the Kathās (narrative poems) such as Uddyotanasūri in his 8th-century Kuvalayamālā (a Prakrit Campū, similar to Kāvya poetry).—Page 185.21 f.: Here follows a description of a printed scroll illustrating the Jaina conception of saṃsāracakra. [...] The saṃsāra-cakra illustrated the three worlds of hell, human world and the world of gods. [For example:] A young man embracing with deep affection his young wife; a number of congruous poses between the male and the female.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Kannada-English dictionary
Source: Alar: Kannada-English corpusPose (ಪೊಸೆ):—
1) [verb] to churn (milk to separate butter from it).
2) [verb] to move, shake, agitate, etc., esp. slightly; to stir.
3) [verb] to press hard or closely; to exert pressure on, esp. from two or more sides; to compress; to squeeze.
4) [verb] to move (a thing) against something else or move (things) over each other with pressure and friction; to rub two things together.
5) [verb] to intertwist strands (of fibre, thin wire, etc.) to make a rope.
6) [verb] (hair) to become matted.
7) [verb] to twist the hair as to make it a coil.
8) [verb] to be joined or associated with.
9) [verb] to cause to associate with.
10) [verb] to make up (a story, reason, lie, etc.); to fabricate.
11) [verb] to cause to happen.
12) [verb] to cut,sever into two or more parts, of take out a piece from a whole.
13) [verb] to start to go.
14) [verb] to deliver a stroke; to beat; to strike.
15) [verb] to break or shatter into pieces with noise or violence; to smash.
16) [verb] to bore a hole.
17) [verb] to fold an oblong cloth, lengthwise.
18) [verb] to roll the dough on a plank, smooth surface, as to make it round and long.
19) [verb] (fig.) to render something useless.
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Pose (ಪೊಸೆ):—[noun] a sturning stick, used to separate butter from milk.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with: Posenta, Posesi, Posetabba, Poseti, Posetum, Posetva, Poseyisu, Poshenem, Posherem.
Ends with: Epose, Lotus seat, Uqupose.
Full-text (+741): Mudra, Shayanasana, Abhayahasta, Gamvagunda, Sthanasana, Sayana, Chiddaka, Paripamthini, Urupa, Alicagi, Tagahikku, Tadeyidu, Asana, Odapata, kai-amaiti, Gaunakalpa, Bhamgima, Manodharma, Kondane, Tapagedi.
Relevant text
Search found 120 books and stories containing Pose; (plurals include: Poses). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Religion and Philosophy of Tevaram (Thevaram) (by M. A. Dorai Rangaswamy)
Chapter 4.3 - (c) Sculptures of Shiva and Dance < [Volume 2 - Nampi Arurar and Mythology]
Chapter 4.3 - (b) The seven Tandava Dances of Shiva < [Volume 2 - Nampi Arurar and Mythology]
Chapter 3.1 - Tripurantaka-murti (burning down of the three castles) < [Volume 2 - Nampi Arurar and Mythology]
Manasara (English translation) (by Prasanna Kumar Acharya)
Chapter 67 - The measures along the plumb lines (pralamba-lakṣaṇa)
Chapter 51 - The Triad (trimūrti: Brahmā, Viṣṇu, and Maheśa/Śiva)
Chapter 58 - The images of Yakṣas, Vidyādharas, and other mythical beings
Jain Remains of Ancient Bengal (by Shubha Majumder)
Tīrthaṅkara Pārśvanātha with Planetary deities and Dikpālas type < [Chapter 6 - Iconographic Study of Jaina Sculptural Remains]
Ṛṣabhanātha sculptures with miniature Tīrthaṅkaras and Dikpālas < [Chapter 6 - Iconographic Study of Jaina Sculptural Remains]
Uncertain Tīrthaṅkaras < [Chapter 6 - Iconographic Study of Jaina Sculptural Remains]
Middle Chola Temples (by S. R. Balasubrahmanyam)
Temples in Mannarkoyil < [Chapter IV - Temples of Rajendra I’s Time]
Temples in Tiruvalisvaram < [Chapter II - Temples of Rajaraja I’s Time]
Temples in Gangaikondan < [Chapter II - Temples of Rajaraja I’s Time]
Pallava period (Social and Cultural History) (by S. Krishnamurthy)
Dancing girls in temples < [Chapter 3 - Socio-Religious Life]
Conclusion (Social Life) < [Chapter 5 - Conclusion]
Scheme of Pallava Sculptures < [Chapter 2 - Origin of Sculptural Art—Its Development and Scheme]
When Stones Dance < [January – March 1992]
Natya, the Celestial Art of Ancient India < [July 1939]
Rukmini Devi < [January – March, 1986]
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