Poetic talent: 1 definition
Introduction:
Poetic talent means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Shaktism (Shakta philosophy)
Source: Google books: Genesis and Development of Tantra (Shaktism)Poetic Talent (i.e., “eloquence”) is denoted by the Sanskrit term Kavitva and represents one of the various Supernatural Powers (siddhi) according to the Siddhayogeśvarīmata: an ancient Sanskrit text devoted to cults of Goddesses as the Vidyāpīṭha or Vidyā Corpus.—In the Siddhayogeśvarīmata, the objectives of rituals are classified as siddhis [e.g., eloquence / poetic talent (kavitva)]. They belong to the category of supernatural phenomena and seem to be considerably different from the types of wish people expected to gain from the Vedic rituals that still remained within the sphere of everyday life.
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
See also (Relevant definitions)
Partial matches: Poetry.
Full-text: Kavitva, Kavittuvam, Narakavi, Puttumgavi, Huttukavi, Kavitashakti, Pulamai, Eloquence, Shakti.
Relevant text
Search found 20 books and stories containing Poetic talent, Poetic talents; (plurals include: Poetic talents, Poetic talentses). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Tiruvaymoli (Thiruvaimozhi): English translation (by S. Satyamurthi Ayyangar)
Pasuram 3.9.2 < [Section 9 - Ninth Tiruvaymoli (Connal Virotam)]
Pasuram 3.9.11 < [Section 9 - Ninth Tiruvaymoli (Connal Virotam)]
Pasuram 7.9.5 < [Section 9 - Ninth Tiruvaymoli (Enraikkum)]
Tilakamanjari of Dhanapala (study) (by Shri N. M. Kansara)
4. Parents and Birth-place of Dhanapala < [Chapter 1 - The Author (biography of Dhanapala)]
Appendix 10 - The compendiums of the Tilakamanjari
6. Descriptions, Scenes and Retrospect < [Chapter 16 - The Tilakamanjari as a Sanskrit novel]
Kavyamimamsa of Rajasekhara (Study) (by Debabrata Barai)
Part 5.6 - Routine and time of composing Kāvya (poetry) < [Chapter 5 - Analyasis and Interpretations of the Kāvyamīmāṃsā]
Part 21 - Rājaśekhara’s later work’s on Kavi-śikṣā < [Chapter 2 - A General Outlines of Sanskrit Poetics]
Gita-govinda of Jayadeva (comparative study) (by Manisha Misra)
4. Origin of the creations < [Chapter 6 - A comparative analysis of literary merits of both the works]
8. Loyality of the poet < [Chapter 6 - A comparative analysis of literary merits of both the works]
13. Linguistic comparison < [Chapter 6 - A comparative analysis of literary merits of both the works]
Yuktimallika by Vadiraja (critical study) (by Gururaj K. Nippani)
1. Introduction to the Gunasaurabha < [Critical exposition (1) Gunasaurabha]
Ushaharana Kavya of Trivikrama Pandita (Study) (by Pranesh R. Archak)