Natyarasaka, Nāṭyarāsaka, Natya-rasaka: 4 definitions
Introduction:
Natyarasaka means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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Sanskrit dictionary
Source: DDSA: The practical Sanskrit-English dictionaryNāṭyarāsaka (नाट्यरासक).—a kind of play consisting of one act; S. D.
Derivable forms: nāṭyarāsakam (नाट्यरासकम्).
Nāṭyarāsaka is a Sanskrit compound consisting of the terms nāṭya and rāsaka (रासक).
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionaryNāṭyarāsaka (नाट्यरासक):—[=nāṭya-rāsaka] [from nāṭya > nāṭa] n. a kind of play consisting of one act, [Sāhitya-darpaṇa]
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Rasaka, Natya.
Full-text: Uparupaka.
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Search found 6 books and stories containing Natyarasaka, Nāṭyarāsaka, Natya-rasaka, Nāṭya-rāsaka; (plurals include: Natyarasakas, Nāṭyarāsakas, rasakas, rāsakas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Malatimadhava (study) (by Jintu Moni Dutta)
Part 2a - Mālatīmādhava as a Prakaraṇa < [Chapter 1 - Introduction]
Hanuman Nataka (critical study) (by Nurima Yeasmin)
Part 2: Varieties of Dṛśyakāvya < [Chapter 1]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Performance of Gati through Maṇḍalas < [Chapter 2 - Concept and technique of Gati]
Importance of Gati in Uparūpakas < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Observations in Post-Bharata works < [Chapter 5 - Conclusion]
The Agni Purana (by N. Gangadharan)
The backdrop of the Srikanthacarita and the Mankhakosa (by Dhrubajit Sarma)
Part 2 - Divisions of kāvya < [Chapter I - Introduction]
Reviews < [October - December 1972]