Buddhist Monasteries of South Asia and China
author: Sanjay Garg
edition: 2019, Manohar Publishers and Distributors
pages: 403
ISBN-10: 9350981602
ISBN-13: 9789350981603
Topic: History
Chapter 8 - Studies in Gandharan Stupa
This chapter describes Studies in Gandharan Stupa by Ifqut Shaheen located on page 133 in the book Buddhist Monasteries of South Asia and China compiled by Sanjay Garg. This book comprises 18 papers that were presented by leading archaeologists and art historians from South Asia and China at an international conference on ‘Buddhist Monasteries in South Asia and China’ organized by the Society for Buddhist Art and Archaeology (SBAA) in New Delhi in December 2015.
Buddhism binds the two most populated regions of the world-South Asia and China. This volume aims to provide fresh insights and information on new sites and place them along with the earlier known ones in a wider cultural landscape. This paper is named: Studies in Gandharan Stupa—during Nineteenth Century in Taxila Valley, District Rawalpindi: An Investigation in Exploration Methods and was originally published by Ifqut Shaheen.
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You can look up the meaning of the phrase “Studies in Gandharan Stupa” according to 27 books dealing with History. The following list shows a short preview of potential definitions.
Vietnamese Buddhist Art [by Nguyen Ngoc Vinh]
Bapat, had been mentions: “The Amaravati, Nalanda and Nagalattinam Buddhist sculptures and bronzes bring us to a most interesting study, namely, to that of the culture of Southeast Asia, and of the extent to which Burma, Thailand, Malaya, Sumatra, Java and IndoChina derived their arts from India. ” Amaravati, which is 16 miles west of Guntur, is the most important Buddhist site in Andhra. The stupa at this place is the largest and most famous....
Read full contents: 1. The evolution of Buddhist Art (Introduction)
Settlement in Early Historic Ganga Plain [by Chirantani Das]
This report confirms the view of Cunningham that the brick stupa located half a mile south-west of the Dhamek stupa and mentioned by Hiuen Tsang was actually the Chaukhandi stupa. In this session lower parts of the stupa was exposed. It stood on a basement consisting of three square terraces each of 12 feet breadth and height. The innermost portion of the stupa was solid brickwork laid in clay mortar....
Read full contents: Part 15 - Chaukhandi stupa
Amaravati Art in the Context of Andhra Archaeology [by Sreyashi Ray chowdhuri]
The discovery of two pillars decorated with half lotus, medallions and a fragment of the stone parapet of the drum of a votive stupa reveal the presence of the stupa, mandapa and a chaitya griha. (* 1) Ramachandran T. N,1963 (Reprint), Buddhist Sculptures from a stupa near Goli Village, Guntur District, Madras, p 1 (* 2) Mitra Debala, Op. cit, p 210 (* 3) Stone Elizabeth Rosen, 1994, Buddhist Art of Nagarjunakonda, Delhi, p 83....
Read full contents: Lower Krishna Valley (6): Goli
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[Buddhist Monasteries of South Asia and China: index]
[Foreword by R.C. Agrawal]
[Introduction by Sanjay Garg]