Alternative spellings of this word include Akunchitaka.

In Hinduism

Natyashastra (theatrics and dramaturgy)

Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)

Ākuñcitaka (आकुञ्चितक) refers to one of the nine kinds of śayyāsthāna or “lying down postures” (in Sanskrit Dramas), as conveyed through Āṅgikābhinaya: one of the four divisions of Abhinaya or “ways to convey or represent one’s emotion to others”, according to the Nāṭyaśāstra and the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—In the Viṣṇudharmottarapurāṇa, nine kinds of upaveśana i.e., sitting postures are accepted for Drama. Some particular postures are recommended in the Viṣṇudharmottarapurāṇa as śayyāsthāna, which are adopted by the actors at time of lying down in a Drama. The ākuñcitaka posture establishes the fact that a person is suffering from cold and it is reflected by curving all limbs and contracting knees.

context information

Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

See also (Relevant definitions)

Full-text: Shayyasthana, Curving.

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Search found 1 books and stories containing Akuncitaka, Ākuñcitaka; (plurals include: Akuncitakas, Ākuñcitakas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:

Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)

1.3. Elements of Drama (d): Dramatic Postures < [Chapter 3 - Drama and Dance]

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