Encyclopaedia of Indian Temple Architecture - North and South India
author: Michael W. Meister
edition: 1986, American Institute of Indian Studies
pages: 6147
Topic: History
Chapter 52 - Guhilas of Medapata: Lower Variation, Phase II
This chapter describes Guhilas of Medapata: Lower Variation, Phase II located on page 133 in the book Encyclopaedia of Indian Temple Architecture (North and South India) compiled by Michael W. Meister, George Michell and M. A. Dhaky. These books deal with Indian temples from the early centuries. South India developed the Dravidian style while North India expressed symbolic experimentation of the divine manifestation.
This historical compilation contains seven volumes and comprises 14 books. For example, this chapter describes Guhilas of Medapata: Lower Variation, Phase II. Everything together represents a huge collection of material related to the temple architecture of North and South India.
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You can look up the meaning of the phrase “Guhilas of Medapata: Lower Variation, Phase II” according to 28 books dealing with History. The following list shows a short preview of potential definitions.
Impact of Vedic Culture on Society [by Kaushik Acharya]
Again, a charter of Guhila King Babhata issued in c. 689-690 CE records a grant of a plot Pahaka-Pahaka-pabhaka for duly carrying out the routine rituals (the five great yajnas) and for the augmentation of religious merit and fame to his parents and himself, to five Brahmana brothers viz . Gopaditya, Gopadhya, Debhata, Dhondha, and Gopasvami....
Read full contents: Mingling of Cultures (O): The Guhilas
Amaravati Art in the Context of Andhra Archaeology [by Sreyashi Ray chowdhuri]
Here we will discuss some major and minor archaeological sites of early Andhradesha discernable in the:— i) Lower Krishna valley, that is Coastal Andhra, and ii) The region beyond the coastal lines. (* 1) Dr. Pisipaty S. Rama Krishna, 2010, Andhra Culture, An Obscure Phase in the Early Historical Archaeology of Andhra Pradesh, Delhi, p 8. (* 2) Ibid, p 22 (* 3) Foote R....
Read full contents: Archaeological sites of Early Andhra Pradesh (Andhradesha)
Vietnamese Buddhist Art [by Nguyen Ngoc Vinh]
Nandana Chutiwongs observes that the upper part of Avalokitesvara s body is usually bare, conforming to the modes which prevail in the Post-Gupta style of Maharastra, in the art of Dvaravati and Champa, and in the early phase of the Buddhist art in the Malay archipelago. The lower part is represented by short and plain lower garment, tied up with a simple cord or a belt made of cloth, seen in many of the earliest images of Avalokitesvara in Cambodia....
Read full contents: 4. Avalokitesvara images in Cambodia
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