Brahma Sutras (Critical Exposition)
author: B. N. K. Sharma
edition: 2008, Munshiram Manoharlal Publishers Pvt. Ltd.
pages: 1835
ISBN-10: 8121500354
ISBN-13: 9788121500357
Topic: Hindu-philosophy
Devas do not become independent after Laya
This chapter describes Devas do not become independent after Laya located on page 685 of volume 3 in the book Brahma Sutras (Critical Exposition) compiled by B. N. K. Sharma. This book contains a Critical Exposition of the Brahmasutras of Badarayana including a thorough research on the commentaries of Shankara, Ramanuja and Madhva. The Vedanta Sutras represent an important treatise of Indian Philosophy teaching Vedic concepts as found in the Upanishads..
Sanskrit name of chapter: avibhagadhikaranam or avibhagadhikarana (avibhaga-adhikarana / adhikaranam). This edition includes the original Sanskrit text, an English translation, references to commentaries, detailled footnotes, IAST transliterated words and a large index.
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You can look up the meaning of the phrase “Devas do not become independent after Laya” according to 253 books dealing with Hinduism. The following list shows a short preview of potential definitions.
Mandukya Upanishad (Madhva commentary) [by Srisa Chandra Vasu]
The subjective power acquired is that of Laya—namely carrying the memory through this dreamless sleep state. This is called “similarity of Laya with the Lord.” For as the Lord in the Laya state retains his memory and consciousness, so does the worshipper of Prajna. “The similarity of Laya with the Lord”—has another meaning also, namely, destruction of all sorrows and arising of happiness. As there is laya of all sorrows in the Lord, so his worshipper also transcends sorrow and enjoys bliss....
Read full contents: Karika verse 3.7
Amarakoshodghatana of Kshirasvamin (study) [by A. Yamuna Devi]
Laya (tempo). Layas (Cf. I. 6. 10; p. 50): [Harmony] Amarakosha gives laya as samya. This is elaborated upon by Kshirasvamin as the harmony in music and dance i. e. , where there is no disproportion– manameyayoranyunadhikye shlishtata layo drutadih vadyadinamanyonyam samatvamiti yavat | He also adds that laya as a special variety of tala (as in Natyashastra....
Read full contents: Laya (tempo)
Gati in Theory and Practice [by Dr. Sujatha Mohan]
Sometimes it may change if a King or deva does any nica actions or nica does any uttama action. Both kala and kala are same. Abhinava adds that kings are treated as devas. Females are treated as inferior characters, not because of their gender but due to their common traits. Uttama characters take four kalas to keep the raised foot on the ground, two kalas for madhyama and one kala for nica characters. The samanya lakshana of kala is nimesha, i. e. five matras....
Read full contents: Gaits according to characters
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