Natyashastra, latest updates

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Latest articles for Natyashastra (theatrics and dramaturgy) [page 2] including new additions and casual updates to existing pages. The purpose of this sitemap is to collect all links related to Natyashastra books, scriptures or compilations and prioritize the most recent updates.

Sub-sections: Kavyashastra, Gitashastra

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Latest Natyashastra article updates:

Dramaturgy in the Venisamhara [...] Vipralambha-Śṛṅgāra (Disunion)
Update, 06 November, 2023: Śṛṅgāra, in accordance with the situation of love, is two-fold: Love-insepa... »»

Dramaturgy in the Venisamhara [...] Śṛṅgāra or Ādya-rasa (The Erotic Sentiment)
Update, 06 November, 2023: The emotion of amor (rati) develops into the erotic sentiment, Śṛṅgāra or Ā... »»

Dramaturgy in the Venisamhara [...] Rasa-Vyākti
Update, 06 November, 2023: As stated above Bhāva and Rasa are the objects of suggestion and not of den... »»

Dramaturgy in the Venisamhara [...] Rasa-carvaṇa (The relish of Rasa)
Update, 06 November, 2023: “The very connotation of the term Rasa is that which can be relished.” Effe... »»

Dramaturgy in the Venisamhara [...] Discussion on Emotion (Sthāyīn)
Update, 06 November, 2023: There are psychologists who believe that there are some more mental states ... »»

Dramaturgy in the Venisamhara [...] Sthāyī-bhāvas (Lasting Emotions)
Update, 06 November, 2023: A close analysis of the nature of the different mental states noted above, ... »»

Dramaturgy in the Venisamhara [...] Sāttvika-bhāvas (Involuntary States)
Update, 06 November, 2023: Apart from these transitory state there are a few involuntary ones in as mu... »»

Dramaturgy in the Venisamhara [...] Vyabhicārī-bhāvas (Transitory States)
Update, 06 November, 2023: The power of sympathy or the capacity to get into others” moods is the true... »»

Dramaturgy in the Venisamhara [...] Rasa (aesthetics)—Introduction
Update, 06 November, 2023: Nāṭya is the representation of every day life which is full of diverse acti... »»

Dramaturgy in the Venisamhara [...] Vṛtti (Bearing) and Diction
Update, 06 November, 2023: All the four types of Vṛttis as recognized by Bharata are popular among the... »»

Dramaturgy in the Venisamhara [...] Kaiśikī-vṛtti (delightful vivacity and charming expression)
Update, 06 November, 2023: That mode of conduct is Gay (=Kaiśikī) which is associated with delightful ... »»

Dramaturgy in the Venisamhara [...] Bhāratī-vṛtti (eloquent bearing)
Update, 06 November, 2023: Bhāratī essentially differs from the previous ones; for they deal with the ... »»

Dramaturgy in the Venisamhara [...] Ārabhaṭī-vṛtti (fierce fights and outrageous deeds)
Update, 06 November, 2023: That mode of conduct which is full of fierce fights, varied struggle and ou... »»

Dramaturgy in the Venisamhara [...] Sāttvatī-vṛtti (noble qualities and righteousness)
Update, 06 November, 2023: That mode of bearing, which is characterised with noble qualities and right... »»

Dramaturgy in the Venisamhara [...] Vṛtti (mode of conduct)—Introduction
Update, 06 November, 2023: The existence of a particular feeling in a human mind causes a change in th... »»

Dramaturgy in the Venisamhara [...] Artha-Prakṛtis (five elements of plot)
Update, 06 November, 2023: This chapter deals with some technicalities of dramaturgy in Veṇīsaṃhāra, s... »»

Dramaturgy in the Venisamhara [...] Chapter 4
Update, 06 November, 2023: ... »»

Dramaturgy in the Venisamhara [...] Veṇīsaṃhāra as a Drama
Update, 06 November, 2023: The Nāndī and Prastāvanā of Veṇīsaṃhāra is short and to the point. The Pras... »»

Dramaturgy in the Venisamhara [...] Veṇīsaṃhāra: First Act (summary)
Update, 06 November, 2023: This chapter deals with the drama Veṇīsaṃhāra which contains six acts. The ... »»

Dramaturgy in the Venisamhara [...] Veṇīsaṃhāra: Second Act (summary)
Update, 06 November, 2023: The second act starts with the entrance with the chamberlain who is ordered... »»

Dramaturgy in the Venisamhara [...] Veṇīsaṃhāra: Third Act (summary)
Update, 06 November, 2023: The third Act starts with the entrance of Rākṣasī in an odious dressed, pra... »»

Dramaturgy in the Venisamhara [...] Veṇīsaṃhāra: Fourth Act (summary)
Update, 06 November, 2023: The fourth Act begins with the entrance of Duryodhana laid unconscious by i... »»

Dramaturgy in the Venisamhara [...] Veṇīsaṃhāra: Fifth Act (summary)
Update, 06 November, 2023: The fifth Act of the drama starts with the entrance of Gāndharī, Sañjaya an... »»

Dramaturgy in the Venisamhara [...] Veṇīsaṃhāra: Sixth Act (summary)
Update, 06 November, 2023: In the sixth Act of the Drama there enters Yudhiṣṭhira, seated Draupadī, a ... »»

Dramaturgy in the Venisamhara [...] Chapter 3
Update, 06 November, 2023: ... »»

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