Essay name: Tilakamanjari of Dhanapala (study)

Author: Shri N. M. Kansara
Affiliation: Maharaja Sayajirao University of Baroda / Department of Sanskrit Pali and Prakrit

This is an English study of the Tilakamanjari of Dhanapala, a Sanskrit poem written in the 11th century. Technically, the Tilaka-manjari is classified as a Gadyakavya (“prose-romance”). The author, Dhanapala was a court poet to the Paramara king Munja, who ruled the Kingdom of Malwa in ancient west-central India.

Chapter 15 - The Tilakamanjari as a Prose Poetic work

Page:

116 (of 188)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 116 has not been proofread.

808
Similarly, the sense of fear aroused in the companions
of Tilakamañjarī at the dreadful roar of frightfully fall-
ing elephant is described in the following words 451
a
तस्य चोच्कुलितसलिलकूटा स्नपिततटविटपिना जनितसकलाटवी सत्वसंत्रा -
सेन विगतहेतुना वेगपतनेन तरलितो भयविहस्तः सकलोऽपि मदारिका -
पाश्र्ववर्ती युवतिलोकः प्रपलायकश्चितरुतलेषु कश्चिद्रततिवलयेषु कश्चिद्-
गिरिगुहान्तरालेषु तरसा न्यलीयत ।
[tasya cockulitasalilakūṭā snapitataṭaviṭapinā janitasakalāṭavī satvasaṃtrā -
sena vigatahetunā vegapatanena taralito bhayavihastaḥ sakalo'pi madārikā -
pāśrvavartī yuvatilokaḥ prapalāyakaścitarutaleṣu kaścidratativalayeṣu kaścid-
giriguhāntarāleṣu tarasā nyalīyata |
]
But, as this fear was to last only for a moment, the
delineation of the mood is also very brief and fleeting.
(7) BIBHATSA-RASA or THE DISGUSTFUL SENTIMENT :
452 The effect of the Loathsome generated when the po-
et arouses our sense of aversion (jugupsā) as he draws a
lengthy and fully detailed word-picture of the towering
terrific form of the Vetāla. The poet has fully employed
most of its fundamental and excitant determinants and eva-
nescent feelings in the process of delineation. Though the
whole description is a masterpiece probably unrivalled in
some of its
the whole of Sanskrit literature, a/fow pieces are notewor-
thy as specimens of Dhanapāla's skill of depicting the sen-
timent:
The shanks of the Vetāla are pictured in the following
words $53
451. TM(N),p.353(23ff.).
452. ibid., pp.46-49.
453. ibid.,p.46(21ff.).

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