Tilakamanjari of Dhanapala (study)
by Shri N. M. Kansara | 1970 | 228,453 words
This is an English study of the Tilakamanjari of Dhanapala, a Sanskrit poem written in the 11th century. Technically, the Tilaka-manjari is classified as a Gadyakavya (“prose-romance”). The author, Dhanapala was a court poet to the Paramara king Munja, who ruled the Kingdom of Malwa in ancient west-central India. Alternative titles: Dhanapāla Tila...
4. Motifs (18): The parrot
The curse of Mahodara transforms Gandharvaka into a parrot, who is relieved from that cursed state at the touch of the magic mantle sent by Tilakamanjari to Harivahana to enable him to see the city unobserved. This transformation of Gandharvaka helps Harivahana and Kamalagupta by serving as a means to carry their messages to each other. This could have been done by Gandharvaka even without the transformation. But the episode of the sudden appearance of the parrot in response to the invocation of Kamalagupta and later on in the novel, though actually at first in poetic reality, of Harivahana, promotes the suspense sustaining thereby the interest in the narrative.