Book Reviews Acta Orientalia 28
Journal name: Acta Orientalia
Original article title: Book Reviews Acta Orientalia 28
ACTA ORIENTALIA is a journal focused on the study of Oriental languages, history, archaeology, and religions from ancient times to the present. The journal includes articles reviewed by a senior scholar in the relevant field.
This page presents a generated summary with additional references; See source (below) for actual content.
Original source:
This page is merely a summary which is automatically generated hence you should visit the source to read the original article which includes the author, publication date, notes and references.
Acta Orientalia
Acta Orientalia:
(Founded in 1922 and published annually)
Full text available for: Book Reviews Acta Orientalia 28
Year: 1963 | Doi: 10.5617/ao.5254
Copyright (license): CC BY 4.0
Download the PDF file of the original publication
Summary of article contents:
1) Introduction
The review by Klaus Ferdinand focuses on H. F. Schurmann's ethnographic study titled "The Mongols of Afghanistan," which examines the Moghôls, Hazaras, and Aimâqs among other related peoples in Afghanistan. Completed in the mid-1950s, Schurmann’s work is based on two research missions to the region and offers a comprehensive analysis of the cultural, linguistic, and historical aspects of these groups. The review highlights both the strengths and weaknesses of the source material and methodologies employed by Schurmann, including issues of clarity, breadth of topics, and ethnological analysis.
2) Ethnogenesis of the Moghôls and Hazaras
One significant concept presented in the review is the ethnogenesis of the Moghôls and Hazaras. Schurmann theorizes that both groups originate from Southern Afghanistan and have shared ancestral ties. However, their cultural developments diverged due to differing environmental conditions and historical contexts. The Moghôls have lost many of their Mongolian characteristics, now predominantly assimilating with neighboring groups, while the Hazaras maintain some aspects of their Mongoloid heritage. Ferdinand critiques Schurmann’s reliance on a single invasion theory to explain the Hazara's origins, advocating for a more nuanced understanding that accounts for various migrations and interactions over time.
3) The Peoples of Afghanistan
In the review, Ferdinand discusses Schurmann’s presentation of the various ethnic groups in Afghanistan, focusing on the chapter titled "The Peoples of Afghanistan." He praises the detailed experiences recounted by Schurmann but criticizes his sometimes oversimplified categorizations and the insufficient comparative framework. Ferdinand points out the importance of a more comprehensive ethnological approach that recognizes the complexity and diversity of Afghan nomadic life, particularly in the case of the Pashtuns, who are inaccurately portrayed by Schurmann regarding their interactions with Hazaras and Moghôls.
4) The Aimâqs and their Structure
A further point in Schurmann’s study revolves around the Aimâqs, particularly their classifications and cultural affiliations. Ferdinand notes that Schurmann's categorization of the Aimâqs is challenged by previous scholarship and that a deeper investigation of their origins—as well as their relationship with the Hazaras—is needed. He highlights the influences of Central Asian cultures on the northern Aimâqs, suggesting a blending of various ethnic backgrounds that complicates their identity. This complexity indicates that the Aimâqs cannot be easily pigeonholed as purely Turco-Mongolian or Iranian, emphasizing the need for a rich historical perspective.
5) Linguistic Considerations
Ferdinand evaluates Schurmann's linguistic observations, particularly regarding the Moghôls' language shift from Mongolian to Persian over time. Schurmann asserts that the Moghôls retained their linguistic identity longer in the Herât region compared to their original habitat in Ghôr, where Persian became predominant. Ferdinand contends that linguistic details are critical for understanding the cultural affiliations and heritage of these groups, yet finds that Schurmann's treatment of these topics lacks depth and clarity.
6) Cultural Artifacts and Tents
The review further examines Schurmann's discussion of material culture, specifically tent types among the Moghôls and Taimanîs. Ferdinand critiques Schurmann's differentiation between various tent structures, which he finds misleading. He argues for a more precise technical understanding of tent construction, suggesting that Schurmann oversimplifies the cultural implications of these structures. Ferdinand indicates that a more rigorous technical analysis is necessary for accurately interpreting the material culture of these nomadic groups.
7) Conclusion
In conclusion, while Ferdinand acknowledges that Schurmann's study significantly contributes to the ethnographic understanding of Afghanistan's peoples, he also emphasizes the need for caution. The review calls for a critical approach to Schurmann's conclusions, particularly concerning ethnogenesis, cultural identity, and linguistic shifts. Suggesting that further ethnographic and historical research is vital, Ferdinand’s critique underscores a broader perspective essential for grasping the intricate socio-cultural dynamics of the Moghôls, Hazaras, and Aimâqs in Afghanistan.
FAQ section (important questions/answers):
What is the primary focus of Klaus Ferdinand's review article?
The article reviews H. F. Schurmann's ethnographic work on Afghan peoples, especially the Moghols and Hazaras, providing critical insights and personal experiences from Ferdinand's research.
What are the three main sections of Schurmann's book?
The book consists of three parts: 'The Peoples of Afghanistan,' 'The Moghôls of Afghanistan,' and 'Moghôls of the Herât Region and in Turkestan,' along with appendices.
How does Schurmann characterize the origins of the Moghols?
Schurmann suggests that the Moghols originated from Southern Afghanistan, asserting a connection between them and the nomadic 'Nikûdärf' of historical literature, though Ferdinand questions this conclusion.
What does Ferdinand say regarding the Hazara's origin?
Ferdinand agrees with Schurmann's view of the Hazara's southern origin but argues against the idea of a single invasion, highlighting a complex historical process involving multiple influences.
What criticisms does Ferdinand have regarding Schurmann's ethnographic analysis?
Ferdinand notes that Schurmann's analysis sometimes lacks clarity, depth, and comprehensive ethnological insight, often relying on generalizations and potentially misinterpreting literary evidence.
What observations does Ferdinand share about Afghan nomadic trade?
Ferdinand disputes Schurmann's claims about nomadic grain and milk product exchanges, asserting that nomads maintain fixed seasonal migrations and engage in different types of trade.
How does Ferdinand classify the Chahar Aimâqs and their origins?
Ferdinand acknowledges Schurmann's classification of the Chahar Aimâqs but argues for considering their diverse origins and connections to different Afghan tribes.
What method does Ferdinand recommend for further research on Afghan tribes?
Ferdinand emphasizes the need for thorough ethnographic and linguistic fieldwork and archival studies in Afghanistan to unravel the complex cultural backgrounds of its tribes.
What is the significance of Schurmann's book according to Ferdinand?
Despite its shortcomings, Ferdinand recognizes Schurmann's work as an important contribution to Afghan ethnography, essential for anyone studying the region's cultural history.
Glossary definitions and references:
Oriental and Historical glossary list for “Book Reviews Acta Orientalia 28”. This list explains important keywords that occur in this article and links it to the glossary for a better understanding of that concept in the context of History, Linguistics, Religion, Philosophy, Hinduism, Buddhism, Jainism etc.
1) Afghanistan:
Afghanistan is a landlocked country in South Asia, characterized by its rugged terrain and rich cultural history. Its diverse ethnic groups, including Pashtuns, Hazaras, and Tajiks, contribute to a complex social and political landscape, influenced by centuries of conflict, trade routes, and its strategic location connecting Central and South Asia.
2) Cloth:
Cloth is a material made by weaving or knitting fibers, essential for making garments and various household items. In many cultures, types of cloth can signify status and identity. In the context of Afghanistan, traditional fabrics often carry cultural significance, showcasing local craftsmanship and influences from historical trade exchanges.
3) Black:
Black is a color often associated with depth and sophistication. In various cultures, it can represent mourning or night. In the context of tents as seen in the nomadic lifestyles of Afghans, black tents symbolize tradition, resilience, and are practical for weather protection while embodying cultural heritage.
4) Copper:
Copper is a malleable and ductile metal known for its electrical conductivity. It has been extensively used in tools, currency, and cultural artifacts. In ancient trade routes, such as those involving Mesopotamia and Central Asia, copper held economic significance, linking different civilizations via trade practices and resource exchanges.
5) Book:
A book is a collection of written, printed, or blank pages that are bound together. It serves as a medium for knowledge transmission and storytelling across generations. Books hold cultural significance, providing insights into a society's history, values, and evolution, often becoming records of human thought and civilization.
6) Literature:
Literature encompasses written works spanning various genres, styles, and cultures, reflecting human experiences, emotions, and ideas. It serves as a medium for cultural expression and preservation. In the context of Afghanistan, literature illustrates the interplay of tradition and modernity, preserving languages and narratives amidst historical changes.
7) Mountain:
Mountains are elevated landforms that significantly influence climate, biodiversity, and human settlement patterns. They can symbolize challenges and aspirations. In Afghanistan, mountainous terrain is integral, supporting diverse ecosystems and traditional lifestyles, shaping cultural practices and providing natural barriers in the geopolitical landscape.
8) Language:
Language is the structured system of communication used by humans, allowing expression of thoughts, emotions, and cultural identity. In Afghanistan, multiple languages reflect the country's rich ethnic diversity. Language plays a critical role in shaping identities, facilitating connection among communities and influencing cultural narratives.
9) Door:
A door is a movable barrier used to close off an entrance, symbolizing transition and privacy. In architectural contexts, doors hold both functional and symbolic importance, often reflecting cultural styles and security. In traditional Afghan homes, doors signify hospitality and protection from external elements.
10) Village:
A village is a small community or group of houses in a rural setting, often characterized by agricultural practices and communal life. Villages in Afghanistan embody rich traditions, social interactions, and cultural heritage, being vital in sustaining local economies and preserving customs amidst urbanization and conflict.
11) Shrine:
A shrine is a sacred space dedicated to a deity, saint, or ancestor, often associated with religious practices and pilgrimage. Shrines hold cultural and spiritual significance, fostering community ties and traditions. In Afghanistan, shrines reflect the country's diverse religious landscape and historical narratives.
12) Temple:
A temple is a building dedicated to worship, often reflecting architectural grandeur and spiritual significance. Temples serve as centers for community gatherings and rituals, embodying religious practices. In historical contexts, temples in Afghanistan have been sites of cultural exchange and religious diversity.
13) Khan:
Khan is a title of respect or authority historically used in Central Asia, denoting a ruler or leader. In Afghan culture, khans are often associated with tribal leadership and governance, influencing social structures and power dynamics. Their roles have evolved, reflecting historical changes in political landscapes.
14) Crown:
A crown is a traditional ornamental headpiece worn by rulers to signify sovereignty and authority. In historical contexts, crowns represent legitimacy and divine right to rule. The symbolism associated with crowns transcends cultures, making them prominent in monarchy narratives, including those in Afghan history.
15) King:
A king is a male monarch who rules a kingdom, often viewed as a figure of power and authority. Kingship shapes governance, culture, and societal norms. In Afghan history, various kings have influenced the region's political landscape, reflecting the interplay between tradition and governance.
16) Knowledge:
Knowledge is the understanding or awareness gained through experience, education, and discovery. It encompasses both theoretical and practical insights, playing a crucial role in shaping societies and cultures. In Afghanistan, knowledge preservation amidst conflict highlights the importance of education, traditions, and oral histories.
17) Summer:
Summer is one of the four temperate seasons, marked by warmer weather and longer days. It plays a vital role in agricultural cycles, influencing crop growth and harvests. In Afghanistan, summer is significant for pastoral and agricultural practices, shaping local economies and lifestyles.
18) House:
A house is a structure serving as a dwelling, providing shelter and comfort. Houses reflect cultural values, social status, and architectural styles. In Afghanistan, traditional houses often represent familial bonds and communal living, adapting to environmental conditions and historical narratives.
19) Civilization:
Civilization refers to complex societies characterized by urban development, social structure, and cultural achievements. The evolution of civilizations influences historical narratives, technological advancement, and social norms. Afghanistan's rich history reflects the rise and fall of civilizations influencing trade, culture, and political power.
20) Discussion:
Discussion is the process of engaging in conversation regarding specific topics or issues, facilitating understanding and knowledge sharing. It is crucial in academic and social settings, enabling collaborative learning. In Afghanistan, discussions often reflect cultural values and community engagement, emphasizing the importance of dialogue and consensus.
21) Experience:
Experience encompasses knowledge or skills acquired through practice and exposure, influencing personal growth and understanding. It plays a vital role in shaping perspectives and actions. In Afghanistan, shared experiences often inform cultural practices and resilience amidst socio-political challenges.
22) Lineage:
Lineage refers to the lineal descent of individuals or families, indicating heritage and ancestry. It plays a crucial role in social organization and identity. In Afghanistan, lineage often influences social standing, tribal affiliations, and cultural continuity, shaping community ties and generational influence.
23) Khana:
Khana refers to a dwelling or house in Persian and other Central Asian languages, often embodying cultural significance in architectural styles. In Afghan culture, khana represents familial connections and community gatherings, serving as a center for social interactions and cultural traditions.
24) India:
India is a vast country in South Asia, characterized by immense cultural diversity, historical significance, and economic influence. Its historical interactions with Afghanistan shaped trade, culture, and politics. The Indus Valley Civilization, situated in modern-day Pakistan and India, played a vital role in early regional development.
25) City:
A city is a large human settlement characterized by infrastructure, economic activities, and cultural institutions. Cities are central to civilization development, serving as hubs for trade, governance, and cultural exchange. In Afghanistan, cities like Kabul and Herat reflect intricate histories of diversity and resilience.
26) Strengthening:
Strengthening refers to making something stronger or more robust, applicable in contexts of physical structures, social ties, and community resilience. In historical and cultural settings, strengthening relationships through alliances and communal ties is critical for maintaining stability and addressing challenges.
27) Existence:
Existence refers to the state of being or living, encompassing all domains of life and consciousness. Exploring existence raises fundamental philosophical and spiritual questions, influencing cultural narratives. In Afghan history, the struggle for existence amidst adversity highlights resilience and the survival of cultural identity.
28) Merchant:
A merchant is an individual engaged in trade, buying and selling goods for profit. Merchants play a crucial role in economic systems, facilitating the distribution of resources. In ancient Afghanistan, merchants served as critical links in regional trade networks, influencing cultural exchange and social dynamics.
29) Conquest:
Conquest is the act of overcoming or subjugating a territory or people through force or strategy. It has shaped historical narratives and power dynamics throughout history. In Afghanistan, conquests have left lasting impacts on culture, language, and social structures, interweaving various influences over time.
30) Dynasty:
A dynasty is a sequence of rulers from the same family lineage, characterized by the transmission of power and influence. Dynastic rule often shapes governance structures and cultural continuity. Afghanistan's history includes numerous dynasties, each contributing to the region's complex socio-political fabric.
31) Persia:
Persia, historically significant as a dominant civilization in the ancient world, refers to modern-day Iran. It is known for its rich cultural contributions, including literature, art, and architecture. Afghanistan's interactions with Persia profoundly influenced regional politics, trade, and cultural exchanges throughout history.
32) Indus:
The Indus River is one of the longest rivers in Asia, flowing through India and Pakistan. It played a crucial role in the development of the Indus Valley Civilization, one of the world's earliest urban cultures. The river influences agriculture, trade routes, and cultural practices in the surrounding regions.
33) River:
A river is a flowing body of water, vital for ecosystems, agriculture, and human settlement. Rivers facilitate irrigation and serve as transportation routes. In Afghanistan, major rivers like the Kabul and Helmand shape agricultural practices and community development, connecting various regions of the country.
34) Indu (Imdu):
Indu, often referring to the Indus River or region, represents the cultural and historical significance associated with early civilizations in South Asia. Its valleys have been formative in agricultural development and trade. In broader contexts, Indu embodies the intertwined histories of cultures across South Asia.
35) Pari:
Pari translates to 'fairy' in Persian, embodying themes of beauty, enchantment, and mystique within literature and mythology. Within Afghan culture, the concept of pari contributes to folkloric narratives and artistic expressions, enriching cultural depth and providing insights into societal values and beliefs.
36) Theology:
Theology is the study of the nature of the divine, encompassing religious beliefs and doctrines. It shapes moral frameworks and cultural practices. In Afghanistan, theological discussions influence social norms, community values, and inter-religious dialogue, reflecting the country's historical religious diversity and theological discussions.
37) Religion:
Religion is an organized system of beliefs, practices, and values often centered around the divine or spiritual. It shapes cultural identities and social norms. In Afghanistan, various religions, including Islam and indigenous beliefs, interact, influencing traditions, community cohesion, and historical context.
38) Babylon:
Babylon was an influential ancient city in Mesopotamia, known for its cultural, legal, and architectural innovations. Its history is marked by conquests and empires. The significance of Babylon extends to religious texts and archaeological studies, providing insights into ancient civilizations' socio-political dynamics.
39) Grammar:
Grammar is the system of rules governing the structure of language, essential for effective communication. Understanding grammar enhances language proficiency and comprehension. In the context of learning languages like Persian or Arabic, mastering grammar serves as a foundation for literacy, cultural appreciation, and academic pursuits.
40) Silver:
Silver is a precious metal that has been historically valued for its beauty and utility, often used as currency and in trade. In ancient civilizations, including Mesopotamia, silver facilitated economic transactions and served as a standard measure of wealth, influencing trade dynamics and cultural practices.
41) Valley:
A valley is a low area of land situated between hills or mountains, often formed by erosion or tectonic activity. Valleys are crucial for agriculture, water supply, and biodiversity. In Afghanistan, valleys serve as critical agricultural areas, often rich in historical significance and cultural heritage.
42) Kundi (Kumdi):
Kundi refers to a term used in Afghanistan, often to indicate a specific subgroup or region within broader ethnic or cultural contexts. Understanding groups like Kundi facilitates insights into local traditions, social structures, and historical narratives that shape the Afghan landscape.
43) Light:
Light symbolizes knowledge, purity, and guidance across various cultural and spiritual domains. It plays a crucial role in rituals and cultural expressions. In Afghanistan, light often represents enlightenment and hope amidst challenges, reflecting broader themes in literature and art that convey resilience and prosperity.
44) Shusha (Susa):
Susa was an ancient city in Persia, notable for its rich history and significance in various empires. It served as a major center for trade, culture, and politics. Susa’s legacy continues to influence our understanding of ancient civilizations and their interactions across the regions of the Middle East.
45) Personal experience:
Personal experience encompasses individual interactions and observations that shape one's understanding of culture, society, and humanity. It serves as a valuable lens through which we can analyze broader societal patterns. In Afghanistan, personal experiences often depict resilience, cultural richness, and the complexities of daily life amidst change.
46) Arabic literature:
Arabic literature represents the body of written works in the Arabic language, encompassing poetry, prose, and folk tales. It is rich in history, reflecting cultural, religious, and social values. In the context of Afghanistan, Arabic literature influences local narratives, contributing to the Islamic cultural landscape.
47) Indus Valley:
The Indus Valley is known for its early civilization, characterized by advanced urban planning, trade networks, and cultural richness. It significantly contributes to our understanding of ancient societies. In the context of Afghanistan, its proximity to the Indus Valley influences trade, culture, and agricultural practices.
48) Environment:
Environment encompasses the physical, biological, and cultural aspects surrounding individuals and communities. It plays a crucial role in shaping lifestyles, resources, and societal dynamics. In Afghanistan, the environment impacts livelihoods, cultural traditions, and socio-economic challenges faced by various communities.
49) Agriculture:
Agriculture refers to the practice of cultivating crops and raising livestock for food, fiber, and other products. It is vital for sustenance and economic development. In Afghanistan, agriculture is a primary livelihood, heavily influenced by geographical factors, seasonal patterns, and historical trade routes.
50) Habitat:
Habitat is the natural environment in which an organism lives, encompassing physical, biological, and social components. Understanding habitats is essential for ecological conservation and human interaction with nature. In Afghanistan, diverse habitats support rich biodiversity, influencing traditional lifestyles and cultural practices.
51) Garment:
A garment is a piece of clothing, integral to fashion and culture. It often signifies identity, social status, and cultural practices. In Afghanistan, traditional garments reflect regional diversity, cultural significance, and historical influences, showcasing local craftsmanship and heritage in textile production.
52) Student:
A student is an individual engaged in learning, typically in a school or educational setting. Students contribute to knowledge transfer and social development. In Afghanistan, education is essential for empowerment, with students often embodying hope for progress amid historical challenges to learning and access.
53) Cotton:
Cotton is a natural fiber harvested from cotton plants, widely used in textiles and clothing production. Its versatility and comfort have made it a staple in many cultures. In the context of Afghanistan, cotton cultivation plays an essential role in agriculture and economy, embodying local craftsmanship.
54) Egypt:
Egypt is a historical country in northeastern Africa, renowned for its ancient civilization, cultural achievements, and monumental architecture. Its interactions with neighboring regions, including Afghanistan, shaped trade routes and cultural exchanges throughout history, influencing various aspects of art, religion, and governance.
55) Syria (Syrian):
Syrian pertains to anything originating from Syria, a country known for its rich cultural heritage and historical significance. The interactions between Syria and its neighbors, including Afghanistan, have influenced historical, social, and economic dynamics across the region, contributing to complex interrelations and cultural exchanges.
56) Ivory:
Ivory is a dense, white material derived from the tusks of elephants and other animals, valued for its beauty and utility in artistic and functional objects. In ancient trade, ivory was a significant commodity, linking regions like Afghanistan with various cultures through luxury goods and craftsmanship.
57) Death:
Death is the cessation of biological functions that sustain life, often conceptualized with cultural and spiritual significance. It influences social customs, rituals, and beliefs across cultures. In Afghanistan, death traditions reflect deep-rooted beliefs about the afterlife and commemoration, shaping communal interactions during grieving.
58) Frame:
A frame refers to a rigid structure supporting or enclosing something, providing stability and organization. In cultural contexts, frames can symbolize boundaries and perspectives. In Afghanistan, decorative frames in architecture and art reflect rich cultural heritages, enhancing both functionality and aesthetic appeal.
59) White:
White often symbolizes purity, peace, and clarity across various cultures. In many traditions, it represents new beginnings and is associated with spiritual significance. In the context of Afghan traditions, white may appear in textiles and ceremonial garments, carrying cultural meaning in religious and social practices.
60) Truth:
Truth is the state or quality of being in accordance with fact or reality. It holds philosophical and moral significance, influencing ethical behavior, justice, and societal norms. In Afghanistan, truth remains crucial amidst conflicts, shaping narratives for justice, reconciliation, and the pursuit of knowledge.
61) Stone:
Stone refers to naturally occurring solid aggregates of minerals, fundamental to construction and artistic expression. In many cultures, stone represents permanence and resilience. In Afghanistan, stone structures have historical significance, ranging from ancient architecture to contemporary memorials, embodying cultural continuity and community identity.
62) Maga:
Maga can refer to various cultural or historical terms based on context. In Afghan cultural settings, it could denote a local term representing stories, traditions, or specific societal roles. Understanding terms like maga enriches insights into linguistic diversity and cultural nuances prevalent within Afghan society.
63) Nama (Naman, Nãman):
Nama typically refers to a literary genre or narrative in Persian literature, encompassing stories and poems that convey cultural values and historical themes. In Afghanistan, Nama literature reflects the region’s rich storytelling tradition, preserving oral histories and connecting contemporary narratives with ancestral legacies.
64) Epic:
Epic refers to a lengthy narrative poem or literary work detailing heroic deeds and events. Epics often embody cultural ideals and societal values. In Afghan literature, epics serve as vessels of history and identity, connecting generations through shared stories of valor, tradition, and resilience.
65) Adad:
Adad is a deity in ancient Mesopotamian mythology associated with storms, thunder, and war. Understanding deities like Adad provides insights into cultural beliefs and practices. In the context of Afghanistan, connections to regional deities illustrate historical interactions and the blending of cultural narratives across different civilizations.
66) Mari:
Mari was an ancient city-state in Mesopotamia, known for its rich archaeological history and significance in trade. It played a crucial role in regional dynamics, influencing cultural exchanges among neighboring civilizations. The study of Mari's history provides invaluable insights into ancient social structures and interactions.
67) Milk:
Milk is a nutrient-rich liquid produced by mammals, widely consumed by humans for its dietary benefits. In many cultures, milk symbolizes nourishment and sustenance. In Afghanistan, dairy products hold cultural importance, forming a dietary staple and influencing agricultural practices based on livestock rearing.
68) Gold (Golden):
Golden refers to something made of or resembling gold, often symbolizing wealth, beauty, and divine favor. In cultural contexts, golden motifs can represent prosperity and achievement. In Afghan artistry and crafts, golden elements often enhance aesthetic value, reflecting cultural richness and historical significance.
69) Face (Facing, Faced):
The face is a prominent part of the human body signifying identity and expression. It embodies emotions and serves as a key aspect of social interactions. In cultural contexts, the portrayal of faces in art can reflect social values and beliefs, informing studies in anthropology and art.
70) Way of life:
Way of life encompasses the daily practices, beliefs, and customs that define a culture or community. It shapes social interactions, responsibilities, and identities. In Afghanistan, diverse ways of life illustrate the country's rich tapestry of traditions, adapting to environmental and socio-political changes over time.
71) clarified butter:
Clarified butter is butterfat that has been separated from the milk solids and water, often used in cooking for its higher smoke point. In Afghan cuisine, clarified butter is prevalent and holds cultural significance, symbolizing hospitality, culinary traditions, and the blending of flavors in local dishes.
72) Small stone:
Small stone can refer to various uses, from construction materials to symbols in cultural practices. In many societies, small stones might carry aesthetic or functional significance. In Afghanistan, their use in architecture, decoration, and traditions illustrates the integration of natural resources into cultural identity.
73) New Year:
New Year marks the beginning of a calendar year and is often celebrated with traditions and rituals symbolizing renewal and hope. In Afghanistan's diverse cultures, celebrations may reflect historical ties and societal values, highlighting the significance of communal festivities in marking transitions and new beginnings.
74) Vetalapancavimshati (Vetalapancavimsati, Vetala-pancavimshati):
Vetalapancavimsati is a collection of tales from Indian folklore, centered around a vampire-like figure recounting stories to a king. This text contributes to the study of narrative structures and moral lessons in literature. Its thematic elements resonate with the storytelling traditions found in Afghan and Central Asian cultures.
75) Trustworthiness:
Trustworthiness refers to the quality of being reliable and deserving of trust. It is crucial in social interactions, relationships, and institutions. In Afghanistan, trustworthiness among communities can significantly impact social cohesion, governance, and the preservation of cultural values amidst historical challenges and external influences.
[Note: The above list is limited to 75. Total glossary definitions available: 148]