Amaravati Art in the Context of Andhra Archaeology

by Sreyashi Ray chowdhuri | 2018 | 90,477 words

This page relates ‘Region Beyond The Coastal Lines (3): Phanigiri’ of the study on Amaravati Art in the Context of Andhra Archaeology, including museum exhibitions of the major archeological antiquities. These pages show how the Buddhist establishment of Amaravati (Andhra Pradesh) survived from 4th century BCE to 14th century CE. It includes references and translations of episodes of Buddha’s life drawn from the Avadanas and Jatakas which are illustrated in Amaravati art.

Phanigiri is about 35 kms from Suryapet on Hyderabad-Vijayawada National Highway and about 45 km from Jangaon railway station. It is 4 kms from Tirumalagiri maṇḍal head quarter in Nalcoṇḍa District. Here on a hillock about 200 feet high is a Buddhist monastic complex. It is adjacent to the village of Phaṇigiri. As the southern portion of the hillock resembles the hood of a snake, the site is called Phaṇigiri. (Phani-snake, Giri-hillock)[1].

In 1942-43 trial excavations were conducted at Phaṇigiri by the Director of Archaeology which exposed coins, brick structures, sculptured panels and other remains datable to the 1st century C.E Later in 2001-2003 further excavation was carried out by the Department of Archaeology and Museums, Government of Andhra Pradesh. This excavation led to the discovery of a Mahāstūpa, a stone pillared hall, three vihāras, two apsidal chaityagṛhas, sculptured reliefs and Brāhmī inscription belonging to the Sātavāhana and Ikṣvāku period. The site is datable to 1st century B.C.E -3rd century C.E.

The Mahāstūpa (18m diameter) is built on a wheel shaped plan having four āyaka platforms (4m x 1.25m) on four cardinal directions. The western āyaka platform retained five lime stone āyaka pillars[2]. The stūpa has a drum and a dome. On the southern side of the Mahāstūpa, two apsidal caityas were unearthed. In between the two chaityagṛhas, a brick platform is found where three Buddhapadas are found. On the other side of the platform several sculptured panels, broken statues of Bodhisattva and a damaged Buddha image is found. Further excavation at the base of the brick platform unearthed a stone railing with a roundel depicting Jātaka stories. The Māndhāta (PL 12c) and Losaka Jātaka at Phaṇigiri closely resemble similar Jātaka representation in the Amarāvatī art[3].

Footnotes and references:

[1]:

Ramalakshman, A (ed), 2002, ‘Excavations 2001-2002’, Op. cit, p 9.

[2]:

Ibid, p 9

[3]:

Subrahmanyam B, 2005, Jātakas in South Indian Art, Delhi, p 12.

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