Jivanandana of Anandaraya Makhin (Study)
by G. D. Jayalakshmi | 2019 | 58,344 words
This page relates ‘Medicines administered for different diseases’ of the study on the Jivanandana (in English) which is a dramatic play written by Anadaraya Makhin in the 18th century. The Jivanandana praises the excellence of Advaita Vedanta, Ayurveda (medical science) and Dramatic literature as the triple agency for obtaining everlasting bliss.
Medicines administered for different diseases
Both in Act VI and Act VII, by portraying the different diseases as soldiers of the enemy side and the respective medicines that eradicate them as the hero's soldiers, the dramatist gives out information about the various medicines administered to alleviate the different diseases that attack the body.
In Act VI Jāvarāja lists out one after other the following powerful medicines and the diseases that they cure–
Medicines | Diseases cured by them |
Rasabhūpatiḥ | Śvāsarogas and also Kāsa. |
Rasa-sindūra | All types of Jvaras-fevers and Āma. |
Jvarāṅkuśarasa Sarvajvarāpahaḥ | Remover of all Vāta and Pitta oriented fevers. |
Ānandabhairava rasa | Cures all types of Atisāras derived by the faults of all these three Kapha, Vāta and Pitta and hence it is known as Tridoṣotthātisārajit. |
Rājamṛgāṅka | Gets rid of Kṣayaraya. |
Siddharaseśvara Vāta rākṣasa, Agnikumārarasa and Pūrnacandroyarasa. | Completely destroys Yakṣmāroga along with all Vāta and Śleṣma diseases also. |
Vāta rākṣasa | Puts down Vāta oriented diseases. |
Agnikumārarasa | Eradicates Kapha oriented diseases. |
Pratapalaṃkeśvararasa | Cures all Vāta oriented diseases, including DhanurVāta very dangerous disease. |
Vasantakusumakararasa | Controls various types of diseases. |
Suvarṇarasabhupati | Puts the entire group of diseases under total control. |
Badavānalacūrṇa | Quickly destroys the Agnimāndyam completely. |
Sudarśanacūrṇa | Removes all the three faults and their concerned diseases |
Vāta kuṭhararasa | Deals with Vāta rogas |
Pramehagajakesarī | Drives away twenty types of meharogas and also Gatimāndyam which makes one to fall down often while walking |
Vāta vidhvaṃsanarasa | Drives out eighty divisions of Vāta rogas completely. |
In Act VII the dramatist presents again all details regarding some more medicines and the diseases that are cured by them.
Medicines | Diseases cured by them |
Maṇḍapāka | Mandāgnī, an abode of all sorts of diseases. |
Guṭikā | Pitta and Vāta and Vātapditta combines three types of fever. |
Gudūcyadikvātha and Paṃcabhadrakvātha | Eight types of Sannikpāta fevers. Pitta and Vāta jvaras caused by the Doṣas of Pitta and Vāta. |
Trilokyacinatāmaṇi | Poison of plants and animals which bring in Āmajvara and wounds. |
Ārogyacinatāmaṇi | All types of fevers. |
Jvarāṇkuśarasa | Saṃgragrahaṇī diseases. |
Grhaṇīkapātarasa | Vāta grahaṇī, Pittagrahaṇī Kapha grahani, Sannipāta grahaṇī, Saṃgrahagrahaṇī, Yakṣmā. |
Paṇcāmṛtaparpatī | Atīsara, eight types of fevers and female oriented health problems. |
Sūkṣmailādiicūrṇam | Aversion towards food, spleen–oriented diseases, Śvāsa and Kāsa diseases. |
Siddhayoga and Gokṣurakādicūrṇa | Sūkadoṣas, male oriented diseases. |
Trivikramarasa | Urinary infections and diseases. |
Viṣyandanataila | For Bhagandara. |
Laghulaṅkeśvara | For Kuṣṭha group. |
Nityoditarasa | Piles. |
Vidyādhararasa | Gulmarogas. |
Trinetrarasa | Śūla rogas. |
Mahāvahnirasa | Stomach diseases. |
Girikarṇyadi vidhi Guñja tailam | All types of headaches and other diseases. |
Candradayavarti | Eye diseases. |
Saubhañjanādi tailam | Ear diseases. |
Siddharthādividhi | Mental diseases poison, Grahaṇī fevers. |
Navarasacūrṇam | Pāṇḍu, heart diseases, Bhagandara, śopha, kuṣtha and stomach problems. |
Mehakuñjarakesarī | For pramehas. |
To sum up, the Jīvānandana Nāṭaka of Ānandarāya Makhin has been structured almost like an Ayurvedic text. Ānandarāya Makhin’s confidence in his audience/readers does not go futile; even a layman who does not know anything about medicine, can easily follow the principles of Āyurveda and also its application. A medical text has been quite interestingly structured in the form of a nāṭaka which makes it easily understandable. In spite of such an involvement with Āyurveda the drama does not lose its merit as a nāṭaka; it has been made all the more relishable as it would be shown in the sixth chapter which deals with the dramatic elements of Jīvānandana Nāṭaka.