Dasarupaka (critical study)
by Anuru Ranjan Mishra | 2015 | 106,293 words
This page relates ‘Prakarana (critical study)’ of the English study of the Dasarupaka of Dhananjaya: an important work on Hindu dramaturgy (Natya-shastra) from the tenth century dealing with the ten divisions of Sanskrit drama (nata), describing their technical aspects and essential dramaturgical principals. These ten types of drama are categorised based on the plot (vastu), hero (neta) and sentiment (rasa)
Chapter 10 - Prakaraṇa (critical study)
- Sub-Contents: (+ / -)
The study of Prakaraṇa with special reference to the Mudritakumudacandra, by Yaśaścandra is meant to examine and explain how it follows the rules of Bharata and Dhanañjaya of a Prakaraṇa. Further, the study is meant to explain the theme, characters and other aspects of the Prakaraṇa.