Shat-cakra-nirupana (the six bodily centres)

by Arthur Avalon | 1919 | 46,735 words | ISBN-10: 8178223783 | ISBN-13: 9788178223780

This is the English translation of the Shat-cakra-nirupana, or “description of the six centres”, representing an ancient book on yoga written in the 16th century by Purnananda from Bengal. This book investigates the six bodily centres famously known as Chakras. The text however actually forms the sixth chapter of the Shri-tattva-cintamani, compiled...

Summary (of verses 1-13)

The Mūlādhāra is a Lotus of four petals. The petals are red, and have the letters Va, Śa (palatal), Ṣa (cerebral), Sa, in colours of gold. In the pericarp is the square Dharā-maṇḍala surrounded by eight spears, and within it and in the lower part is the Dharā-Bīja[1] who has four arms and is seated on the elephant Airāvata. He is of yellow colour, and holds the thunderbolt[2] in his hands. Inside the Bindu of the Dharā-Bīja is the Child Brahmā, who is red in colour, and has four hands with which he holds the staff,[3] the gourd,[4] the Rudrākṣa rosary, and makes the gesture which dispels fear.[5] He has four faces. In the pericarp there is a red lotus on which is the presiding Divinity of the Cakra (Cakrādhiṣṭhātrī), the Śakti Ḍākinī. She is red and has four arms, and in her hands are Śūla,[6] Khaṭvāṅga,[7] Khaḍga,[8] and Caṣaka.[9] In the pericarp there is also the lightning-like triangle, inside which are Kāma-Vāyu and Kāma-Bīja,[10] both of which are red. Above this is the Svayaṃbhu-Liṅga which is Śyāma-varṇa,[11] and above and round this Liṅga is Kuṇḍalinī coiled three and a half times, and above this last upstands, on the top of the Liṅga, Cit-kalā.[12]

(This is the end of the first section.)[13]

Footnotes and references:

[1]:

“Laṃ.”

[2]:

Vajra.

[3]:

Daṇḍa.

[4]:

Kamaṇḍalu.

[5]:

Abhaya-mudrā.

[6]:

Spear.

[7]:

Skull-mounted staff.

[8]:

Sword. Khaḍga is a heavy sacrificial sword.

[9]:

Drinking-cup.

[10]:

“Klīṃ”

[11]:

Its colour.

[12]:

Described in v. 12 as another from of Kuṇḍalinī.

[13]:

Prakaraṇa. The commentator divides the text and his commentary into eight sections.

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