by Julius Eggeling | 1882 | 730,838 words | ISBN-13: 9788120801134
This is Satapatha Brahmana IV.3.1 English translation of the Sanskrit text, including a glossary of technical terms. This book defines instructions on Vedic rituals and explains the legends behind them. The four Vedas are the highest authortity of the Hindu lifestyle revolving around four castes (viz., Brahmana, Ksatriya, Vaishya and Shudra). Satapatha (also, Śatapatha, shatapatha) translates to “hundred paths”. This page contains the text of the 1st brahmana of kanda IV, adhyaya 3.
1. Having drunk (Soma) and said, 'We are invited together,' he (the Adhvaryu) rises. He takes a piece of the cake, and at the place where the Achāvāka, being seated, is now (about to) recite, he puts the piece of cake in his hand and says, 'O Achāvāka, say what thou hast to say!' Now, the Achāvāka was excluded (from the Soma).
2. Indra and Agni preserved him for the production of creatures, whence the Achāvāka priest belongs to Indra and Agni. But it is by means of that sacrificial food, the piece of cake which he now puts in his hand, and by means of that (saying) of the seers which he now recites, it is thereby they (Indra and Agni) preserve him.
3. When the Achāvāka has (again) taken his seat (behind his hearth), he (his Adhvaryu) proceeds with the libations of the seasons (Ṛtugraha). The reason why he proceeds with the libations of the seasons when the Achāvāka is seated, is that the Achāvāka represents a sexual union, since the Achāvāka belongs to Indra and Agni, and Indra and Agni are two, and a productive union means a pair: from that same productive union he produces the seasons, the year.
4. And again why he proceeds with the libations of the seasons, when the Achāvāka is seated. The seasons, the year, are everything; he thus produces everything: this is why he proceeds with the libations of the seasons when the Achāvāka is seated.
5. Let him draw twelve of them,--twelve months there are. in the year: therefore he should draw twelve (cups of Soma). But he may also draw thirteen, for, they say, there is a thirteenth month. Let him nevertheless draw twelve only, for such is completeness.
6. He draws them from the Droṇakalaśa (Soma trough), for the Droṇakalaśa is Prajāpati, and from out of that Prajāpati he produces the seasons, the year.
7. He draws them by means of double-mouthed cups;--for where is the end of those two (cups) that are double-mouthed? Hence this year revolves without end. When he has drawn this (libation), he does not deposit it: whence this year is ceaseless.
8. He recites no invitatory prayer; since one invites with an invitatory prayer, and the present season has already come, either by day or by night. Nor does he utter a second Vaṣaṭ, lest he should turn away the seasons. Simultaneously they (the Adhvaryu and Pratiprasthātṛ) draw the two first and the two last libations: thus they embrace everything here by means of the year, and everything here is embraced within the year.
9. Out (of the Havirdhāna shed) walks the one, in steps the other, whence these months pass following one another. But were both to walk out together, or were both to enter together, these months would assuredly pass separated one from the other: therefore while out walks the one, in steps the other.
10. Six times they perform with, 'With the season'--thereby the gods created the day; and four times with, 'With the seasons'--thereby they created the night. And, assuredly, were only this much (used), there would be nothing but night: it would never pass away.
11. Over and above they perform twice with the formula 'With the season;' thereby the gods subsequently gave the day (again), whence it is now day there, then it will be night, and to-morrow day.
12. By 'With the season' the gods forsooth created the men, and by 'With the seasons' the beasts; and because they created the beasts in the middle of those (men), therefore these beasts (cattle), being shut in on both sides, have come into the power of men.
13. And having performed six times with, 'With the season,' they both turn round their vessels to the other side; and having performed four times with, 'With the seasons,' they turn round their vessels to the other side: from the one side (or mouth) indeed the gods created the day, and from the other side the night; from the one side the gods created men, and from the other beasts.
14. Now he draws the cups (for the seasons) therefrom, with (Vāj. S. VII, 30), 'Thou art taken with a support: thee for Madhu!' the Adhvaryu takes (the first); with 'Thou art taken with a support: thee for Mādhava!' the Pratiprasthātṛ (the second). These two are the spring (months): because in spring plants sprout and trees are brought to ripeness, therefore these two are Madhu (sweet) and Mādhava.
15. With 'Thou art taken with a support: thee for Śukra!' the Adhvaryu draws (the third); with 'Thou art taken with a support: thee for Śuci!' the Pratiprasthātṛ (the fourth). These two are the summer (months): because during them it burns fiercest, therefore these two are Śukra (clear) and Śuci (bright).
16. With 'Thou art taken with a support: thee for Nabhas!' the Adhvaryu draws (the fifth); with 'Thou art taken with a support: thee for Nabhasya!' the Pratiprasthātṛ (the sixth). These two are (the months) of the rainy season: it rains from yonder sky, and hence these two are Nabhas (mist, cloud) and Nabhasya.
17. With 'Thou art taken with a support: thee for Ish (sap)!' the Adhvaryu draws (the seventh); with 'Thou art taken with a support: thee for Ūrj (food)!' the Pratiprasthātṛ (the eighth). These two are the autumn (months): because in autumn food (ūrj) and juice, (namely) plants, ripen, therefore these two are Iṣa and Ūrja.
18. With 'Thou art taken with a support: thee for Sahas!' the Adhvaryu draws (the ninth); with 'Thou art taken with a support: thee for
Sahasya!' the Pratiprasthātṛ (the tenth). These two are the winter (months): because the winter by force (sahas) brings these creatures into his power, therefore these two are Saha and Sahasya.
19. With 'Thou art taken with a support: thee for Tapas!' the Adhvaryu draws (the eleventh); with 'Thou art taken with a support: thee for Tapasya!' the Pratiprasthātṛ (the twelfth). These two are (the months) of the dewy season: because during them it freezes most severely, therefore these two are Tapas and Tapasya.
20. With 'Thou art taken with a support: thee to Aṃhasaspati (lord of trouble)!' he (the Adhvaryu) draws the thirteenth libation, if he draw a thirteenth. The Pratiprasthātṛ then pours his residue into the Adhvaryu's vessel, or the Adhvaryu pours his residue into the Pratiprasthātṛ's vessel. He (the Adhvaryu) takes it (to the Sadas) for the purpose of drinking it.
21. Thereupon the Pratiprasthātṛ draws the Aindrāgna graha with the vessel not used for the drinking. The reason why he draws the Aindrāgna libation with the vessel not used for drinking is that no second Vaṣaṭ is pronounced on the Ritugrahas, and for them he is about to take the Aindrāgna graha: thus they become consecrated for him by a second Vaṣaṭ through the Aindrāgna.
22. And again, why he draws the Aindrāgna graha. By drawing the libations to the seasons he has generated this All, and having generated this All, he now establishes it on the out-breathing and in-breathing: hence this All is established on the out-breathing and in-breathing, for Indra and Agni are the out-breathing and in-breathing, and these two, heaven and earth, are the out-breathing and in-breathing, and within these two this All is established.
23. And again, why he draws the Aindrāgna cup. By drawing the libations to the seasons he has generated this All, and having generated this All, he lays the out-breathing and in-breathing into this All: hence these two, the out-breathing anti in-breathing, are laid into (or beneficial, hita, in) this All.
24. He now draws it from that (droṇakalaśa trough) with (Vāj. S. VII, 3, 1; Rig-veda III, 12, 1), 'O Indra and Agni, through our songs come ye hither to the Soma, to the agreeable fume: drink thereof, urged by our hymn!--Thou art taken with a support: thee to Indra and Agni!'--with 'This is thy womb: thee to Indra and Agni!' he deposits it (on the mound), for it is for Indra and Agni that he draws it.
26. Now, in that he draws the Vaiśvadeva graha, thereby he sends forth this All, these creatures in due order: whence these creatures are generated again repeatedly. He draws it with the Śucra cup, for the Śucra (bright) is yonder burning (sun), and what rays of his there are, they are the All-gods: therefore he draws it with the Śukra cup.
27. He draws it from that (Soma in the Droṇakalaśa) with (Vāj. S. VII, 33; Rig-veda I, 3, 7), 'Ye protectors and supporters of men, O All-gods, come hither, ye givers, to the giver's liquor!--Thou art taken with a support: thee to the All-gods!' with 'This is thy womb: thee to the All-gods!' he deposits it, for it is for the All-gods that he draws it.
Footnotes and references:
The Puroḍāśa offerings, described in the preceding paragraphs, are followed by libations from the dvidevatya cups, viz. the Aindravāyava, Maitrāvaruṇa, and Aśvina. Each time the Adhvaryu is about to make a libation, the Pratiprasthātṛ draws Soma-juice into the Āditya cup (pātra) and makes libations therefrom immediately after the Adhvaryu on the north side of the fire. And each time he pours the remains from the Āditya cup into the Āditya sthālī with, 'Thee to the Ādityas!' finally covering the latter with the former (see IV, 3, 5, 6). Then follows the filling of the cups of the Camasins (see p. 287, note 2), and the libations from the Śukra and Manthin grahas (already anticipated in IV, 2, 1, 13 -31) and from the cups of the Camasins. Thereupon the Adhvaryu goes to the Sadas and sits down opposite the Hotṛ; and in alternate draughts and with mutual 'invitations' they empty the p. 317 dvidevatya cups. The remains are poured into the Hotṛ's cup, and portions of the puroḍāśas having then been put into those cups, they are deposited in the left track of the southern cart. The Adhvaryu and Pratiprasthātṛ then drink the remains of the Śukra and Manthin cups; the other priests also drinking from their cups, without, however, quite emptying them, after which the cup-bearers deposit them in the Havirdhāna, behind the axle of the southern cart. Henceforward, till the Vaiśvadeva cup is drawn (IV, 3, 1, 25), those cups are called nārāśaṃsa. The Adhvaryu then takes a piece of the sacrificial cake and rises, calling out, 'We are invited together;' after which follows the rehabilitation of the Achāvāka, referred to above. Being called upon by the Adhvaryu, he recites the verse Rig-veda V, 25, 1 (beginning with 'achā,' whence perhaps his name), 'Hither will I sing Agni the god for your protection,' &c., and then says, 'Ye Brāhmans, invite us Brāhmans also!' whereupon the Adhvaryu says, 'This Brāhman desires an invitation: invite him, Hotṛ!' Being then invited, he pronounces an anuvākyā, and his cup-bearer fills his cup, which henceforth ranks last but one, thus preceding that of the Āgnīdhra. He now drinks from his cup, and the latter is then deposited along with the other Camasas; whereupon the priests, who have taken part in the offering of the puroḍāśas, and the sacrificer eat the Iḍā in the Āgnīdhra fire-house.
Or rather, we have been mutually invited.
See III, 6, 2, 12.
See part i, p. 321, note 6.
The two Ṛtu vessels are made of kārshmarya or aśvattha wood, of the shape of spoon-bowls, with spouts on both sides. Kāty. IX, 2, 13.
The twelve Ṛtugrahas are drawn alternately by the Adhvaryu and Pratiprasthātṛ--the first two and the last two simultaneously, the others singly, so that the one enters the cart-shed while the other leaves. Both in entering and leaving the Pratiprasthātṛ passes by the Adhvaryu on the north side, and for a moment encircles him by passing his arms round him and holding his own vessel south of him. With the exception of the last two libations, the libations are offered up entire (holocausts). When either of them is about to offer one of the first six libations, he calls on the Maitrāvaruṇa to 'Prompt (the Hotṛ, &c.) by the season!'--and at the four succeeding ones (after turning round the vessels so as to put the other mouth in front) to 'Prompt by the seasons!' For the last two libations they again reverse the vessels to the previous position and call on him to 'Prompt by the season!' The Maitrāvaruṇa's formula runs thus: 'Let the Hotṛ pronounce the offering prayer to Indra!--From the Hotṛ's cup, from heaven to earth, may he drink Soma together with the season (or, seasons)! O Hotṛ, pronounce the offering prayer!' Whereupon the Hotṛ (Potṛ, &c.) recites--'We who worship,--From the Hotṛ's cup, from heaven to earth, may he drink Soma together with the season (or, seasons)! Vauṣaṭ!' These formulas are slightly varied according to the deity to whom the libation is offered, and the priest who pronounces the offering prayer and Vauṣaṭ. The p. 320 deities and offering priests of the twelve libations are: 1. Indra--the Hotṛ; 2. the Maruts--the Potṛ; 3. Tvaṣṭṛ and the wives of the gods--the Neṣṭṛ; 4. Agni--the Āgnīdhra; 5. Indra-Brahman--the Brāhmaṇāchaṃsin; 6. Mitra-Varuṇa--the Maitrā-varuṇa; 7-10. Deva Draviṇodas--the Hotṛ Potṛ; Neṣṭṛ, and Achāvāka respectively; 11. the Aśvins--the Hotṛ; 12. Agni Gṛhapati--the Hotṛ. For this last libation, the Maitrāvaruṇa in the first place calls on the sacrificer with, 'O lord of the house, pronounce the offering prayer!' and the sacrificer then again on the Hotṛ with, 'O Hotṛ; pronounce the offering prayer upon this!' whereupon the Hotṛ pronounces the (sacrificer's) offering prayer. Kāty. IX, 13; Śāṅkhāyana Sr. VII, 8; Haug, Transl. Ait. Br. p. 135.
Viz. from the Droṇakalaśa trough; see paragraph 6.
The Kāṇva text adds ṛtū in each case.
The Kāṇva text has 'bhakṣyam' instead of 'bhakṣam.' Each of the priests who have pronounced the offering prayer and Vauṣaṭ partakes of this Soma in his respective order,--the Hotṛ thus taking four draughts; and the Adhvaryu and Pratiprasthātṛ (who, after drawing the Aindrāgna cup, join them in the Sadas) drinking alternately from the same vessel with those Hotṛ priests, who pronounced the Vaṣaṭ at their libations. As at the drawing of the libations, the vessel is turned round after the sixth and tenth offering priests have drank. The vessel having been emptied, the Adhvaryu takes it outside the Sadas, and then sits down in front of the Hotṛ's hearth, with his face to the east, till the recitation of the Śastra (IV, 3, 2, 2).
According to Kāty. IX, 13, 33 seq. the order of performance is as follows. In the first place the first Ājya-śastra is recited. Thereupon the Adhvaryu fetches the Aindrāgna cup from the Havirdhāna (where it was deposited by the Pratiprasthātṛ), makes a libation from it--after calling on the Hotṛ, as at all libations accompanied p. 324 by a śastra, 'Singer of praises, recite Soma's offering prayer;' the nārāśaṃsa cups being shaken by the cup-bearers at the same time--and then drinks the remaining Soma with the Hotṛ. Thereupon he draws the Vaiśvadeva cup from the Droṇakalaśa, pours the remaining juice from the latter into the Pūtabhṛt, and spreads the straining-cloth over the empty vessels for the midday pressing. He also prepares the Savanīya purodāśas (see p. 315, note 4), for the midday feast, omitting however the dish of clotted curds (payasyā). Then follows the chanting of the first Ājya stotra by the Udgātṛs, and the recitation of the Praüga-śastra by the Hotṛ, after which takes place the Vaiśvadeva libation (and emptying of the cup) in the same way as with the Aindrāgna--the camasas being also drained of their contents by the respective priests. Then follows the distribution--already referred to IV, 2, 3, 11 seq.--of the Soma in the Ukthya bowl into three parts for the three Hotrakas, now about to recite their śastras (preceded by their respective stotras). The Adhvaryu takes one portion of the Soma, calls on the Udgātṛs to chant the stotra, and afterwards on the Praśāstṛ (Maitrāvaruṇa) to recite his śastra; after which he makes a libation from the portion of Soma, and pours the remainder into the Praśāstṛ's cup, to be drunk by that priest. In the same way the Pratiprasthātṛ then proceeds with the portions of the two other Hotrakas, viz. the Brāhmaṇāchaṃsin and Achāvāka. Each time also the ten camasas are filled, and after libations therefrom, are emptied by the Camasins. See also p. 287, note 2. At the end of the performance the priests pass silently out (niḥsarp, see p. 299, note 1) of the Sadas by the back-door and out of the Vedi; the midday performance afterwards beginning with the pratisarpaṇa, or 'creeping back' to the Sadas, with homage to the dhiṣṇya hearths, &c.
Viz. in the place of the Śukra cup, on the south-east corner of the khara or mound.