by Julius Eggeling | 1882 | 730,838 words | ISBN-13: 9788120801134
This is Satapatha Brahmana III.5.3 English translation of the Sanskrit text, including a glossary of technical terms. This book defines instructions on Vedic rituals and explains the legends behind them. The four Vedas are the highest authortity of the Hindu lifestyle revolving around four castes (viz., Brahmana, Ksatriya, Vaishya and Shudra). Satapatha (also, Śatapatha, shatapatha) translates to “hundred paths”. This page contains the text of the 3rd brahmana of kanda III, adhyaya 5.
1. The sacrifice is a man; it is a man for the reason that a man spreads (prepares) it. In being spread it is made just as large as a man: this is why the sacrifice is a man.
2. The Soma-cart (shed) is no other than his head, and has Viṣṇu for its deity. And because Soma is therein--Soma being havis (material for offering) for the gods--therefore it is called Havirdhāna (receptacle of havis).
3. The Āhavanīya is no other than his mouth: hence, when he offers on the Āhavanīya, it is as if he poured (food) into the mouth.
4. The sacrificial stake is no other than his crest-lock; and the Āgnīdhrīya and Mārjālīya are his arms.
5. The Sadas (tent for the priests) is no other than his belly: wherefore they feed in the Sadas, for whatever food is eaten here on earth all that settles down here in the belly. And because all the gods sat (sad) in it therefore it is called Sadas: and so do these Brahmans of every family now sit therein.
6. And the two fires which are behind it are his feet. In being spread it is made just as large as a man: this is why the sacrifice is a man.
7. The cart-shed has doors on both sides; and so has the Sadas doors on both sides: hence this man is perforated from one end to the other. He steps to the Soma-carts when they have been -washed down.
9. Over them, having been turned round (and placed on the altar), they put a mat of reed-grass; or, if he cannot procure a reed-mat, a frame of split cane made in like manner as a reed-mat. They fasten a front-band (to the posts of the front door). They enclose (the carts) within two upright hurdles; and lay a (second) reed-mat, or a frame of split cane made in like manner as a reed-mat, behind (the first mat).
10. Now, having again entered (the hall), and taken ghee in four ladlings, he makes offering to Savitṛ for his impulsion, for Savitṛ is the impeller (prasavitṛ) of the gods: 'We will perform the sacrifice, for one impelled by Savitṛ,' thus (the priest thinks and) therefore he makes offering to Savitṛ.
11. He offers with the text (Vāj. S. V, 14; Rig-veda V, 81, 1), 'They harness the mind and they harness the thoughts'--with the mind and with speech they truly perform the sacrifice. When he says, 'They harness the mind,' he harnesses the mind; and when he says, 'and they harness the thoughts (dhī),' he harnesses speech; for it is thereby that people seek to make their living in accordance with their respective intelligence (dhī), either by reciting (the Veda), or by readiness of speech, or by songs,--with these two thus harnessed they perform the sacrifice.
12. 'The priests of the priest, of the great inspirer of devotion,'--the learned Brāhmans versed in sacred writ, truly, are the priests: it is regarding them that he says this. And 'of the great inspirer of devotion,'--the great inspirer of devotion, truly, is the sacrifice: it is regarding the sacrifice that he says this. 'The knower of rites alone hath assigned the priestly offices,' for, in performing the sacrifice, they indeed assign the priestly offices. 'Great is the praise of the divine Savitṛ; Hail!' Thus he offers to Savitṛ for his impulsion.
13. Having then taken ghee a second time in four ladlings, he walks out (of the hall by the front door). The (sacrificer's) wife is led out by the south door. He then lays down a piece of gold in the right wheel-track of the southern Sonia-cart, and offers thereon, with (Vāj. S. V, 15; Rig-veda I, 22, 17), 'Viṣṇu strode through this(universe),thrice he put down his foot: it is enveloped in his dust; Hail!' The residue (of ghee) he pours into the wife's hand. She anoints the burning (part) of the axle with (Vāj. S. V, 17), 'Audible to the gods, announce ye unto the gods!' He hands to his assistant both the offering-spoon and the melting-pot. They lead the wife round by the back of the two fires.
14. Having taken ghee in four ladlings, the assistant lays down a piece of gold in the right wheel-track of the northern Soma-cart, and offers thereon, with (Vāj. S. V, 16; Rig-veda VII, 99, 3), 'Be ye too abundant in food and milch kine and pastures, through benevolence to man! Thou proppedst asunder these two worlds, O Viṣṇu; with beams of light didst thou hold fast the earth on all sides; Hail!' The residue (of ghee) he pours into the wife's hand. She anoints the burning (part) of the axle with,
15. Now, once on a time, the gods, while performing sacrifice, were afraid of an attack on the part of the Asura-Rakṣas; and, the ghee being a thunderbolt, they kept off the evil spirits from the south by that thunderbolt, the ghee; and thus they came not after them on their way. And in like manner does he now keep off the evil spirits from the south by that thunderbolt, the ghee; and thus they do not come after him on his way. And the reason why he offers with two verses relating to Viṣṇu, is that the Soma-cart belongs to Viṣṇu.
16. And in that the wife anoints the burning (part) of the axle, thereby a productive union is effected; for when woman and man become heated, the seed flows, and thereupon birth takes place. She anoints in a direction away (from the cart), for away the seed is cast. He then says (to the Hotṛ), 'Recite to the Soma-carts as they are wheeled forward!'
17. He makes (the sacrificer) say, 'Go ye both forward, furthering the cult!' The cult, namely, is the sacrifice: 'go ye both forward, furthering the sacrifice' he thereby means to say. 'Convey ye the sacrifice upward; lead it not astray!' whereby he means to say, 'convey this sacrifice upward to the world of the gods;' and by saying 'lead it not astray,' he prays for this (sacrificer) that he may not stumble. Let them wheel (the carts) forward, as it were lifting them, so that they may not creak; for of the Asuras is that voice which is in the axle: 'Lest the Asuras’ voice should speak here!' so he thinks. But if they should creak,--
18. Let him make (the sacrificer) say this, 'Speak ye unto your own cow-pen, ye divine resorts; speak not my life away, speak not my offspring away!' This, then, is the expiation thereof.
19. As to this they say, 'Let him stride three steps from the high altar westward and make the Soma-carts stop there: this is the measure for the Soma-carts.' But there is no (fixed) measure in this; wherever he himself may think fit in his mind, only not too near, nor too far (from the high altar), there let him stop them.
20. He salutes them with, 'May ye rejoice here on the height of the earth!' for this (altar) is verily the height (top) of the earth, since his offering-fire is in the heaven. He makes them rest on their naves for that is the appearance of repose.
21. The Adhvaryu, having gone round along the north side (of the carts), props the southern cart, with (Vāj. S. V, 18; Rig-veda I, 154, 1), 'Now will I declare the heroic deeds of Viṣṇu, who measured out the earthly regions; who propped the upper seat, striding thrice, the wide-stepping! For Viṣṇu (I prop) thee!' He fixes the prop in a different place from where (it is fixed) in ordinary practice.
22. The assistant then props the northern cart, with (Vāj. S. V, 19), 'Either from the heaven, O Viṣṇu, or from the earth, or from the great, wide airy region, O Viṣṇu, fill both thine hands with wealth and bestow on us from the right and the left! For Viṣṇu thee!' He fixes the prop in a different place from where (it is fixed) in ordinary practice. The reason why he performs with prayers to Viṣṇu is that the Soma-cart belongs to Viṣṇu.
23. He then makes (the sacrificer) say, after touching the middle reed-mat (Vāj. S. V, 20; Rig-veda I, 154, 2), 'Let Viṣṇu then be praised for his power, terrible like a wild beast prowling about the mountains, on whose three wide strides all beings abide!' Now that (mat-covering) indeed is his (Viṣṇu, the shed's) upper skull-bone
24. Thereupon he makes him say, after touching the front-band (Vāj. S. V, 2), 'Thou art Viṣṇu's fillet;' for it indeed is his fillet. He then makes him say, after touching the two upright hurdles, 'Ye are the corners of Viṣṇu's mouth;' for they indeed are the corners of his mouth. Then that mat which is behind there, that indeed is that skull-bone of his here behind (viz. the occiput).
25. With 'Thou art Viṣṇu's sewer,' he sews (the hurdles to the four door posts) with cord by means of a wooden pin. With, 'Thou art Viṣṇu's fixed (point),' he then makes a knot, 'lest it should fall asunder.' That same (knot) he undoes when the work is completed; and thus disease befalls not either the Adhvaryu or the Sacrificer. The completed (cart-shed) he touches with, 'Thou art Viṣṇu's own,' for the Soma-cart (and shed) belongs to Viṣṇu.
Footnotes and references:
Yāvat-tāvat would rather seem to mean here 'of corresponding (or relatively the same) proportions' as a man, viz. as the respective sacrificer. 'Sa vai tāyamāno yāvān eva puruṣas tāvān vidhīyate, puruṣasyaiva vidhām anu.' Kāṇva rec.
Soma himself is Viṣṇu.
See III, 6, 1, 23; 2, 21.
See III, 6, 2, 21.
That is, the (old) Āhavanīya and Gārhapatya fires of the Prācīna-vaṃśa.
The southern (and larger) cart is under the charge of the Adhvaryu and the northern one under that of his assistant, the Pratiprasthātṛ. Each now drives his cart westward along the south and north sides respectively; and when they are opposite the hall (śāla), they make the carts turn round from left to right; whereupon they drive back to the altar, and place them thereon with the shafts towards the east, near the antaḥpāta ('intermediate' peg, see III, 5, 1, 1), south and north of the 'spine' (cf. p. 112, note 2), each at the distance of one cubit from the latter.
In order to make the shed incline towards the north, cf. III, 1, 1, 2.
It is not clear to me whether the arrangements mentioned in this paragraph refer to the carts in the first place, and have then to be repeated after the shed has been erected, or whether, as I think, some of them refer to the shed only. Even at the time of the Kāty. Sūtras there seems to have been some confusion in this respect, and the rules VIII, 4, 7-12 (10-15, in edition) were entirely misunderstood by the commentator. It is, however, certain that the carts were covered with mats, previously to being shifted from the back to the front part of the altar. As regards the shed, it seems to have been constructed in the following way. In front of the carts, as well as behind them, beams are driven into the ground, six on each side, according to Sāyaṇa on T. S. I, 2, 13; the two middle ones, one cubit north and south of the 'spine' respectively, forming a gateway on each side (Kāty. VIII, 4, 24 scholl.). On these two rows of beams other beams are laid, running from south to north, and forming, as it were, the lintels of the gates; and thereon the tie-beams rest (west to east). This frame of timber is to form a square of nine (or ten) cubits. Over the tie-beams three mats of reed-grass(cadis)--measuring nine (or ten) cubits by three (3½)--are spread, from south to north; first the middle one and then the two others, behind and in front of it. Upright hurdles (or reed-mats) are then stretched between the respective corner-posts, so as to form the south and north sides of the shed; and are 'sewn' to the corner-posts. Between the tops of the two front door-posts a band or garland of plaited reed-tufts (or, according to Haug, a bunch of Darbha grass, consisting of dry and green stalks) is hung up, to represent either a fillet or wreath worn on the forehead (?), or as a door-garland.
This remark would seem to imply that there are only two mats (cf. parags. 23, 24), but perhaps it is merely intended to show that two mats are spread behind and in front of the first mat (i.e. from south to north, and not west to east); not that there are only two mats.
If the preceding paragraph refers (at least partly) to the shed, p. 129 then the atha here means 'Now, in the first place,' thereby introducing details preliminary to what has just been stated.
See III, 2, 4, 16. I now refer 'etayā' to 'vācam,' as does Sāyaṇa,--yadā buddhir jāyate tadā khalv etayā vācā jujyūṣanti. He explains 'prakāmodya' by 'mlaicchikaṃ laukikam bhāṣaṇam,' barbarous, worldly speech.
Vipaścit, probably 'thinker of hymns.' It remains doubtful what meaning our author assigned to the word. Mahīdhara explains it by sarvajña, 'all-knowing.' Sāyaṇa, on Taitt. S. I, 2, 13, refers 'viprasya bṛhato vipaścitah' to the sacrificer.
That is, the iron pins driven into the axle, round which the naves of the wheels revolve. See also p. 121, note 2.
They make her enter the hall by the south door and walk round by the back of the (old) Gārhapatya fire-place to the wheel-tracks on the north side where the Pratiprasthātṛ is about to offer.
The rays of the sun are apparently likened to ropes wherewith he keeps the earth straight and firm.
While reciting his hymn of eight verses (brought up, as usual, to twelve by repetitions of the first and last verses) the Hotṛ has to follow the carts so as to have the north wheel-track of the south cart between his feet. Cf. p. 79, note 1. For the verses recited by him, see Ait. Br. I, 29; Āśv. Śr. IV, 9.
Or, 'falter not!'
The Taitt. S. VI, 2, 9 refers it to Varuṇa, on account of the axle being bound firmly with strings (thongs), resembling Varuṇa's noose.
Rather, 'not so very near,' 'nicht allzu nahe, nicht gar zu nahe.'
Both here, and on Taitt. S. I, 2, 13, Sāyaṇa takes 'varshman' in the sense of body (śarīra).'
Or rather, 'nave-boards (nabhya).' The cart wheels are described as consisting, after the fashion prevalent in Malaya (Kāty. VIII, 4, 5 scholl.), of three parallel boards: the two outer ones form segments, and the middle and largest one has the nave fixed to it, the axle-pin running through its centre. It is on this middle board that he is to make the carts stand. Perhaps 'kṣema' should be taken in the sense of 'security, firm position,' instead of repose, rest,' in which case the upright position of the middle board would seem to be compared with a man in upright position; 'nābhi (nābhya)' meaning both 'navel' and 'nave.'
Sāyaṇa, on Taitt. S. I, 2, 13, remarks:--'The southern and northern parts of the yoke represent the ears of the cart. Through a hole (is effected) the firm tying (of the yoke parts) to the shafts. At the juncture (sandhi) at the (place of) fastening of the southern (part of the yoke) the prop is fixed.' In ordinary practice the prop is put up to support the extreme end of the shafts or pole.
See p. 128, note 1.
Apparently the parietal bone is meant; or perhaps the frontal bone. The Kāṇva text reads: 'He then touches that reed-mat, or p. 134 cane-frame, above, with "Let Viṣṇu . . ." for that is for him (Viṣṇu, the shed) what that skull-bone is up here. And when he says "they abide upon," it is because that rest on the other skull-bones [? adhi hy etad anyeshu kapāleshu kṣiyanti!]. Then what two reed-mats there are on the two carts, they indeed are for him what the two skull-bones are here on both sides. And that reed-mat, or cane-frame, which he puts on there behind (or behind that one), that is for him what the skull-bone behind is.'
Syū, explained by Sāyaṇa as 'thread, cord,' by Mahīdhara as 'needle.'
? Dhruvaḥ, the 'firm one,' (? 'pole-star.') The St. Petersburg Dictionary gives the tentative meaning 'knot.' The Taitt. S. reads 'dhruvam.'
Grāha, lit. 'seizing.' For Varuṇa, whose attribute the knot is, (I, 3, 1, 16), seizing upon men by means of disease; see II, 5, 2, 2.