Sahitya-kaumudi by Baladeva Vidyabhushana
by Gaurapada Dāsa | 2015 | 234,703 words
Baladeva Vidyabhusana’s Sahitya-kaumudi covers all aspects of poetical theory except the topic of dramaturgy. All the definitions of poetical concepts are taken from Mammata’s Kavya-prakasha, the most authoritative work on Sanskrit poetical rhetoric. Baladeva Vidyabhushana added the eleventh chapter, where he expounds additional ornaments from Visv...
Text 9.37 [Citra-kāvya]
Citra-kāvya
तच् चित्रं यत्र वर्णानां खड्गाद्य्-आकृति-हेतुता ॥ ९.८५cd ॥
tac citraṃ yatra varṇānāṃ khaḍgādy-ākṛti-hetutā || 9.85cd ||
Citra-kāvya (picture poetry) is a composition in which the phonemes are the cause of a diagram such as a sword.
yatra sanniveśa-viśeṣeṇa sthitā varṇāḥ khaḍga-cakrādy-ākārān prakāśayanti tac citraṃ nāma.
That in which the phonemes, being located as a specific arrangement, manifest a shape, such as a sword or a wheel, is called citra.
Commentary:
Citra is the general name for the third category of poetry (1.12). Ānandarvardhana thought that citra-kāvya is automatically third-rate poetry (Commentary 1.12). Thus here Mammaṭa says citra signifies citra-kāvya (amazing poetry).[1] The word citra means “amazing” and “picture”. Kavikarṇapūra used the term citra-kāvya, which has the sense of “picture poetry”.[2] However, Narahari Sarasvatī Tīrtha says citra is an ornament which takes the form of a verse.[3] Viśvanātha Kavirāja says it is an ornament of sound.[4] In truth, it is more like an audiovisual ornament. Further, most often a poet does not imply a correlation between a meaning in a verse and the shape of the diagram in which the verse is written.
Footnotes and references:
[1]:
[2]:
atha śabdālaṅkāra-prastāve prāptāvasaratayā citra-kāvyam api pradarśyate (Alaṅkārakaustubha 7.75).
[3]: