Sahitya-kaumudi by Baladeva Vidyabhushana
by Gaurapada Dāsa | 2015 | 234,703 words
Baladeva Vidyabhusana’s Sahitya-kaumudi covers all aspects of poetical theory except the topic of dramaturgy. All the definitions of poetical concepts are taken from Mammata’s Kavya-prakasha, the most authoritative work on Sanskrit poetical rhetoric. Baladeva Vidyabhushana added the eleventh chapter, where he expounds additional ornaments from Visv...
Text 5.3
अपरस्य रसादेर् अङ्गं रसादि, अयम् एव रसवत्-प्रभृतिर् अलङ्कारः. तत्र रसादे रसाङ्गत्वे रसवत्, भावाङ्गत्वे प्रेयः, आभासाङ्गत्व ऊर्जस्वि, प्रशमाङ्गत्वे तु समाहितम्. क्रमेणोदाहरणानि.
aparasya rasāder aṅgaṃ rasādi, ayam eva rasavat-prabhṛtir alaṅkāraḥ. tatra rasāde rasāṅgatve rasavat, bhāvāṅgatve preyaḥ, ābhāsāṅgatva ūrjasvi, praśamāṅgatve tu samāhitam. krameṇodāharaṇāni.
(2) The second variety of second-rate implied sense, called aparasya aṅga (a subsidiary aspect of another), signifies a rasa-ādi which is a subsidiary aspect of another rasa-ādi (4.6). This is the variety which is the rasavat ornament and so on. In that regard, when the subsidiary aspect is a rasa, that is the rasavat ornament (“it has rasa”); when the subsidiary aspect is a bhāva, that is the preyas ornament (dear); when the subsidiary aspect is a rasābhasa or a bhāvābhāsa, that is the ūrjasvī ornament (impetuous); and when the subsidiary aspect is bhāva-śānti, that is the samāhita ornament (ended). Examples are shown in order.