Sahitya-kaumudi by Baladeva Vidyabhushana

by Gaurapada Dāsa | 2015 | 234,703 words

Baladeva Vidyabhusana’s Sahitya-kaumudi covers all aspects of poetical theory except the topic of dramaturgy. All the definitions of poetical concepts are taken from Mammata’s Kavya-prakasha, the most authoritative work on Sanskrit poetical rhetoric. Baladeva Vidyabhushana added the eleventh chapter, where he expounds additional ornaments from Visv...

अद्भुतः,

adbhutaḥ,

This verse is an instance of adbhuta-rasa (wonderment):

citraṃ bataitad ekena vapuṣā yugapat pṛthak |
gṛheṣu dvy-aṣṭa-sāhasraṃ striya eka udāvahat ||

[Nārada thinks:] Wow! This is amazing: With one body, He simultaneously married sixteen thousand women in separate mansions. (Bhāgavatam 10.69.1) (Bhakti-rasāmṛta-sindhu 4.2.7)

Commentary:

This is Mammaṭa’s example:

citraṃ mahān eṣa batāvatāraḥ kva kāntir eṣābhinavaiva bhaṅgiḥ |
lokottaraṃ dhairyam aho prabhāvaḥ kāpy ākṛtir nūtana eṣa sargaḥ ||

“[Bali sees Vāmana’s transformation as Trivikrama[1] :] Wow, this one is an amazing Avatāra. What a wonder! What an effulgence! That is a new trick! His gravity has taken another dimension! Ho, His might is going through the roof! Now that is a form! This is some new kickstart.” (Kāvya-prakāśa verse 43)

Footnotes and references:

[1]:

citram iti, vāmanam uddiśya baler uktiḥ (Uddyota).

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