Image title: Ushnisha-vijaya (Nepal, 17th century)

This Copper sculpture shows an image of Ushnisha-vijaya (a chaitya-Related Goddess), from the 17th/18th century origination from Nepal.—Materials used: Copper.

Description: This goddess emanates from the Transcendent Buddha Vairochana who is thought to dwell within the dome of the chaitya. Images of Ushnisha-vijaya are never found in or on the chaitya. But in later Nepalese paintings like the one nearby, it is usually this goddess who is depicted within. Her name “Ushnisha” refers to the Buddha's cranial knob, a sign of his enlightened state and attainment of Buddha-hood. The modifier vijaya (victory, victorious) relates to his victory in achieving it. The goddess is also a longevity deity and protectoress, a quality accounting for her enormous popularity among Nepalese Buddhists.

Notes: This image is number (9) in the series: The Chaitya: All-Pervasive Monument of Buddhism—An architectural monument unique to Buddhism, the stupa, chaitya, or (in Tibetan) Chörten, is a dominant feature throughout the Buddhist world, past and present. It exists in countless Silk Road ruins and the mounds of southern Nepal, as famous archaeological monuments like India’s Sanchi or Java’s awesome Borobudur, in Burma's or Thailand's actively worshiped myriads, or Nepal's imposing Bodhnath [Boudhanath] and Svayambhu. Chaityas are sometimes minor votive structures, two to four meters high. In Nepal such chaityas crowd the sacred precincts of Svayambhu, embroider the plinths of large stupas like Kathmandu’s Kathesimbhu, embellish monastery and domestic courtyards, sanctify ancient sunken fountains, and dot the waysides. Miniature chaityas a tenth the size of votive chaityas are carried as personal icons (7) or placed in household or monastery shrines (2, 4, 5, 6, 8). The chaitya is also an all-pervasive sacred emblem. It adorns the mystic crown of the Buddhist priest. It serves as a primary attribute or associate of gods and goddesses such as Maitreya (1) and Ushnisha-vijaya (9). It is the subject of countless Nepalese paintings, and appears carved as tiny motifs on the votive chaityas themselves. It is annually created in clay by the disposable thousands, and carved into the lintels of monastery portals to bless all who enter.

Gallery information:

The Patan Museum is located on the Durbar square of Patan (Lalitpur/Lalitapura, Kathmandu, Nepal) which is associated Keshav Narayan Chowk (Keshavnarayan)—a form of Lord Vishnu. Being listed as a World Heritage Site, the whole of Durbar square is filled with exquisite temples, sculptures and other ancient structures, of which the ancient history history can be traced to the Malla Kings of Lalitpur. It is an important site for both Buddhism and Hinduism.