Vismaya: 17 definitions
Vismaya means something in Hinduism, Sanskrit, Marathi, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Alternative spellings of this word include Vismay.
Natyashastra (theatrics and dramaturgy)Source: Wisdom Library: Nāṭya-śāstra
Vismaya (विस्मय, “astonishment”).—One of the eight ‘permanent states’ (sthāyibhāva), according to the Nāṭyaśāstra chapter 7.31. These ‘permanent states’ are called ‘the source of delight’ and are not interfered with by other States. The term is used throughout nāṭyaśāstra literature. (Also see the Daśarūpa 4.43-44)Source: archive.org: The mirror of gesture (abhinaya-darpana)
A type of glance (or facial expression): Viṣmaya (astonishment): quickly raised, straight-staring. Usage: astonishment.Source: archive.org: Natya Shastra
Vismaya (विस्मय, “astonishment”) is created by determinants (vibhāva) such as illusion, magic, extraordinary feats of men, great excellence in painting, art-works in parchment and the like. It is to be represented on the stage by consequents (anubhāva) such as wide opening of the eyes, looking without winking of the eyes, [much] movement of the eyebrows, horripilation, moving the head to and fro, the cry of “well done,” “well done,” and the like.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Shilpashastra (iconography)Source: Shodhganga: The significance of the mūla-beras (śilpa)
Vismaya (विस्मय) or Vismayahasta refers to “surprise” and represents one of the twenty-four gestures with a single hand, as defined according to texts dealing with śilpa (arts and crafs), known as śilpaśāstras.—Accordingly, pratimā-lakṣaṇa (body postures of the icons) is comprised of hand gestures (hasta, mudrā or kai-amaiti), stances/poses (āsanas) and inflexions of the body (bhaṅgas). There are thirty-two types of hands [viz., vismaya-hasta] classified into two major groups known as tolirkai (functional and expressive gestures) and elirkai (graceful posture of the hand).
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Vaishnavism (Vaishava dharma)Source: Pure Bhakti: Bhagavad-gita (4th edition)
Vismaya (विस्मय) refers to “wonder”. (cf. Glossary page from Śrīmad-Bhagavad-Gītā).
Vaishnava (वैष्णव, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnu’).
Kavya (poetry)Source: academia.edu: Bhoja’s Mechanical Garden
Vismaya (विस्मय) refers to the “emotion of astonishment”.—The accounts of both the Śṛṅgāra-mañjarīkathā and Yaśastilakacampū depict real living animals as being charmed or fooled by the automata as if they were alive. A key source of the machine’s fascination, then, was its ability to create deception. Dramaturgical and aesthetic texts in the Sanskrit courtly traditions understood the emotion of astonishment (vismaya) as having its causal basis not only in extraordinary phenomena like the great acts of men, in unusual painting and parchment, but also in illusion and magic—arts that relied on the concealment of causes.
Kavya (काव्य, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetry’ and natya, or ‘dramatic poetry’.
Purana and Itihasa (epic history)Source: archive.org: Shiva Purana - English Translation
Vismaya (विस्मय) refers to “surprise and wonder”, and is used to describe the mountain Kailāsa (the auspicious excellent mountainous abode of Śiva), according to the Śivapurāṇa 2.2.40.—Accordingly, as Brahmā narrated to Nārada:—“[...] accompanied by the gods, sages, Brahmā and others Viṣṇu went to Kailāsa, the auspicious excellent mountainous abode of Śiva. [...] Kailāsa was infested with big animals (i.e., vyāghra-ādi), tigers and others who were free from cruelty. It was of divine nature endowed with shining brilliance. It inspired great surprise and wonder (mahā-vismaya-kāraka)”.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Languages of India and abroad
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
vismaya (विस्मय).—m (S) Astonishment, surprise, wonder. v hō, vāṭa.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
vismaya (विस्मय).—m Astonishment, wonder, surprise.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionarySource: DDSA: The practical Sanskrit-English dictionary
1) Wonder, surprise, astonishment, amazement; पुरुषः प्रबभूवाग्नेर्विस्मयेन सहर्त्विजाम् (puruṣaḥ prababhūvāgnervismayena sahartvijām) R.1.5.
2) Astonishment or wonder, being the feeling which produces the adbhuta sentiment; S. D. thus defines it :विविधेषु पदार्थेषु लोकसीमातिवर्तिषु । विस्फारश्चेतसो यस्तु स विस्मय उदाहृतः (vividheṣu padārtheṣu lokasīmātivartiṣu | visphāraścetaso yastu sa vismaya udāhṛtaḥ) || 27.
3) Pride, arrogance; तपः क्षरति विस्मयात् (tapaḥ kṣarati vismayāt) Ms.4.237.
4) Uncertainty, doubt.
Derivable forms: vismayaḥ (विस्मयः).Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
(-yaḥ) 1. Wonder, surprise, astonishment, (wonder or admiration considered as the feeling giving rise to the Adbhuta Sentiment.) 2. Pride, arrogance. 3. Doubt, uncertainty. E. vi before, smi to smile, aff. ac .Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary
Vismaya (विस्मय).—i. e. vi-smi + a, m. 1. Surprise, [Vikramorvaśī, (ed. Bollensen.)] 78, 5; wonder, [Pañcatantra] i. [distich] 459 (bālake ko tra vismayaḥ, literally, What wonder concerning a little boy, i. e. how much more a little boy). 2. Pride, [Mānavadharmaśāstra] 4, 237. 3. Doubt, uncertainty, [Hitopadeśa] 13, 19; perplexity, [Hitopadeśa] ii. [distich] 13.Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary
Vismaya (विस्मय).—[masculine] na [neuter] wonder, surprise.Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary
1) Vismaya (विस्मय):—[=vi-smaya] [from vi] 1. vi-smaya mfn. (for 2. See vi-√smi) free from pride or arrogance, [Bhāgavata-purāṇa; Śiśupāla-vadha]
2) [=vi-smaya] [from vi-smi] 2. vi-smaya m. (for 1. See p. 953, col. 1) wonder, surprise, amazement, bewilderment, perplexity (in [rhetoric] one of the sthāyi-bhāvas q.v.), [Mahābhārata; Kāvya literature; Daśarūpa]
3) [v.s. ...] pride, arrogance, [Manu-smṛti; Bhāgavata-purāṇa]
4) [v.s. ...] doubt, uncertainty, [Horace H. Wilson]Source: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary
Vismaya (विस्मय):—[vi-smaya] (yaḥ) 1. m. Wonder, surprise; pride; doubt.
[Sanskrit to German] (Deutsch Wörterbuch)Source: Cologne Digital Sanskrit Dictionaries: Böhtlingk and Roth Grosses Petersburger Wörterbuch
Vismaya (विस्मय):—1. (von smi mit vi) m. am Ende eines adj. comp. f. ā .
1) Dünkel, Hochmuth [Hemacandra’s Anekārthasaṃgraha 3, 506.] [Medinīkoṣa y. 104.] tapaḥ kṣarati vismayāt [Manu’s Gesetzbuch 4, 237.] tasmānna vismayaḥ kāryaḥ puruṣeṣu mahātmasu [Bhāgavatapurāṇa 6, 17, 35.] gatavismayā [36.] —
2) das Staunen, das Gefühl der Ueberraschung, Verblüfftheit [Amarakoṣa 1, 1, 7, 19.] [Hemacandra’s Abhidhānacintāmaṇi 303.] [Hemacandra’s Anekārthasaṃgraha] [Medinīkoṣa] [Halāyudha 4, 60. 1, 91.] bata vismaye [5, 92.] [Amarakoṣa 3, 4, 32 (28), 5.] vividhārtheṣu padārtheṣu lokasīmātivartiṣu . visphāraścetaso yastu sa vismaya udāhṛtaḥ .. [Sāhityadarpana 207.] vismayo naḥ samutpannaḥ [Mahābhārata 3, 2472.] vismayo me mahānabhūt [11965.] [Raghuvaṃśa 10, 51.] [Śākuntala 72, 8.] [Vikramorvaśī 78, 5.] [DAŚAR. 4, 72.] viṣādavismayāveśa [Kathāsaritsāgara 18, 240.] [Rājataraṅgiṇī 3, 71. 4, 577.] na vismayo sau tvayi viśvavismaye (adj.) yo māyayedaṃ sasṛje tivismayam (adj.) [Bhāgavatapurāṇa 3, 13, 42. 4, 1, 28.] kāri ceṣṭitam [Spr. (II) 2270.] bhayavismayakārin [ŚUK.] in [Lassen’s Anthologie (III) 38,6.] [Oxforder Handschriften 225,a,38] (pl.). prayāṇe vismayaḥ kutaḥ [Spr. (II) 1238. 2582, v. l.] nāma [196, v. l.] vismayāt vor —, mit Staunen [Śākuntala 100, 23.] [Rājataraṅgiṇī 3, 111.] vismayānvita [Amarakoṣa 3, 1, 26] (= vilakṣa). [Mahābhārata 3, 2150. 2230.] vismayo sarvathā heyaḥ pratyūhaḥ sarvakarmaṇām [Spr. 2880.] vipatkāle vismaya eva kāpuruṣalakṣaṇam [Hitopadeśa 13, 19.] paraṃ vismayamāgatāḥ [Rāmāyaṇa 1, 4, 14.] [Brahmapurāṇa] in [Lassen’s Anthologie (III) 53, 4.] vismayaṃ paramaṃ yayau [Mahābhārata 3, 2795.] [Rāmāyaṇa 1, 2, 1.] [PAÑCAR. 1, 6, 12.] paraṃ vismayamāyayau [Rājataraṅgiṇī 3, 452. 4, 241.] paraṃ vismayamāpannāḥ [Mahābhārata 3, 2856.] vismayaṃ paramaṃ cakre gerieth in Staunen [Rāmāyaṇa Gorresio 1, 35, 50.] dāne tapasi u. s. w. vismayo na ca kartavyaḥ [Spr. 1136.] cakāra teṣu rakṣassu vismayam erregte Staunen [Rāmāyaṇa 5, 40, 11.] jāta adj. [3, 44, 17.] saṃjāta adj. [Kathāsaritsāgara 38, 98.] janita adj. [28, 189.] āgata adj. [Harivaṃśa 9975.] gatavismayo tra [Bhāgavatapurāṇa 3, 1, 42.] sa adj. erstaunt, überrascht [Raghuvaṃśa 3, 47. 5, 29. 13, 68.] [Kathāsaritsāgara 22, 130. 25, 53. 154. 252. 26, 91. 27, 75.] [Rājataraṅgiṇī 4, 268. 424.] [Pañcatantra 44, 24.] [Hitopadeśa 54, 18.] savismayam adv. [Śākuntala 48, 6. 52, 21.] [Kathāsaritsāgara 18, 390.] [Rājataraṅgiṇī 6, 359.] [Pañcatantra 76, 24.] [Hitopadeśa 14, 22.] su adj. [Kathāsaritsāgara 43, 174.]
--- OR ---
Vismaya (विस्मय):—2. (2. vi + smaya) adj. frei von Dünkel, - Hochmuth [Bhāgavatapurāṇa 3, 17, 31.]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionarySource: DDSA: A practical Hindi-English dictionary
Vismaya (विस्मय) [Also spelled vismay]:—(nm) wonder, surprise, astonishment, amazement; ~[kara/kārī/janaka] wonderful, surprising, amazing; sensational.
See also (Relevant definitions)
Starts with: Vismaya Mudra, Vismayaharshamula, Vismayahasta, Vismayakara, Vismayakarin, Vismayakarshamula, Vismayakula, Vismayamgama, Vismayamkara, Vismayana, Vismayaniya, Vismayanvita, Vismayapada, Vismayarasa, Vismayavat, Vismayavishadavant, Vismayavishadavat, Vismayavishta.
Full-text (+45): Vismayin, Vismayakula, Kritavismaya, Savismaya, Vismayamgama, Brahmya, Vismayanvita, Sthayibhava, Vismayavishta, Vismayavat, Vismayavishadavat, Vismayakarin, Vismayaharshamula, Vismayakara, Vismayamkara, Vismayana, Vismayaniya, Vismayotphullanayana, Vismayi, Vismayavishadavant.
Search found 10 books and stories containing Vismaya, Vi-smaya; (plurals include: Vismayas, smayas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Shrimad Bhagavad-gita (by Narayana Gosvami)
Verse 11.14 < [Chapter 11 - Viśvarūpa-darśana-yoga (beholding the Lord’s Universal Form)]
Verse 11.8 < [Chapter 11 - Viśvarūpa-darśana-yoga (beholding the Lord’s Universal Form)]
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 2.5.55 < [Part 5 - Permanent Ecstatic Mood (sthāyī-bhāva)]
Verse 2.5.40 < [Part 5 - Permanent Ecstatic Mood (sthāyī-bhāva)]
Verse 4.2.1 < [Part 2 - Astonishment (adbhuta-rasa)]
The backdrop of the Srikanthacarita and the Mankhakosa (by Dhrubajit Sarma)
Part 2h - Rasa (8): Adbhuta or the sentiment of wonder < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]
Part 2 - Rasa or the sentiment < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]
Malatimadhava (study) (by Jintu Moni Dutta)
Brihad Bhagavatamrita (commentary) (by Śrī Śrīmad Bhaktivedānta Nārāyana Gosvāmī Mahārāja)
The Religion and Philosophy of Tevaram (Thevaram) (by M. A. Dorai Rangaswamy)
Chapter 4.3 - (b) The seven Tandava Dances of Shiva < [Volume 2 - Nampi Arurar and Mythology]
Chapter 3.6 - Kalasamhara-murti (Markandeya and the conquest of death) < [Volume 2 - Nampi Arurar and Mythology]
Chapter 4.3 - (c) Sculptures of Shiva and Dance < [Volume 2 - Nampi Arurar and Mythology]