Vidruma; 9 Definition(s)
Vidruma means something in Buddhism, Pali, Hinduism, Sanskrit, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Rasashastra (chemistry and alchemy)
Vidruma (विद्रुम) refers to “coral”. It is used in Āyurvedic literature such as the Rasaprakāśasudhākara (Sanskrit book on rasaśāstra, or ‘Indian medicinal alchemy’).Source: Wisdom Library: Rasa-śāstra
Rasashastra (रसशास्त्र, rasaśāstra) is an important branch of Ayurveda, specialising in chemical interactions with herbs, metals and minerals. Some texts combine yogic and tantric practices with various alchemical operations. The ultimate goal of Rasashastra is not only to preserve and prolong life, but also to bestow wealth upon humankind.
Purana and Itihasa (epic history)
Vidruma (विद्रुम) is another name for Kumuda, one of the seven major mountains in Kuśadvīpa, according to the Varāhapurāṇa chapter 87. Kuśadvīpa is one of the seven islands (dvīpa), ruled over by Vapuṣmān, one of the ten sons of Priyavrata, son of Svāyambhuva Manu, who was created by Brahmā, who was in turn created by Nārāyaṇa, the unknowable all-pervasive primordial being.
The Varāhapurāṇa is categorised as a Mahāpurāṇa, and was originally composed of 24,000 metrical verses, possibly originating from before the 10th century. It is composed of two parts and Sūta is the main narrator.Source: Wisdom Library: Varāha-purāṇa
Vidruma (विद्रुम).—A mountain of Kuśadvīpa.*
- * Brahmāṇḍa-purāṇa II. 19. 54; Viṣṇu-purāṇa II. 4. 41.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Vidruma (विद्रुम) refers to “coral” and represents a kind of precious stone (gem) used for the making of images (Hindu icons), as defined in the texts dealing with śilpa (arts and crafs), known as śilpaśāstras.—The materials listed in the Āgamas for the making of images are wood, stone, precious gems, metals, terracotta, laterite, earth, and a combination of two or three or more of the materials specified above. The precious stones mentioned in the Āgamas for the purpose of making images are [for example] vidruma (coral).
Precious stones (eg., vidruma or ‘coral’) are preferred materials for fashioning images.—The materials recommended in the śilpaśāstra for the fashioning of images are unburnt clay, burnt clay as in brick or terracotta, sudhā (a special kind of mortar/plaster), composite earth, wood, stone, metal, ivory, dhātu (mineral), pigment, and precious stones. Wood is considered superior to earth, stone as better than wood, metal better than stone, and precious stone (such as vidruma) is the most preferred of all.Source: Shodhganga: The significance of the mūla-beras (śilpa)
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Mahayana (major branch of Buddhism)
Vidruma (विद्रुम, “coral”) or Pravāḍa refers to a type of jewel (ratna), into which the universe was transformed by the Buddha’s miraculous power (ṛddhibala) according to the 2nd century Mahāprajñāpāramitāśāstra (chapter XV). Accordingly, “Coral (pravāḍa, vidruma) comes from petrified trees found in the sea”.
Also, “These jewels (eg, vidruma) are of three types, Human jewels (manuṣya-ratna), Divine jewels (divya-ratna) and Bodhisattva jewels (bodhisattva-ratna). These various jewels remove the poverty (dāridrya) and the suffering (duḥkha) of beings”.Source: Wisdom Library: Maha Prajnaparamita Sastra
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
India history and geogprahy
Vidruma is another of Mandara, a tree mentioned in the Kathasaritsagara by Somadeva (10th century A.D).—Mandara refers to the “coral-tree” and is mentioned to beo n the bank of river Mandakini. Another name is Vidruma.
Somadeva mentions many rich forests, gardens, various trees (eg., Vidruma), creepers medicinal and flowering plants and fruit-bearing trees in the Kathasaritsagara. Travel through the thick, high, impregnable and extensive Vindhya forest is a typical feature of many travel-stories. Somadeva’s writing more or less reflects the life of the people of Northern India during the 11th century. His Kathasaritsagara (‘ocean of streams of story’), mentioning Vidruma, is a famous Sanskrit epic story revolving around prince Naravahanadatta and his quest to become the emperor of the vidyadharas (celestial beings).Source: Shodhganga: Cultural history as g leaned from kathasaritsagara
The history of India traces the identification of countries, villages, towns and other regions of India, as well as royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
vidruma (विद्रुम).—n S Coral.Source: DDSA: The Molesworth Marathi and English Dictionary
vidruma (विद्रुम).—n Coral.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
1) The coral tree (bearing reddish precious gems called corals).
2) A coral; यत्र विद्रुमसोपाना महा- मारकता भुवः (yatra vidrumasopānā mahā- mārakatā bhuvaḥ) Bhāg.7.4.9; तवाधरस्पर्धिषु विद्रुमेषु (tavādharaspardhiṣu vidrumeṣu) R.13.13. Ku.1.44.
3) A young shoot or sprout.
Derivable forms: vidrumaḥ (विद्रुमः).Source: DDSA: The practical Sanskrit-English dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Search found 12 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Vidrumalatā (विद्रुमलता).—1) a branch of coral. 2) a kind of perfume. Vidrumalatā is a Sanskrit...
Vidrumalatikā (विद्रुमलतिका).—a kind of perfume (nalikā).Vidrumalatikā is a Sanskrit compound c...
Mandara (मन्दर) is a mountain in Hindu Mythology for being used as a churning staff by the gods...
Ratna (रत्न) refers to “ruby” and represents a kind of precious stone (gem) used for the making...
Kumudā (कुमुदा) is another name for Śāliparṇī, a medicinal plant identified with Desmodium gang...
Pravāḍa (प्रवाड).—m. or nt. (= Sanskrit °la), coral: SP 10.12; 102.2; 111.7; LV 108.19; Mv ii.3...
Kuśadvīpa (कुशद्वीप).—One of the seven islands. Kuśa island is rich in pearls. (Bhīṣma Parva, C...
Pravāla (प्रवाल).—1 A sprout, shoot, new leaf; अपि (api)......प्रवालमासामनुबन्धि वीरुधाम् (prav...
Nava-ratna.—(BL), the nine gems at Vikramāditya's court. Note: nava-ratna is defined in the “In...
Lohitamukti (लोहितमुक्ति, “red pearl”) refers to a type of jewel (ratna), into which the univer...
Pṛthvīkāya (पृथ्वीकाय) refers to “earth-embodied life forms” and is one of the five types of ‘i...
Nyāsamantra (न्यासमन्त्र).—In connection with the installation of an image; eg. ratnanyās...
Search found 10 books and stories containing Vidruma. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Maha Prajnaparamita Sastra (by Gelongma Karma Migme Chödrön)
Act 10.8: The Sahā universe transforms into jewels < [Chapter XV - The Arrival of the Bodhisattvas of the Ten Directions]
Act 4: The Buddha stretches out his tongue and smiles a third time < [Chapter XIV - Emission of rays]
The Tattvasangraha [with commentary] (by Ganganatha Jha)
The Garuda Purana (by Manmatha Nath Dutt)
The Devi Bhagavata Purana (by Swami Vijñanananda)
Chapter 12 - On the description of Maṇi Dvīpa < [Book 12]
Sushruta Samhita, Volume 6: Uttara-tantra (by Kaviraj Kunja Lal Bhishagratna)
Chapter X - Treatment of Pittaja Ophthalmia < [Canto I - Shalakya-tantra (ears, eyes, nose, mouth and throat)]
Chapter XII - Treatment of Raktaja Ophthalmia < [Canto I - Shalakya-tantra (ears, eyes, nose, mouth and throat)]
Chapter XVIII - Preparations and medicinal measures for ocular affections in general < [Canto I - Shalakya-tantra (ears, eyes, nose, mouth and throat)]
The Shiva Purana (by J. L. Shastri)