Vaishakharecita, Vaiśākharecita, Vaishakha-recita: 2 definitions
Introduction:
Vaishakharecita means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Vaiśākharecita can be transliterated into English as Vaisakharecita or Vaishakharecita, using the IAST transliteration scheme (?).
Alternative spellings of this word include Vaishakharechita.
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In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstra1) Vaiśākharecita (वैशाखरेचित).—One of the 108 karaṇas (minor dance movement) mentioned in the Nāṭyaśāstra chapter 4. The instructions for this vaiśākharecita-karaṇa is as follows, “hands and feet to be Recita, so the hip and the neck, and the entire body in Vaiśākha Sthāna (posture).”.
2) Vaiśākharecita (वैशाखरेचित).—One of the 32 aṅgahāras (major dance movement) mentioned in the Nāṭyaśāstra chapter 4. It is also known by then name Parivṛttakarecita. The instructions for this vaiśākharecita-aṅgahāra is as follows, “along with body the two hands to be made Recita and all this is to be repeated with the body bent, then observe Nūpurpāda Cārī and Bhujaṅgatrāsita, Recita, Maṇḍalasvastika, afterwards bending shoulder Ūrūdvṛtta, Ākṣipta, Uromaṇḍala, Karihasta and Kaṭicchinna Karaṇas are to be assumed.”.
A karaṇa represents a minor dance movements and combines sthāna (standing position), cārī (foot and leg movement) and nṛttahasta (hands in dancing position). A sequence of multiple karaṇas combine into an aṅgahara (major dance movement).
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Kannada-English dictionary
Source: Alar: Kannada-English corpusVaiśākharēcita (ವೈಶಾಖರೇಚಿತ):—[noun] one of the one hundred and eight coordinated movements of feet and the hands, in ವೈಶಾಖ [vaishakha] (see above sense 5) posture.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: Vaishakha, Recita.
Full-text: Angahara.
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Search found 2 books and stories containing Vaishakharecita, Vaiśākharecita, Vaishakha-recita, Vaiśākha-recita, Vaisakharecita, Vaisakha-recita, Vaiśākharēcita, Vaiśakharēcita, Vaiśakha-rēcita; (plurals include: Vaishakharecitas, Vaiśākharecitas, recitas, Vaisakharecitas, Vaiśākharēcitas, Vaiśakharēcitas, rēcitas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati in vehicles < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Gaits pertaining to conditions < [Chapter 2 - Concept and technique of Gati]
Gati performed in Pūrvaraṅga < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Natyashastra (English) (by Bharata-muni)