Vadi, aka: Vādi, Vādī; 7 Definition(s)
Vadi means something in Buddhism, Pali, Hinduism, Sanskrit, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Vādi (वादि).—A son of Pṛthu.*
- * Viṣṇu-purāṇa I. 14. 1.
The Purāṇas (पुराण, purana) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahāpurāṇas total over 400,000 ślokas (metrical couplets) and date to at least several centuries BCE.
Nāṭyaśāstra (theatrics and dramaturgy)
Vādī (वादी, “sonant”) is an alternative spelling for vādin, which refers to one of the four classes of musical notes (svara), according to the Nāṭyaśāstrahapter chapter 28. Accordingly, “that which is an aṃśa-svara (‘chief-note’) anywhere, will in this connexion, be called there Sonant (vādin)”. The sonant note is the melodic centre of the melody.Source: Wisdom Library: Nāṭya-śāstra
Vādī (वादी, “sonant”).—“The sonant (vādī) is the king of notes”. (Saṅgītamakaranda 2.7) Besides the tonic (the Sa), always fixed, each rāga has a predominant note from which all variations begin and in which they end: it is always accentuated and bears long pauses. This main note is called vādī (that which speaks). The expression of the vādī is the predominant expression of the rāga: itscharacter determines the mood.
“The chief element in which the power lies of bringing out a particular mood, a rāga, is the sonant (vādī)”. (Saṅgītadarpaṇa 1.68)
“The sonant (vādī) is the note most used while playing; itis the king (of the melody)”. (Rāgavibodha 1.37) The commentary on the Rāgavibodha adds: “the sonant (vādī), being constantly heard, dominates the melody. Because it explains and heralds the mode, it is called vādī (that which speaks)”.Source: archive.org: Northern Indian Music Volume I
Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).
vadi : (aor. of vadati) spoke; said; told. || vādī (m.) one who disputes or preaches some doctrine; speaking of.Source: BuddhaSasana: Concise Pali-English Dictionary
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
India history and geogprahy
Vāḍī (वाडी) refers to an “administrative designation”.—In the Kanarese areas and certain contiguous tracts we meet with the term vāḍī (e.g. Gaṅga-vāḍī, Noḷamba-vāḍī, Naḷa-vāḍī, Māsa-vāḍī, Sinda-vāḍī).Source: Early History Of The Deccan Pts.1 To 6: Principal Administrative Divisions from the Rise of the Sātavāhanas
The history and of India includes names of countries, villages, towns and other regions of India, as well as historical dynasties, rulers, tribes and various local traditions, languages and festivals. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
vaḍī (वडी).—f A cake or pat.
--- OR ---
vāḍī (वाडी).—f An enclosed piece of meadowfield. A hamlet.
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vādī (वादी).—m A disputant; a plaintiff. An enemy. f A thong. a Disputations.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
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Search found books containing Vadi, Vādi or Vādī. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Abhidhamma in Daily Life (by Ashin Janakabhivamsa) (by Ashin Janakabhivamsa)
A Heart Released (by Phra Ajaan Mun Bhuridatta Thera)
Brihad Bhagavatamrita (by Śrīla Sanātana Gosvāmī)
Verse 2.2.194 < [Chapter 2 - Jñāna: Knowledge]
Verse 2.7.14 < [Chapter 7 - Jagad-ānanda: The Bliss of the Worlds]
A History of Indian Philosophy Volume 3 (by Surendranath Dasgupta)
Part 2 - Refutation of Śaṅkara’s avidyā < [Chapter XX - Philosophy of the Rāmānuja School of Thought]
Part 17 - Rāmānujācārya II alias Vādi-Haṃsa-Navāmvuda < [Chapter XX - Philosophy of the Rāmānuja School of Thought]
Part 5 - Bhāskara and Rāmānuja < [Chapter XX - Philosophy of the Rāmānuja School of Thought]
Satapatha Brahmana (by Julius Eggeling)
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