Utterance: 2 definitions
Introduction:
Utterance means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Gitashastra (science of music)
The Utterance or “proper production of sound” (in Indian music) is achieved in accordance with ten kinds of sthāna i.e., “the organs of utterance”.—During the practise of Vocal Music, the proper production of the concerned sound is always considered as very important. Sthāna or ucchāraṇasthāna is the place of articulation of sound. Bhattojidīkṣita in his Siddhāntakaumudī said about ten kinds of sthāna (i.e., the organs of utterance). The Saṃgītaratnākara accepts five kinds of sthānas.The Viṣṇudharmottarapurāṇa accepts only three sthānas. [...]
Gitashastra (गीतशास्त्र, gītaśāstra) refers to the ancient Indian science of Music (gita or samgita), which is traditionally divided in Vocal music, Instrumental music and Dance (under the jurisdiction of music). The different elements and technical terms are explained in a wide range of (often Sanskrit) literature.
Natyashastra (theatrics and dramaturgy)
The Utterance (of words) for the process of acting (in Sanskrit drama) is expressed through Vācikābhinaya, which represents one of the four divisions of Abhinaya or “ways to convey or represent one’s emotion to others” (in Sanskrit Drama), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—Abhinaya (“acting”) is of four varieties, according to the Viṣṇudharmottarapurāṇa. The second variety of acting which is called vācikābhinaya is that kind of acting which is expressed by words. The term vācika itself establishes the importance of conversation or utterance of words for the process of acting.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Full-text (+849): Vyahriti, Vacana, Uccara, Ullekha, Vaikhari, Uccarana, Vak, Gadgada, Udgara, Svahakara, Udirana, Vyahara, Katukti, Nirvacana, Udana, Udahara, Vyaharana, Sthanatas, Mahavyahriti, Gengana.
Relevant text
Search found 360 books and stories containing Utterance, Utterances; (plurals include: Utterances, Utteranceses). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Pedagogical Translanguaging to Create Sustainable Minority Language Practices... < [Volume 13, Issue 7 (2021)]
Prosodic Feature-Based Discriminatively Trained Low Resource Speech... < [Volume 14, Issue 2 (2022)]
Reimagining “Collaborative Exploration”—A Signature Pedagogy for... < [Volume 13, Issue 9 (2021)]
Development of Religion and Thought in Ancient Egypt (by James Henry Breasted)
Lecture V. The Osirianization of the Hereafter
Lecture III. The Realms of the Dead
Philosophy of language in the Five Nikayas (by K.T.S. Sarao)
3. Semantics (study of formal theories of meaning) < [Chapter 3 - Language and Meaning as Reflected in the Five Nikāyas]
6. Language Production < [Chapter 2 - Concept of Philosophy of Language]
3. On Language (4): Competence and Performance < [Chapter 2 - Concept of Philosophy of Language]
The Apri-hymns (study and reappraisal) (by Barnali Goswami)
Part 12 - Description of the deity Svāhākṛtayaḥ < [Chapter 5 - The characteristic features of the Āprī-deities]
Chapter 7 - Summary and Conclusion
Ṛk-saṃhitā IX.5 (text and translation) < [Chapter 4 - An introduction to the Āprī-hymns]
Tilakamanjari of Dhanapala (study) (by Shri N. M. Kansara)
4. Motifs (22): Significant bardic and other utterances < [Chapter 8 - The Plot and the Motifs]
8.2. Imagery in Dhanapala’s language < [Chapter 16 - The Tilakamanjari as a Sanskrit novel]
4. Motifs (16): Attempts at suicide < [Chapter 8 - The Plot and the Motifs]
International Journal of Environmental Research and Public Health (MDPI)
Auditory Processing Disorders in Elderly Persons vs. Linguistic and Emotional... < [Volume 18, Issue 12 (2021)]
IvCDS < [Volume 19, Issue 23 (2022)]
Speech and Language Skills of Low-Risk Preterm and Full-Term Late Talkers < [Volume 17, Issue 20 (2020)]