Utsanga, aka: Utsaṅga; 6 Definition(s)
Utsanga means something in Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Nāṭyaśāstra (theatrics and dramaturgy)
Utsaṅga (उत्सङ्ग) refers to a gesture (āṅgika) made with ‘combined hands’ (saṃyuta), according to the Nāṭyaśāstra chapter 8. The hands (hasta) form a part of the human body which represents one of the six major limbs (aṅga) used in dramatic performance. With these limbs are made the various gestures (āṅgika), which form a part of the histrionic representation (abhinaya).(Source): Wisdom Library: Nāṭya-śāstra
One of the saṃyutta-hastāni (Twenty-four combined Hands).—Utsaṅga (embrace): Mṛga-śīrṣa hands held upon opposite armpits. Usage: embrace, modesty, armlet, education of children.
According to another book: Arāla hands held crosswise on the shoulders. The patron deity is Gautama. Usage: modesty,embrace, assent, cold, saying “Sādhu”, hiding the breasts, etc.(Source): archive.org: The mirror of gesture (abhinaya-darpana)
Utsaṅga (उत्सङ्ग).—A type of gesture (āṅgika) made with combined hands (saṃyuta-hasta);—(Instructions): When the Arāla hands are contrarily placed and are held upturned and bent, the Utsaṅga hand will be the result.
(Uses): It is used to indicate feeling of touch. It is also used to indicate acts of anger and indignation, in pressing of hands similar to women’s acts of jealousy.(Source): archive.org: Natya Shastra
Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).
Languages of India and abroad
utsaṅga (उत्संग).—m S The lap.(Source): DDSA: The Molesworth Marathi and English Dictionary
utsaṅga (उत्संग).—m The lap.(Source): DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Utsaṅga (उत्सङ्ग).—[ud-sañj-ādhāraṃ ghañ]
1) The lap; पुत्रपूर्णोत्सङ्गा (putrapūrṇotsaṅgā) with a boy seated in the lap U.1; उत्सङ्गवर्धितानां गुरुषु भवेत्कीदृशः स्नेहः (utsaṅgavardhitānāṃ guruṣu bhavetkīdṛśaḥ snehaḥ) V.5.1; न केवलमुत्सङ्गश्चिरान्मनोरथोऽपि मे पूर्णः (na kevalamutsaṅgaścirānmanoratho'pi me pūrṇaḥ) U.4; Me.88; cf. also विशालतरमुत्सङ्गं कुरु (viśālataramutsaṅgaṃ kuru) (spread out the garment on the lap Pratimā Act. I.).
2) Embrace, contact, union; विस्तारिस्तनकुम्भकुडमलभरोत्सङ्गेन संभाविता (vistāristanakumbhakuḍamalabharotsaṅgena saṃbhāvitā) (mālā) Māl.8.6;
3) Interior, vicinity; दरिगृहो- त्सङ्गनिषक्तभासः (darigṛho- tsaṅganiṣaktabhāsaḥ) Ku.1.1; कर्ण° (karṇa°) K.15; शय्योत्सङ्गे (śayyotsaṅge) Me.95.
4) Surface, side, slope; दृषदो वासितोत्सङ्गाः (dṛṣado vāsitotsaṅgāḥ) R.4.74; 14.76.
5) The haunch or part above the hip (nitamba).
6) The upper part, top; सौधोत्सङ्गप्रणयविमुखो मा स्म भूरुज्जयिन्याः (saudhotsaṅgapraṇayavimukho mā sma bhūrujjayinyāḥ) Me.27; K.52.
7) (a) The acclivity or edge of a hill; तुङ्गं नगोत्सङ्गमिवारुरोह (tuṅgaṃ nagotsaṅgamivāruroha) R.6.3; (b Peak, summit; utsaṅge mahādreḥ Ki.7.21.
8) The roof of a house.
9) Vault, canopy (as of sky); अपिहितगगनोत्सङ्ग- मङ्गं धुनोति (apihitagaganotsaṅga- maṅgaṃ dhunoti) Mv.5.53.
1) The bottom or deep part of an ulcer.
11) A high number (= 1 Vivāhas).
12) An ascetic (utkrāntaḥ saṅgam).
-gam A high number.
Derivable forms: utsaṅgaḥ (उत्सङ्गः).(Source): DDSA: The practical Sanskrit-English dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Search found 11 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Utsaṅgapāda (उत्सङ्गपाद) refers to “concealed ankles [or Skt ?arched feet]” and represents the ...
Śayyotsaṅga (शय्योत्सङ्ग).—the side of a bed. Derivable forms: śayyotsaṅgaḥ (शय्योत्सङ्गः).Śayy...
Mūtrotsaṅga (मूत्रोत्सङ्ग).—see मूत्रसंग (mūtrasaṃga). Mūtrotsaṅga is a Sanskrit compound consi...
Utsaṅgapādatā (उत्सङ्गपादता) or Utsaṅgapāda refers to “high ankles” and represents the ninth of...
Saṃyutā (संयुता) refers to one of the 130 varṇavṛttas (syllabo-quantitative verse) dealt with i...
Ucchaṅga, (Sk. utsaṅga, ts › cch like Sk. utsahate › BSk. ucchahate see ussahati) the hip, the ...
ōsaṅga (ओसंग).—m The lap. Tree-shade.
Utsaṅgādi (उत्सङ्गादि).—A class of words headed by the word उत्सङ्ग (utsaṅga), to which the tad...
Autsaṅgika (औत्सङ्गिक).—a. (-kī f.) [उत्सङ्ग-ठक् (utsaṅga-ṭhak)] Born or placed upon the hip.
vōsaṅga (वोसंग).—m (Poetry. utsaṅga S) The lap. See ōsaṅga. Ex. gajatuṇḍāsa vōsaṅgā ghēūna || v...
Combined Hands (saṃyutta-hastāni): Twenty-four combined Hands are exhibited as follows: ...
Search found 6 books and stories containing Utsanga or Utsaṅga. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Mirror of Gesture (abhinaya-darpana) (by Ananda Coomaraswamy)
Brihad Bhagavatamrita (by Śrīla Sanātana Gosvāmī)
The Natyashastra (by Bharata-muni)
The Garuda Purana (by Manmatha Nath Dutt)
Chapter CLXXI - The Nidanam of diseases of the eyes < [Dhanvantari Samhita]
The Mahavastu (great story) (by J. J. Jones)
Chapter XXI - The birth of the Buddha Dīpaṃkara < [Volume I]
Chapter XX - The history of Dīpaṃkara (Dīpaṅkara) < [Volume I]
Chapter XXXII - The Kuśa-jātaka < [Volume II]
A Dictionary Of Chinese Buddhist Terms (by William Edward Soothill)
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