Triumph: 1 definition
Introduction:
Triumph means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)Triumph (expression) is associated with Prasārita: one of the “five kinds of side-movements” (in Sanskrit Dramas), as conveyed through Āṅgikābhinaya: one of the four divisions of Abhinaya or “ways to convey or represent one’s emotion to others”, according to the Nāṭyaśāstra and the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—The āṅgikābhinaya includes the histrionic representation of the limbs which is simply known as physical gestures. There are five kinds of side movements accepted in the Viṣṇudharmottarapurāṇa. The prasārita movement shows triumph, happiness and joy. The term prasārita means expanded.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Full-text (+132): Arinandana, Vijaya, Jayapatra, Jaya, Sujaya, Jaitriya, Jaitra, Vijiti, Tira, Vijayati, Ajaya, Vijayasiddhi, Jitabaji, Uravure, Ububu, Jeet, Phatte, Varu, Sapatnashri, Digvijaya.
Relevant text
Search found 104 books and stories containing Triumph; (plurals include: Triumphs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Agony and the Ecstasy < [January – March, 1978]
In Reminiscent Mood < [January-February, 1929]
Current Topics < [January-February 1931]
Popular Literature in Ancient Egypt (by Alfred Wiedemann)
Kuntaka’s evaluation of Sanskrit literature (by Nikitha. M)
6. Gāthāsaptaśatī in Kuntaka’s treatment < [Chapter 6 - Kuntaka’s assessment of Verses Cited in Śatakas and Anthologies]
4. Gauḍavaho in Kuntaka’s treatment < [Chapter 3 - Kuntaka’s estimation of Mahākāvyas of other Poets]
6. Mudrārākṣasa in Kuntaka’s treatment < [Chapter 4 - Kuntaka’s evaluation of Sanskrit Plays of other Poets]
Rig Veda (translation and commentary) (by H. H. Wilson)
Dhammapada (Illustrated) (by Ven. Weagoda Sarada Maha Thero)
Verse 354 - The Story of the Questions Raised by Sakka < [Chapter 24 - Taṇhā Vagga (Craving)]
Verse 179-180 - The Story of the Three Daughters of Māra < [Chapter 14 - Buddha Vagga (The Buddha)]
Verse 389-390 - The Story of Venerable Sāriputta < [Chapter 26 - Brāhmaṇa Vagga (The Brāhmaṇa)]
Lord Jhulelal: An Analytical Study (by Thakkar Harish Gopalji)
Part 5.14 - Trials and triumphs Of Sindh < [Chapter 2 - Literature Review]
Part 5.2 - Literature Reviews (Introduction) < [Chapter 2 - Literature Review]
Part 29 - Lord Jhulelal, Life and Teachings < [Chapter 2 - Literature Review]
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