Tandava, Tāṇḍava, Tamdava: 17 definitions
Introduction:
Tandava means something in Hinduism, Sanskrit, the history of ancient India, Marathi, Jainism, Prakrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Purana and Itihasa (epic history)
Source: Shodhganga: The saurapurana - a critical studyTāṇḍava (ताण्डव) refers to the dance of Lord Kālāgni-Rurdra appearing at the time of Prākṛta-Pralaya (“dissolution at the end of the span of life of Brahmā”), according to the 10th century Saurapurāṇa: one of the various Upapurāṇas depicting Śaivism.—Prakṛta-pralaya occurs when the span of life of Brahmā is over. The span of life of Brahmā continues for two parārdhas. At the end of the two parārdhas Lord Kālāgni-Rurdra having burnt the Universe resorts to Tāṇḍava-dance. Then the earth with its qualities merge in water, water in turn merges in Agni, Agni merges in vāyu while vāyu merges in ākāśa. [...]

The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstraTāṇḍava (ताण्डव) refers to “class dance” and was created by Taṇḍu after receiving instructions from Śiva, according to the Nāṭyaśāstra chapter 4. Accordingly, “after inventing the Recakas, Aṅgahāras and Piṇḍīs, Śiva communicated them to the sage Taṇḍu who in his turn made out of them dance together with songs and instrumental music; and hence this dance is known as tāṇḍava (i.e. of Taṇḍu’s creation).... The Class Dance (tāṇḍava) is mostly to accompany the adoration of gods, but its gentler form (sukumāra-prayoga) relates to the erotic sentiment”.
Source: Shodhganga: The significance of the mūla-beras (natya)Tāṇḍava refers to “dance with jumping/leaping movements” is explained in the Tāṇḍava-tāla-marapu, the second part of the Niruttamarapu (“literary usage of dance”) which represents the third book of the Pañcamarapu (‘five-fold traditional usage’): an important piece of Tamil literature.—The sixteen types of tāṇḍava that were danced by Śiva and Kālī in a place called Ālankāṭu are said to have expressed the characters and navarasas of akam in their dance and this aspect is known as akamarga (exposition by gesture and dancing of the three characters, namely sattva (yogic), rajas (majestic) and tāmas (powerful and aggressive).

Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
General definition (in Hinduism)
Source: WikiPedia: HinduismTandava (ताण्डव): Siva's cosmic dance.
India history and geography
Source: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical GlossaryTāṇḍava.—(CII 4), name of the dance of Śiva. Note: tāṇḍava is defined in the “Indian epigraphical glossary” as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.

The history of India traces the identification of countries, villages, towns and other regions of India, as well as royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Marathi-English dictionary
Source: DDSA: The Molesworth Marathi and English Dictionarytāṇḍava (तांडव).—n (S) Dancing with violent gesticulation: (as that of Shiva and his votaries.) 2 Exaggeration; aggravating and harping upon; wild dancing about, or great cry and fuss upon, a little matter; storming and stamping. 3 Amplification or embellishing diffusion (as of a text or a tale.)
Source: DDSA: The Aryabhusan school dictionary, Marathi-Englishtāṇḍava (तांडव).—n Dancing with violent gesticula- tion. Exaggeration.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English DictionaryTāṇḍava (ताण्डव).—mn.
(-vaḥ-vaṃ) 1. Dancing, especially with violent gesticulation, and particularly applied to the frantic dance of the god Siva, and his votaries. 2. A sort of grass, (Saccharum procerum.) m.
(-vaḥ) In prosody, a tribrach or foot of three sort syllables. E. taṇḍu the name of the Muni, by whom the style of dancing was first taught, affix aṇ, or taḍi to beat, and ava aff.
Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English DictionaryTāṇḍava (ताण्डव).—m. and n. Frantic dancing, [Caurapañcāśikā] 7; Rājan. 5, 380.
Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionaryTāṇḍava (ताण्डव).—[substantive] a wild dance, [especially] of the god Śiva.
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) Tāṇḍava (ताण्डव):—[from tāṇḍa] mn. ([gana] ardharcādi; [from] taṇḍu?) dancing ([especially] with violent gesticulation), frantic dance (of Śiva and his votaries), [Mālatīmādhava; Kathāsaritsāgara; Bhāgavata-purāṇa x; Matsya-purāṇa; Rājataraṅgiṇī] etc. (cf. [Religious Thought and Life in India p.84])
2) [v.s. ...] (in prosody) a tribrach
3) [v.s. ...] Saccharum procerum, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
Source: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English DictionaryTāṇḍava (ताण्डव):—[(vaḥ-vaṃ)] 1. m. n. Dancing especially with violent gesticulation; a grass. m. A tribrach.
Source: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)Tāṇḍava (ताण्डव) in the Sanskrit language is related to the Prakrit words: Taṃḍava, Taṃuva.
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Prakrit-English dictionary
Source: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionaryTaṃḍava (तंडव) in the Prakrit language is related to the Sanskrit word: Tāṇḍava.
Prakrit is an ancient language closely associated with both Pali and Sanskrit. Jain literature is often composed in this language or sub-dialects, such as the Agamas and their commentaries which are written in Ardhamagadhi and Maharashtri Prakrit. The earliest extant texts can be dated to as early as the 4th century BCE although core portions might be older.
Kannada-English dictionary
Source: Alar: Kannada-English corpusTāṃḍava (ತಾಂಡವ):—
1) [noun] the dance of Śiva characterised by the forceful action, manly vigour, destructive power, etc.
2) [noun] (dance.) any dance performance exhibiting these characters.
3) [noun] (fig.) any uncontrollable and extreme disaster (as a natural calamity, an unabated act of terrorists, etc.) that results in great loss and grief.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with: Tamdavadu, Tamdavagai, Tamdavala, Tamdavavadu, Tandava kaviraja, Tandavabrahmana, Tandavam, Tandavanritya, Tandavapriya, Tandavaroga, Tandavasana, Tandavastotra, Tandavatalika, Tandavatanda, Tandavayitar, Tandavayitri.
Ends with: Abhinavatarkatandava, Akandatandava, Anandatandava, Kavitandava, Kekitamdava, Shabdatandava, Shikhamditamdava, Shivatandava, Tarkatandava, Urdhvatandava, Vivadatandava.
Full-text (+30): Tandavapriya, Tandavatalika, Tandavita, Tandu, Tandavanritya, Shivatandavastotra, Tamdava, Tamuva, Tamdavavadu, Shabdatandava, Tandava kaviraja, Vivadatandava, Tandav, Suktyadarsha, Nataraja, Lilatandavapandita, Akandatandava, Nritya, Niruttamarapu, Shivatandava.
Relevant text
Search found 27 books and stories containing Tandava, Tāṇḍava, Tamdava, Taṃḍava, Taṇḍava, Tāṃḍava; (plurals include: Tandavas, Tāṇḍavas, Tamdavas, Taṃḍavas, Taṇḍavas, Tāṃḍavas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Religion and Philosophy of Tevaram (Thevaram) (by M. A. Dorai Rangaswamy)
Chapter 4.3 - (a) Nataraja (the dance of Shiva) < [Volume 2 - Nampi Arurar and Mythology]
Chapter 4.3 - (b) The seven Tandava Dances of Shiva < [Volume 2 - Nampi Arurar and Mythology]
Chapter 4.6 - (m) Symbology of Fire < [Volume 2 - Nampi Arurar and Mythology]
Early Chola Temples (by S. R. Balasubrahmanyam)
Bronze, group 2: Age of Aditya I (a.d. 871-907) < [Chapter XI - Sculpture]
Muktesvaram < [Chapter XIV - Conclusion]
Temples in Pullamangai (near Pasupatikoyil) (3rd to 6th year) < [Chapter X - Historical Survey]
Chaitanya Bhagavata (by Bhumipati Dāsa)
Verse 3.3.212 < [Chapter 3 - Mahāprabhu’s Deliverance of Sarvabhauma, Exhibition of His Six-armed Form, and Journey to Bengal]
Verse 2.26.69 < [Chapter 26 - Descriptions of the Mercy Bestowed on Śuklāmbara and Vijay and the Lord’s Desire to Accept Sannyāsa]
Abhinaya-darpana (English) (by Ananda Coomaraswamy)
Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 3.5.20 < [Part 5 - Conjugal Love (mādhurya-rasa)]
Verse 2.1.278 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 2.1.325 < [Part 1 - Ecstatic Excitants (vibhāva)]
A History of Indian Philosophy Volume 4 (by Surendranath Dasgupta)
Part 2 - Inference (anumāna) < [Chapter XXVIII - Madhva Logic]
Part 6 - Various Considerations regarding Inference < [Chapter XXVIII - Madhva Logic]
Part 3 - Svataḥ-prāmāṇya (self-validity of knowledge) < [Chapter XXVII - A General Review of the Philosophy of Madhva]