Svastika, Su-astika: 22 definitions
Svastika means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Natyashastra (theatrics and dramaturgy)Source: Wisdom Library: Nāṭya-śāstra
1a) Svastika (स्वस्तिक).—One of the 108 karaṇas (minor dance movement) mentioned in the Nāṭyaśāstra chapter 4. The instructions for this svastika-karaṇa is as follows, “hands and feet respectively held together in the Svastika form.”. A karaṇa represents a minor dance movements and combines sthāna (standing position), cārī (foot and leg movement) and nṛttahasta (hands in dancing position).
1b) Svastika also refers to a gesture (āṅgika) made with ‘combined hands’ (saṃyuta), according to the Nāṭyaśāstra chapter 8. Svastika is also the name for a type of gesture (āṅgika) made with ‘dance hands’ (nṛttahasta). (Instructions): Two arāla or vardhamāna hands upturned and held together at the wrists on the left side will form the svastika. It is to be used by women. (Uses): When the hands are separated from the svastika position, it will indicate directions, clouds, the sky, forests, seas, seasons, the earth and similar other extensive things.
The hands (hasta) form a part of the human body which represents one of the six major limbs (aṅga) used in dramatic performance. With these limbs are made the various gestures (āṅgika), which form a part of the histrionic representation (abhinaya).
1c) Svastika als refers to a type of gesture (āṅgika) made with dance-hands (nṛttahasta);—(Instructions): The talamukha hands crossed at the wrists; but released after this they are called viprakīrṇa. The dance-hands are to be used in forming karaṇas.
1d) Svastika also refers to a specific gesture (āṅgika) , or “movements made with the arms (bāhu)”, according to the Nāṭyaśāstra chapter 9. These movements form a part of the histrionic representation (abhinaya).Source: archive.org: The mirror of gesture (abhinaya-darpana)
1) One of the saṃyutta-hastāni (Twenty-four combined Hands).—Svastika (crossed): two Patāka hands held together at the wrists. Usage: crocodile, timid speech, dispute, praising.
2) One of the saṃyutta-hastāni (Twenty-six combined Hands).—Svastika (crossed): Tripatāka hands crossed on the left side. Patron deity Guha. Usage: Wishing-tree, mountains.Source: Shodhganga: The significance of the mūla-beras (natya)
1) Svastika means to “keep hand and leg svastika like nagabandham” and is one of the sixteen aṅgakiriyai (usage of the action of the body), which itself forms a division of Abhinaya or Avinaya (artistic expressions) as defined in the second book of the Pañcamarapu (‘five-fold traditional usage’) which represents an important piece of Tamil literature.—The Pañcamarapu (“five-fold traditional usage”) refers to a book on five established literary usages (five-fold traditional usages) defines terms such as Svastika. It was composed by Cerai Aṟivanār in the 9th century AD during the time of Pandyan Tirumaran of the last Caṅkam Period.
2) Svastika (स्वस्तिक) refers to one of the nine maṇḍala (postures of the feet) which represents one of the four “movements of the feet” (pāda) according to the Abhinayadarpaṇa. Svastika-maṇḍala is standing with the right foot put across the left foot and the right hand put across the left hand. This is the same in iconography also, but is labeled as svastikāsana. In iconography the legs are crossed in seated posture.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Vastushastra (architecture)Source: Wisdom Library: Vāstu-śāstra
1) Svastika (स्वस्तिक):—One of the eight types of villages, according to Chapter 9 of the Mānasāra (called the grāmalakṣaṇam). The Mānasāra is one of the traditional authorative Hindu treatises on Vāstuśāstra. The form of this village is said to be tattadrūpeṇa, which means it represents the form of the meaning of its Sanskrit name.
2) Svastika (स्वस्तिक) refers to a type of temple (prāsāda) classified under the group named Vairāja, according to Samarāṅgaṇasūtradhāra chapter 49. The Vairāja group contains twenty-four out of a sixty-four total prāsādas (temples) classified under five prime vimānas (aerial car/palace), which were created by Brahmā for as many gods (including himself). The group represents temples (eg. Svastika) that are to be square shaped. The prāsādas, or ‘temples’, represent the dwelling place of God and are to be built in towns. The Samarāṅgaṇasūtradhāra is an 11th-century encyclopedia dealing with various topics from the Vāstuśāstra.
Svastika is mentioned in another list from the Samarāṅgaṇasūtradhāra chapter 56, being part of the group named Lalita, containing 25 unique temple varieties.
Svastika is also mentioned as a classification of ‘temple’ in the Īśānaśivagurudevapaddhati which features a list of 52 temple types. This list represents the classification of temples in South-India.
Svastika is also listed in the Agnipurāṇa which features a list of 45 temple types. It is listed under the group named Triviṣṭapa, featuring octagonal-shaped temples. This list represents a classification of temples in Nort-India.
3) Svastika (स्वस्तिक) refers to a variety of prāsāda (‘superstructure’, or, upper storey of any building), according to the Mayamata (5th-century guidebook on Dravidian architecture).
The Svastika variety in the Divatala (‘two-storey’) group has the following decorative components:
Number of talas (levels): 2;
Shape of grīva (neck) and śikhara (head): Square;
Number of śālas: 4;
Number of kūṭas: 4;
Number of pañajaras: 8;
Number of alpanāsis: 48;
Number of mahānāsis: 4;
The Svastika variety in the Tritala (‘three-storey’) group has the following decorative components:
Number of talas (levels): 3;
Shape of grīva (neck) and śikhara (head): Square;
Number of śālas: 8;
Number of kūṭas: 8;
Number of pañjaras: 8;
Number of alpanāsis: 96;
4) Svastika (स्वस्तिक) also refers to a category of gopura, which is the “tower” built above the gateway of a house, palace or Buddhist monastery.
Vastushastra (वास्तुशास्त्र, vāstuśāstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
Purana and Itihasa (epic history)Source: archive.org: Puranic Encyclopedia
1) Svastika (स्वस्तिक).—A nāga (serpent) who lived in Girivraja. It is mentioned in Mahābhārata, Sabhā Parva, Chapter 9, Verse 9, that this serpent lives in the palace of Varuṇa.
2) Svastika (स्वस्तिक).—A warrior of Subrahmaṇya. (Mahābhārata Śalya Parva, Chapter 45, Verse 65).Source: Cologne Digital Sanskrit Dictionaries: The Purana Index
Svastika (स्वस्तिक).—A Nāga in the fifth talam or mahātalam.*
- * Brahmāṇḍa-purāṇa II. 20. 37; Vāyu-purāṇa 50. 36.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Ayurveda (science of life)Source: Knowledge Traditions & Practices of India: Agriculture: A Survey
Svastika (स्वस्तिक) refers to a “design of religious significance” and represents one of the layout designs for gardens and orchards mentioned in the Vṛkṣāyurveda: a Sanskrit text by written by Surapāla that deals with agriculture (kṛṣi).—Surapāla’s text mentions 170 species of plants including trees, shrubs and a few herbs, and deals with the laying out gardens and orchards and growing unusual trees. Layouts included designs such as svastika.Source: WorldCat: Rāj nighaṇṭu
Svastika (स्वस्तिक) is another name for Śitāvarī, an unidentified medicinal plant, according to verse 4.50-52 of the 13th-century Raj Nighantu or Rājanighaṇṭu. The fourth chapter (śatāhvādi-varga) of this book enumerates eighty varieties of small plants (pṛthu-kṣupa). Note: Dr. J.K. Ojhā identifies Śitāvarī as Celosia argentea Linn (“plumed cockscomb”; of the Amaranthaceae family) while the commentator of the Rājanighaṇṭu identifies it with Blepharis edulis Pers (“uttanjan”; from the Acanthaceae family); both are quite apart from each other. Together with the names Svastika and Śitāvarī, there are a total of fifteen Sanskrit synonyms identified for this plant.
Āyurveda (आयुर्वेद, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Āyurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
Shaivism (Shaiva philosophy)Source: Shodhganga: Temple management in the Āgamas
Svastika (स्वस्तिक) refers to one of the eight aṣṭamaṅgala and represents a type of “temple implement (instrument)” as described in the Karaṇalakṣaṇavidhi-paṭala section of the Uttara-Kāmikāgama.—The instruments should be according to the particular śāstra followed at the temple. Some of the instruments mentioned are Śaiva aṣṭamaṅgala including [viz., svastika].
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Mahayana (major branch of Buddhism)Source: Wisdom Library: Maha Prajnaparamita Sastra
Svastika (स्वस्तिक) is the name of the “assistant” (upasthāyaka) of Buddha Kanakamuni, according to the Mahāvadānasūtra, as mentioned in an appendix of the 2nd century Mahāprajñāpāramitāśāstra chapter XLI. Each Buddha had his assistant (upasthāyaka), a monk specially attached to his person, entrusted with fanning him, carrying his robe and bowl for alms-round, introducing visitors. The Sanskrit Mahāvadānasūtra has drawn up a list of the assistants who served the last seven Buddhas: Aśoka for Vipaśyin, Kṣemakāra for Śikhin, Upaśanta for Viśvabhuj, Bhadrika for Krakasunda (or Krakucchanda), Svastika for Kanakamuni, Sarvamitra for Kāśyapa, and finally Ānanda for Śākyamuni.
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
Tibetan Buddhism (Vajrayana or tantric Buddhism)Source: BDK Tripiṭaka: The Susiddhikara-sūtra
Svastika (स्वस्तिक) or Svasti refers to one of the various types of cakes mentioned in Chapter 12 (“offering food”) of the Susiddhikara-sūtra. Accordingly, “Offer [viz., svastika cakes], [...]. Cakes such as the above are either made with granular sugar or made by mixing in ghee or sesamum oil. As before, take them in accordance with the family in question and use them as offerings; if you offer them up as prescribed, you will quickly gain success. [...] If among the offering rites you see one with ‘śāntika food,’ use svastika cakes, milk gruel, parched rice, ghee, honey, and milk dishes of barley cooked with milk, and bījapūra (citron): you will assuredly be able to eliminate calamities—of this you should have no doubts”.
When you wish to offer food [viz., svastika cakes], first cleanse the ground, sprinkle scented water all around, spread out on the ground leaves that have been washed clean, such as lotus leaves, palāśa (dhak) leaves, and leaves from lactescent trees, or new cotton cloth, and then set down the oblatory dishes. [...] First smear and sprinkle the ground and then spread the leaves; wash your hands clean, rinse out your mouth several times, swallow some water, and then you should set down the food [viz., svastika]. [...]
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
General definition (in Jainism)Source: Shodhganga: A cultural study on the jain western Indian illustrated manuscripts
Svastika (स्वस्तिक).—One of the eight providential symbols, or, aṣṭamaṅgala.—Svastika at the brief but momentus occasion of Jineśvara’s birth an absolute peace prevailed in the three worlds, martyaloka (terrestrial world), the svargaloka (celestial world) and pātālaloka (neither world). Svastika is the symbol of that moment of tranquility.
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
India history and geogprahySource: archive.org: The Jaina Iconography (history)
Svastika (स्वस्तिक) refers to a mystical cross which is believed to bring good fortune to the wearer thereof and which resembles a Greek cross with ends turned in at right angles. This symbol is probably very ancient, as it was one of the chief marks on the feet of Buddha. Prof. Burnouf (see Schliemann’s Troy p. 103) holds that it is intended to denote the invention of the fire drill. The Svastika has been observed on greek pottery of antiquity, on innumerable ornaments in the catacombs of Rome, on ancient personal ornaments in Scandinavia, on ancient urns and weapons in Britain, in devices in Japan and Britain, on coffins in China and on Church bells in England.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
svastika (स्वस्तिक).—n m S A mystical figure the inscription of which upon any person or thing is considered to be lucky. It is, amongst the jaina, the emblem of the seventh deified teacher of the present era. It consists of (?). 2 A temple of a particular form with a portico in front. 3 Any auspicious or lucky object.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
svastika (स्वस्तिक).—n m A mystical figure the in- scription of which upon any person or thing is considered to be lucky.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit-English dictionarySource: DDSA: The practical Sanskrit-English dictionary
Svastika (स्वस्तिक).—[svasti śubhāya hitaṃ ka]
1) A kind of mystical mark (>) on persons or things denoting good luck.
2) A lucky object.
3) The meeting of four roads.
4) The crossing of the arms, making a sign like the cross; स्तनविनिहितहस्तस्वस्तिकाभिर्वधूभिः (stanavinihitahastasvastikābhirvadhūbhiḥ) Māl.4.1; Śi.1.43.
5) A palace of particular form.
6) A particular symbol made with ground rice and shaped like a triangle.
7) A kind of cake.
8) A voluptuary, libertine.
1) A kind of bard (who utters words of eulogy); पुरःसरैः स्वस्तिकसूतमागधैः (puraḥsaraiḥ svastikasūtamāgadhaiḥ) Rām.2.16.46 (com. svastikā jayajayeti vādino bandinaḥ).
-kaḥ, -kam 1 A mansion or temple of a particular form with a terrace in front.
2) A particular mode of sitting practised by Yogins (in which the toes are placed in the inner hollow of the knees).
3) A seat (pīṭha) prepared for a deity; Mb.12.4.7. (com. svastikān sarvatobhadrādyaṅkitāni devatāpīṭhāni).
Derivable forms: svastikaḥ (स्वस्तिकः).
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Svastika (स्वस्तिक).—see s. v.Source: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary
Svastika (स्वस्तिक).—(1) (= Pali Sotthiya), n. of a grass-seller (yāvasika, q.v.; in Pali Jāt. i.70.31 tiṇahāraka) from whom the Bodhisattva begged grass for his seat at the [Page616-b+ 71] bodhi-tree: LV 286.4 ff.; 287.1, 3, etc.; Mv ii.131.12 ff.; 264.6 ff.; 399.1, 4; 401.11; (2) n. of a yakṣa: Māy 46.Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
(-kaḥ-kaṃ) 1. A temple or mansion of a particular form with a portico in front. 2. A particular mode of sitting practised by Yogins. m.
(-kaḥ) 1. Any lucky or auspicious object. 2. The meeting of four roads. 3. A building or place of a peculiar shape, described as surrounded by a terrace, or portico, on the north, west, and south sides, and having the door or entrance on the east. 4. A kind of mystical figure, the inscription of which on any person or thing is generally considered to be lucky; and amongst the Jainas is the emblem of the seventh deified teacher of the present era. 5. The crossing of the arms, as resembling the preceding. 6. A kind of cake. 7. A particular symbol made with ground-rice and shaped like a triangle. 8. A libertine. 9. Garlic. E. kan added to the last.Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary
Svastika (स्वस्तिक).—[svasti + ka], I. m. and n. A temple of a particular form, with a portico in front. Ii. m. 1. Any auspicious object. 2. The meeting of four roads. 3. A palace having a portico on three sides. 4. A mystical mark, [Mālatīmādhava, (ed. Calc.)] 73, 13 (at the end of a Bahuvr. comp. f. kā); a cross. 5. The crossing of the arms. 6. A particular kind of posture, [Vedāntasāra, (in my Chrestomathy.)] in
1) Svastika (स्वस्तिक):—[from sv-asti] m. a kind of bard (who utters words of welcome or eulogy), [Rāmāyaṇa]
2) [v.s. ...] any lucky or auspicious object, ([especially]) a kind of mystical cross or mark made on persons and things to denote good luck (it is shaped like a Greek cross with the extremities of the four arms bent round in the same direction; the majority of scholars regard it as a solar symbol; that is, as representing a curtailed form of the wheel of the Solar Viṣṇu, consisting of four spokes crossing each other at right angles with short fragments of the periphery of the circle at the end of each spoke turning round in one direction to denote the course of the Sun; [according to] to the late Sir, [Apte’s The Practical Sanskrit-English Dictionary] Cunningham it has no connexion with sun-worship, but its shape represents a monogram or interlacing of the letters of the auspicious words su asti [svasti] in the Aśoka characters; amongst Jainas it is one of the 24 auspicious marks and is the emblem of the seventh Arhat of the present Avasarpiṇī), [Harivaṃśa; Kāvya literature; Purāṇa]
3) [v.s. ...] the crossing of the arms or hands on the breast, [Mahābhārata; Mālatīmādhava; Kathāsaritsāgara]
4) [v.s. ...] a bandage in the form of a cross, [Suśruta]
5) [v.s. ...] a dish of a [particular] form, [Mahābhārata; Rāmāyaṇa; Pañcarātra]
6) [v.s. ...] a kind of cake, [ib.]
7) [v.s. ...] a triangular crest-jewel, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
8) [v.s. ...] the meeting of four roads, [Horace H. Wilson]
9) [v.s. ...] a [particular] symbol made of ground rice and formed like a triangle (it is used in fumigating the image of Durgā, and is said to symbolize the Liṅga), [Monier-Williams’ Sanskrit-English Dictionary]
10) [v.s. ...] a species of garlic, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
11) [v.s. ...] a cock, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
12) [v.s. ...] a libertine, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
13) [v.s. ...] Name of a serpent-demon, [Mahābhārata]
14) [v.s. ...] of one of Skanda’s attendants, [ib.]
15) [v.s. ...] of a Dānava, [Harivaṃśa]
16) [v.s. ...] of a poet, [Catalogue(s)]
17) [v.s. ...] of another man, [Buddhist literature]
18) [v.s. ...] mn. a mansion or temple of a [particular] form, [Varāha-mihira’s Bṛhat-saṃhitā]
19) [v.s. ...] Marsilea Quadrifolia, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
20) [v.s. ...] a [particular] mode of sitting practised by Yogins (in which the toes are placed in the inner hollow of the knees), [Mārkaṇḍeya-purāṇa; Pañcarātra]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Astika.
Ends with (+4): Adhahsvastika, Adharasvastika, Aparasvastika, Ardhasvastika, Bahusvastika, Cakrasvastika, Chakrasvastika, Diksvastika, Dvisvastika, Hastasvastika, Kartari-svastika, Khasvastika, Mandalasvastika, Mushti-svastika, Mushtikasvastika, Padasvastika, Parshvasvastika, Pashcatasvastika, Prakasvastika, Prishthasvastika.
Full-text (+102): Svastikasana, Svastikakarna, Adharasvastika, Hastasvastika, Ashtamangala, Svasti, Nandyavarta, Svastikayantra, Svastika-patta, Lakshasvastikavratakalpa, Bahusvastika, Sovatthika, Svahastasvastikastani, Adhahsvastika, Aparasvastika, Catushka, Mushtikasvastika, Shubhalakshana, Takshaka, Viprakirna.
Search found 34 books and stories containing Svastika, Su-astika; (plurals include: Svastikas, astikas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 2: Incarnation as Dharmanātha < [Chapter V - Śrī Dharmanāthacaritra]
Part 2: Description of Kauśāmbī < [Chapter IV - Padmaprabhacaritra]
Part 9: Description of Vinītā (Ayodhyā) < [Chapter II]
The Natyashastra (by Bharata-muni)
The Mirror of Gesture (abhinaya-darpana) (by Ananda Coomaraswamy)
The Padma Purana (by N.A. Deshpande)
Chapter 74 - Popularity of Viṣṇu Cult during Yayāti’s Rule < [Section 2 - Bhūmi-khaṇḍa (section on the earth)]
Chapter 89 - An Account of Satyabhāmā’s Former Birth < [Section 6 - Uttara-Khaṇḍa (Concluding Section)]
Chapter 117 - The Importance of Bathing in Kārtika < [Section 6 - Uttara-Khaṇḍa (Concluding Section)]
Maha Prajnaparamita Sastra (by Gelongma Karma Migme Chödrön)
Part 11 - Attaining saṃbodhi on a bed of celestial robes < [Chapter LI - Seeing all the Buddha Fields]
Appendix 7 - The Buddha’s assistants (upasthāyaka) < [Chapter XLI - The Eighteen Special Attributes of the Buddha]
Appendix 4 - Buddha’s subjugation of the elephant Nālāgiri (or Dhanapāla) < [Chapter XLII - The Great Loving-kindness and the Great Compassion of the Buddhas]
The Garuda Purana (by Manmatha Nath Dutt)
Chapter CCXLVIII - The eight essentials of Yoga, etc. < [Dhanvantari Samhita]
Chapter CCXXII - The Garuda Vidya < [Dhanvantari Samhita]
Chapter XLVII - Essential features of a divine temple or of a palace < [Agastya Samhita]