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Sthitapāṭhya, aka: Sthita-pathya; 3 Definition(s)

Introduction

Sthitapāṭhya means something in Hinduism, Sanskrit. Check out some of the following descriptions and leave a comment if you want to add your own contribution to this article.

The Sanskrit term Sthitapāṭhya can be transliterated into English as Sthitapathya, using the IAST transliteration scheme (?).

In Hinduism

Nāṭyaśāstra (theatrics and dramaturgy)

Sthitapāṭhya (स्थितपाठ्य) refers to one of the twelve types of lāsya, or “gentle form of dance” according to the Nāṭyaśāstra chapter 20. These various lāsya are presented as a specific type of dramatic play (nāṭya) similar to that of the Bhāṇa type

Source: Wisdom Library: Nāṭya-śāstra

Sthitapāṭhya (स्थितपाठ्य).—One of the twelve types of lāsya;—If a separated woman burning with the fire of love, recites anything in Prakrit while resting on her seat, it is an instance of the Sthita-pāṭhya.

Source: archive.org: Natya Shastra

Sthitapāṭhya (स्थितपाठ्य).—One of the ten type of lāsyāṅga, or ‘elements of the gentle dance’;—In it the lady, having her body afflicted by the force of love, due to separation, recites Prakrit speech full of sentiment, while in a standing posture. Abhinava points out that even in lāsya there is recitation, which is prominently me ant for the entertainment of the King or the Deity. Captivating the mind is achieved by the poet with recitation also, employing it in the interval for the sake of striki ngness. Even while standing, she recites as if she were seated. This strikingness is the extraordinary part of the entertainment belonging to the recitation. This much part of the lāsyāṅga seen in the popular life is used (in the play). It is indicative of passion.

Source: svAbhinava: Abhinavagupta’s Treatment of the lāsyāṅgas

about this context:

Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).

Relevant definitions

Search found 20 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:

Pathya
The Recitation (pāṭhya) [in a play] is known to be of two kinds Sanskritic and Prakritic.
Āsīnapāṭhya
Āsīnapāṭhya (आसीनपाठ्य).—One of the twelve types of lāsya;—When one sits without making any toi...
Sthita
Sthita (स्थित).—A son of Vasudeva and Madirā.** Vāyu-purāṇa 96. 170.
Sthitalaya
Sthitalaya (स्थितलय) refers to a “slow tempo”.
Śākhā
Śākhā (शाखा, “branch”).—One of the ten kinds of “plant-bodies” (vanaspati) a soul (jīva) can be...
Kumuda
1) Kumuda (कुमुद) is another name of Mahāvīti, one of the two sons of Savana, who was the gr...
Harītakī
Harītakī (हरीतकी) is a Sanskrit word, identified with Terminalia chebula (black myrobalan) b...
Śaunaka
1a) Śaunaka (शौनक).—A son of Śunaka; a great sage of the Ṛg Veda school. A kulapati; addr...
Āryā
1) Āryā (आर्या) refers to a type of syllabic metre (vṛtta), according to the Nāṭyaśāstra chapte...
Kāṃsya
Kāṃsya (कांस्य).—Fit to be a milking vessel and for a gift with a cow.** Matsya-purāṇa 16...
Lāsya
Lāsya (लास्य) refers to a “gentle form of dance”, in the form of a specific type of dramatic pl...
Śunaka
1a) Śunaka (शुनक).—A son of Ṛta, and father of Vītahavya.** Bhāgavata-purāṇa IX. 13. 26.1...
Kabandha
1a) Kabandha (कबन्ध).—Killed by Śrī Rāma; an Asura in Tatvalam.** Bhāgavata-purāṇa IX. 10...
Vartaloha
Vartaloha (‘alloy of four metals’) can be prepared by mixing loha (iron) kāṃsya ...
Lāsyāṅga
Lāsyāṅga (लास्याङ्ग) is an one act play which requires lāsya or a gentle form of dance for its ...

Relevant text

Search found 71 books containing Sthitapāṭhya or Sthita-pathya. You can also click to the full overview containing English textual excerpts. Below are direct links for the 20 most relevant articles:

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