Singabhupala, Siṅgabhūpāla, Shingabhupala: 2 definitions
Introduction:
Singabhupala means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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Sanskrit dictionary
1) Siṅgabhūpāla (सिङ्गभूपाल) as mentioned in Aufrecht’s Catalogus Catalogorum:—See Siṃhabhūpāla.
2) Śiṅgabhūpāla (शिङ्गभूपाल):—son of Anapota: Rasārṇavasudhākara alaṃk.
1) Śiṅgabhūpāla (शिङ्गभूपाल):—[=śiṅga-bhūpāla] [from śiṅga] m. Name of an author ([probably] = -dharaṇīśa), [Pratāparudrīya [Scholiast or Commentator]]
2) Siṅgabhūpāla (सिङ्गभूपाल):—[=siṅga-bhūpāla] m. Name of an author (cf. siṃha-bh), [Catalogue(s)]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Singa, Bhupala.
Full-text: Shingabhupaliya, Shingabhattiya, Shingabhatta, Samgitasudhakara, Rasarnavasudhakara, Samgitaratnakara.
Relevant text
Search found 11 books and stories containing Singabhupala, Shinga-bhupala, Shingabhupala, Śiṅga-bhūpāla, Singa-bhupala, Siṅga-bhūpāla, Siṅgabhūpāla, Śiṅgabhūpāla; (plurals include: Singabhupalas, bhupalas, Shingabhupalas, bhūpālas, Siṅgabhūpālas, Śiṅgabhūpālas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Sandhi (the combination of different phases) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Chapter 5 - Major findings and Concluding observations
Description of Nāṭaka < [Chapter 2 - Nature and Classification of Sanskrit Drama]
Hanuman Nataka (critical study) (by Nurima Yeasmin)
2. Guṇa (quality) in the Haumannāṭaka < [Chapter 4]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Introduction to the Vīthī type of Drama < [Chapter 7 - Vīthī (critical study)]
Summary of the Nāṭyaśāstra < [Introduction]
Ashta Nayikas and Dance Forms (study) (by V. Dwaritha)
Part 1-2 - Introduction and definition of Virahotkaṇṭhitā < [Chapter 4 - Virahotkaṇṭhitā]
Part 3 - Male characters—Nāyaka < [Chapter 1 - Introduction]
Alankara Sastra (English study) (by V. Raghavan)
2. Literature on the subject of Laksana < [Chapter 1 - The history of Lakshana (poetic adornments)]
5. Other writers on the subject of Laksana < [Chapter 1 - The history of Lakshana (poetic adornments)]