Shvanitaka, Śvaṇitaka: 1 definition
Introduction:
Shvanitaka means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Śvaṇitaka can be transliterated into English as Svanitaka or Shvanitaka, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)Śvaṇitaka (श्वणितक) refers to one of the various Sea-animals (makara) associated with Makarahasta: one of the thirteen Saṃyuktahastas or “combined hand gestures” (in Indian Dramas), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—The hasta-mudrās (lit. “hand-gestures”) are very essential to denote some particular action or state in dancing and these mudrās are formed with the help of hands and fingers.—According to the Śabdakalpadruma, makara means sea-animals [e.g., Śvaṇitaka, etc.]. According to the Viṣṇudharmottarapurāṇa, in makara posture both of the hands in patāka posture are placed one over the other and both should be facing downward. This posture is used in the acting of lion, tiger and deer.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Full-text: Tiger, Sea-animal, Makara, Lion, Deer.
Relevant text
Search found 1 books and stories containing Shvanitaka, Śvaṇitaka, Svanitaka; (plurals include: Shvanitakas, Śvaṇitakas, Svanitakas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
2.2. Hand Postures (b): Saṃyukta-hasta < [Chapter 3 - Drama and Dance]