Sharadatanaya, Śāradātanaya, Sharada-tanaya: 1 definition
Introduction:
Sharadatanaya means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Śāradātanaya can be transliterated into English as Saradatanaya or Sharadatanaya, using the IAST transliteration scheme (?).
Languages of India and abroad
Sanskrit dictionary
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionaryŚāradātanaya (शारदातनय):—[=śāradā-tanaya] [from śāradā > śārada] m. Name of an author, [Pratāparudrīya [Scholiast or Commentator]]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Sharada, Tanaya, Carata, Sharata.
Full-text: Kancukiya, Atanka, Bhavaprakasha, Vyadhi.
Relevant text
Search found 7 books and stories containing Sharadatanaya, Śāradātanaya, Sharada-tanaya, Śāradā-tanaya, Saradatanaya, Sarada-tanaya; (plurals include: Sharadatanayas, Śāradātanayas, tanayas, Saradatanayas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Natyashastra (English) (by Bharata-muni)
Part 5 - Literature on the Ancient Indian Drama < [Introduction, part 1]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Importance of Gati in Uparūpakas < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Analysis of technical terms: Tāṇḍava and Lāsya < [Chapter 1 - Nāṭya]
Introduction to the Nāṭyaśāstra < [Chapter 1 - Nāṭya]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 1 - Bhāsa—The author and the date of the play (Ūrubhaṅga) < [Chapter 8 - Utsṛṣṭikāṅka (critical study)]
Part 1 - Bhāsa—Author of the drama (Dūtavākya) < [Chapter 5 - Vyāyoga (critical study)]
Introduction to the Vīthī type of Drama < [Chapter 7 - Vīthī (critical study)]
Theatre Architecture in Ancient India < [November-December 1931]
Theatre-Architecture in Ancient India < [January-February 1933]
"Shakuntala"–Its Tragedy < [April 1940]
Kavyamimamsa of Rajasekhara (Study) (by Debabrata Barai)
Part 1 - Rasa theory and position of the Kāvyamīmāṃsā < [Chapter 4 - Position of the Kāvyamīmāṃsā in Sanskrit Poetics]
Hanuman Nataka (critical study) (by Nurima Yeasmin)