Sharabha, aka: Śarabhā, Sarabha, Śarabha; 14 Definition(s)
Sharabha means something in Buddhism, Pali, Hinduism, Sanskrit, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms Śarabhā and Śarabha can be transliterated into English as Sarabha or Sharabha, using the IAST transliteration scheme (?).
1a) Śarabha (शरभ).—A Dānava.*
- * Brahmāṇḍa-purāṇa III. 6. 12; Vāyu-purāṇa 68. 12.
1b) A Vānarajāti born of Hari and Pulaha; hunted by Haihaya in the Vindhyas.*
- * Brahmāṇḍa-purāṇa III. 7. 174, 319; 26. 30; 35. 21; 51. 11; IV. 29. 41.
1c) A son of Vyāghra and father of Śuka.*
- * Brahmāṇḍa-purāṇa III. 7. 207, 233.
1d) A son of Jāmbavat; after him came the Śarabhas, a Vānara jāti.*
- * Brahmāṇḍa-purāṇa III. 7. 304, 319.
1e) A son of Rukmiṇī and Kṛṣṇa.*
- * Brahmāṇḍa-purāṇa III. 71. 245; Vāyu-purāṇa 96. 237.
The Purāṇas (पुराण, purana) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahāpurāṇas total over 400,000 ślokas (metrical couplets) and date to at least several centuries BCE.
Āyurveda (science of life)
Śarabha (शरभ) is a Sanskrit word referring to the animal “wapiti”. The meat of this animal is part of the māṃsavarga (‘group of flesh’), which is used throughout Āyurvedic literature. The animal Śarabha is part of the sub-group named Jāṅgalamṛga, refering to “animals living in forests”. It was classified by Caraka in his Carakasaṃhitā sūtrasthāna (chapter 27), a classical Āyurvedic work. Caraka defined such groups (vargas) based on the dietic properties of the substance.(Source): Wisdom Library: Āyurveda and botany
Āyurveda (आयुर्वेद, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Āyurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
Nāṭyaśāstra (theatrics and dramaturgy)
Śarabhā (शरभा) refers to a type of syllabic metre (vṛtta), according to the Nāṭyaśāstra chapter 16. In this metre, the first four, the tenth, the eleventh, the thirteenth and the fourteenth syllables of a foot (pāda) are heavy (guru), while the rest of the syllables are light (laghu).
Śarabhā falls in the Śakkarī class of chandas (rhythm-type), which implies that verses constructed with this metre have four pādas (‘foot’ or ‘quarter-verse’) containing fourteen syllables each.(Source): Wisdom Library: Nāṭya-śāstra
Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).
Sharabha according to Kalikagama.—The body of Sharabha should be that of a bird of golden hue, having two red eyes; and it should have two up-lifted wings and eight limbs. Sharabha, which is said to be mightier than an elephant, should have the fierce face of a lion grinning widely, having tusks and wearing kirita makuta. The torso of Sharabha resembles that of human male having four hands .The lower part of its body should resemble that of a lion having four legs, sharp claws and a tail. Sharabha should be shown carrying the figure of Narasimha in his human form with upraised folded hands, anjali-mudra.(Source): Sreenivasarao's blog: Saptamatrka (part 4) (shilpa)
Śilpaśāstra (शिल्पशास्त्र, shilpa-shastra) represents the ancient Indian science of creative arts such as sculpture, iconography and painting. Closely related to Vāstuśāstra (architecture), they often share the same literature.
General definition (in Hinduism)
1) Śarabha (शरभ)—Sanskrit word for a kind of “deer”. This animal is from the group called Jaṅghāla (large-kneed). Jaṅghāla itself is a sub-group of the group of animals known as Jāṅghala (living in high ground and in a jungle)
2) A creature part lion and part bird. According to Sanskrit literature, Sharabha is an eight-legged beast. In later literature, Sharabha is described as an eight-legged deer.
3) The Vaishnavas refute the portrayal of Narasimha as being destroyed by Shiva-Sharabha and regard Sharabha as a name of Vishnu.(Source): Wisdom Library: Hinduism
1) Śarabha (शरभ) is the name of some wild animal in the Atharvaveda and later. In the classical literature it is a fabulous, eight-legged beast, dwelling in the snowy mountains, a foe of lions and elephants: the commentator Mahīdhara sees this sense, but without reason, in the Vājasaneyisaṃhitā. The animal is spoken of as akin to the goat: it was probably a kind of deer.
2) Śarabha (शरभ) is the name of a Ṛṣi in the Rigveda.(Source): archive.org: Vedic index of Names and Subjects
Sharabha is a creature in Hindu mythology that is part lion and part bird. According to Sanskrit literature, Sharabha is an eight-legged beast, mightier than a lion and elephant and which can kill the lion. Sharabha, can clear a valley in one jump. In later literature, Sharabha is described as an eight-legged deer.
1) Shaiva scriptures narrate that god Shiva assumed the Avatar (incarnation) of Sharabha to pacify Narasimha;
2) In Sanskrit literature, Sharabha is initially described as an animal that roared and scared other animals in the hills and forest areas.
3) In Puranic literature, Sharabha is associated with god Shiva, who incarnates to subdue fierce manifestations of Vishnu.
4) The Mahabharata, the great Hindu epic, narrates: a dog, with the help of a Rishi (sage) assumes various animal forms—starting from a dog to a tiger then to an elephant followed by a lion and a sharabha—terrorized every one in the hermitage of the Rishi.
5) Shaivite views: The legend of Sharabha as an incarnation of Shiva is narrated in many Hindu scriptures.
6) The Shiva Purana mentions: Shiva assumed the Sharabha form after slaying Hiranyakashipu, and then attacked Narasimha and embraced him.
7) The Skanda Purana: The purpose of Shiva assuming the form of Sharabha was to ensure that the lion body of Vishnu was discarded and he got united with his original divine form.
8) In the Kalika Purana, Varaha - Vishnu’s boar avatar - had amorous dalliance with the earth goddess. He and his three boar sons then created mayhem in the world, which necessitated Shiva to take the form of Sharabha, to kill the Varaha form.
9) Vaishnava followers including Dvaita scholars, such as Vijayindra Tirtha (1539–95) refute the portrayal of Narasimha as being destroyed by Sharabha as they consider the Shaivite Puranas as tamasic - and thus not authoritative.
10) The Sharabha Upanishad mentions that shara means jiva ("soul") and Hari (Vishnu) is gleaming in the form of Sharabha.(Source): WikiPedia: Hinduism
Theravada (major branch of Buddhism)
A Paribbajaka who joined the Order and soon after left it. He then went about proclaiming in Rajagaha that he knew the Dhamma and Vinaya of the Sakyaputta monks, and that was why he had left their Order. The Buddha, being told of this, visited the Paribbajakarama, on the banks of the Sappinika, and challenged Sarabha to repeat his statement. Three times the challenge was uttered, but Sarabha sat silent. The Buddha then declared to the Paribbajakas that no one could say that his claim to Enlightenment was unjustified, or that his dhamma, if practised, did not lead to the destruction of Ill. After the Buddhas departure, the Paribbajakas taunted and abused Sarabha (A.i.185ff).
It is said (AA.i.412 f ) that Sarabha joined the Order at the request of the Paribbajakas. They had failed to find any fault with the Buddhas life, and thought that his power was due to an avattanimaya, which he and his disciples practised once a fortnight behind closed doors. Sarabha agreed to find it out and learn it. He therefore went to Gijjhakuta, where he showed great humility to all the resident monks. An Elder, taking pity on him, ordained him. In due course he learned the patimokkha, which, he realized, was what the Paribbajakas took to be the Buddhas maya. Having learned it, he went back to the Paribbajakas, taught it to them, and with them went about in the city boasting that he knew the Buddhas teaching and had found it worthless.(Source): Pali Kanon: Pali Proper Names
Theravāda is a major branch of Buddhism having the the Pali canon (tipitaka) as their canonical literature, which includes the vinaya-pitaka (monastic rules), the sutta-pitaka (Buddhist sermons) and the abhidhamma-pitaka (philosophy and psychology).
sarabha : (m.) a kind of deer.(Source): BuddhaSasana: Concise Pali-English Dictionary
Sarabha, (Vedic śarabha a sort of deer J. IV, 267; VI, 537) (rohiccasarabhā migā=rohitā sarabhamigā, C. ibid. 538); Sarabhamigajātaka the 483rd Jātaka J. I, 193, 406 (text Sarabhaṅga); IV, 263 sq.
—pallaṅka “antelope-couch, ” a high seat, from which the Bodhisat preaches J. III, 342 (cp. vara-pallaṅka J. III, 364). —pādaka having legs like those of a gazelle J. I, 267. (Page 698)
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
General definition (in Buddhism)
One time, it is said, the Bodhisattva was a Śarabha, living in a remotepart of a certain forest. That region, lying beyond the path and thenoise of men, was a dwelling-place of manifold tribes of forest-animals.
That Śarabha had a solid body, endowed with strength, vigour, and swiftness; he was distinguished by the beautiful colour of his skin. As he was addicted to practising compassion, he cherished friendly feelings towards all animals. Possessing the virtue of contentment, he subsisted only on grasses, leaves and water, and was pleased with his residence in the forest. So he adorned that part of the forest, longing, like a Yogin, for complete detachment.
(Source): Ancient Buddhist Texts: The Story of the Śarabha (Anukampā)
“Bearing the shape of a forest-animal, but pos-sessing the intellectual faculties of a man, he lived in that solitary wilderness, showing, like an ascetic, mercy to all living beings, and contenting himself like a Yogin, with blades of grass.”
India history and geogprahy
Śarabha (शरभ).—The city of Śarabhapura was apparently founded by a king named Śarabha who seems also to have been the founder of the dynasty of the Śarabhapura rulers. King Śarabha is actually known to have been the father of Mahārāja Narendra who issued the Pipardula grant from Śarabhapura in the third year of his reign. This Śarabha may further be identified with Śarabharāja, maternal grandfather of Goparāja, who was a vassal of Bhānugupta of the Imperial Gupta dynasty abnd died at Eran in 510 A.D.(Source): Google Books: Vakataka - Gupta Age Circa 200-550 A.D.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
śarabha (शरभ).—m S A fabulous animal of eight legs inhabiting the Himalaya range. 2 A locust: also a grasshopper.(Source): DDSA: The Molesworth Marathi and English Dictionary
śarabha (शरभ).—m A locust; a grasshopper.(Source): DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
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Search found 25 books and stories containing Sharabha, Śarabhā, Sarabha or Śarabha. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Later Chola Temples (by S. R. Balasubrahmanyam)
Temples in Tribhuvanam < [Chapter XII - Temples of Kulottunga III’s Time]
Temples in Darasuram < [Chapter VIII - Temples of Rajaraja II’s Time]
Devi Bhagavata Purana (by Swami Vijñanananda)
List of Mahabharata people and places (by Laxman Burdak)
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 3: Previous birth of Añjanā < [Chapter III - Hanumat’s birth and Varuṇa’s subjection]
Part 12: Incarnation as Tripṛṣṭha < [Chapter I - Previous births of Mahāvīra]
Part 5: Sodāsa (borne to king Naghuṣa and queen Siṃhikā) < [Chapter IV - The, birth, marriage, and retreat to the forest of Rāma and Lakṣmaṇa]
The Mahabharata - First Book (by Krishna-Dwaipayana Vyasa)
Section LVII < [Astika Parva]
Section LXV < [Sambhava Parva]
Section LXVII < [Sambhava Parva]
The Garuda Purana (by Manmatha Nath Dutt)
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