Sangita-makaranda, Saṅgītamakaranda: 2 definitions
Introduction:
Sangita-makaranda means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstraSaṅgītamakaranda (सङ्गीतमकरन्द) is a Sanskrit work by Nārada (date uncertain, possibly flourished between 100 and 300 A.D.) dealing with Indian musicology (gāndharvaśāstra or saṅgītaśāstra).
Source: Sreenivasarao’s blog: Music of IndiaSangita Makaranda ascribed to Narada (7th -9th century) is an interesting work. It has two parts, one on music; and , the other on dance, each divided into four sections. Its style is said to be rather complicated; and, makes a difficult reading. The first part of the text is devoted to music (Sangita) . It has subsections dealing with the origin of Nada and Svaras; associations of the Svaras with factors such as Gramas , Murchanas etc ; various musical terms such as , Vadi, Sruti, Alamkara etc; classification of Ragas ; and , with the musical instruments.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Partial matches: Makaranda, Sangita.
Full-text: Svara, Kutatana, Narada, Vivadin, Vina, Tala, Gamaka, Vadi, Samvadi.
Relevant text
Search found 4 books and stories containing Sangita-makaranda, Saṅgītamakaranda, Saṅgīta-makaranda; (plurals include: makarandas, Saṅgītamakarandas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Observations in Post-Bharata works < [Chapter 5 - Conclusion]
Technical treatises on Nāṭya (other works) < [Chapter 1 - Nāṭya]
Gati in works on Nāṭya < [Chapter 2 - Concept and technique of Gati]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 22: Bharata resumes normal life < [Chapter VI]
Part 4: Attacks by Saṅgamaka < [Chapter IV - Mahāvīra’s second period of more than six years]
Part 10: Story of Vīrabhadra < [Chapter II - Śrī Aranāthacaritra]
Natyashastra (English) (by Bharata-muni)
Part 3 - Literature on Ancient Indian Music < [Introduction, Part 2]