Samkarshana, Saṅkarṣaṇa, Saṃkarṣaṇa, Sankarshana: 24 definitions
Samkarshana means something in Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms Saṅkarṣaṇa and Saṃkarṣaṇa can be transliterated into English as Sankarsana or Sankarshana or Samkarsana or Samkarshana, using the IAST transliteration scheme (?).
Purana and Itihasa (epic history)Source: archive.org: The Garuda puranam
The stone known as Sankarshana, is of a red colour, has two ring-like marks around its mouth or lateral aperture and has the mark of a lotus on its eastern side.Source: archive.org: Puranic Encyclopedia
Saṅkarṣaṇa (सङ्कर्षण).—Balabhadra Rāma. (To know about the derivation of the name see under Balabhadra Rāma).Source: Cologne Digital Sanskrit Dictionaries: The Purana Index
1a) Saṅkarṣaṇa (सङ्कर्षण).—The fourth form of Hari worshipped by Śiva in Ilāvṛta; another name of Ananta; the ruler of Ahamkāra. A god of one thousand heads presiding over bhūtas; by his fire was burnt the three worlds; his greatness; mantra in honour of; Lord of serpents.1 Kṛṣṇa, one of the vaṃśavīras.2
- 1) Bhā I. 5. 37: V. 17. 16: 25. 1: IV. 24. 35: III. 26. 25: 19. 29. V. 25 (whole) VI. 15. 27-8: 16. 18: Matsya-purāṇa 2. 5: 93. 51: 248. 47: 276. 8.
- 2) Brahmāṇḍa-purāṇa III. 36. 51: 72. 1: Vā 97. 1: 111. 21.
1b) Balarāma and Balabhadra;1 the seventh conception of Devakī, transferred to Roḥiṇī; a portion of Śeṣa, an aṃśa of God Viṣṇu; a great hero, white in complexion, like a mountain in size.2 killed Dhenuka;3 killed Pralamba;4 taught the bhāgavata to Sanatkumāra.5
- 1) Bhā X. 2. 13: 8. 12: 15. 10: 40. 21: 41. 39: 50. 12: 89. 31, 33: Viṣṇu-purāṇa IV. 15. 29: V. 18. 58: 37. 25.
- 2) Ib. V. 1. 73-6: Bhāgavata-purāṇa IX. 24. 54, 60:
- 3) Viṣṇu-purāṇa V. 8. 5.
- 4) Ib. V. 9. 16.
- 5) Bhāgavata-purāṇa III. 8. 3.
Saṃkarṣaṇa (संकर्षण) is a name mentioned in the Mahābhārata (cf. I.177.16) and represents one of the many proper names used for people and places. Note: The Mahābhārata (mentioning Saṃkarṣaṇa) is a Sanskrit epic poem consisting of 100,000 ślokas (metrical verses) and is over 2000 years old.Source: Journal of the American Oriental Society: The Harivaṃśa, the Goddess Ekānaṃśā
Saṃkarṣaṇa (संकर्षण).—The Harivaṃśa depicts Kṛṣṇa as the manifestation of Viṣṇu, and his elder brother Saṃkarṣaṇa, as the manifestation of the serpent Śeṣa. On the basis of these tow figures alone, however, the events which took place in the cowherd settlement (vraja, ghoṣa) of Mathurā and in the fabled city of Dvāravatī remain inexplicable.Source: Shodhganga: The saurapurana - a critical study
Saṃkarṣaṇa (संकर्षण) is one of the sons of Vasudeva and grandson of Kroṣṭā, according to the Vaṃśānucarita section of the 10th century Saurapurāṇa: one of the various Upapurāṇas depicting Śaivism.—Accordingly, [...] The Son of Yadu was Kroṣṭā in whose race the most glorious kings were born. The text only names them as [viz., Vasudeva]. Ugrasena’s daughter was Devakī who married Vasudeva and from them Viṣṇu by the curse of Bhṛgu was born as Kṛṣṇa. From Vasudeva’s other wife Rohiṇī was born Saṃkarṣaṇa.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Pancaratra (worship of Nārāyaṇa)Source: Wisdom Library: Pāñcarātra
Saṅkarṣaṇa (सङ्कर्षण, “He who draws others near him”):—One of the twenty-four forms of Viṣṇu through which Nārāyaṇa manifests himself. He is accompanied by a counterpart emanation of Lakṣmī (an aspect of Devī) who goes by the name Sarasvatī.Source: SriMatham: Vaiṣṇava Iconology based on Pañcarātra Āgama
Saṅkarṣaṇa—with this vyūha the "non pure" creation becomes dimly manifest like an embryo without internal distinctions. The guṇa concerned is bala, (omnipotence). Balarama is connected with this aspect, also described as "Aśeṣa", "bhuvana ādhāra" (the support of the universe Ananta Śeṣa).
Pancaratra (पाञ्चरात्र, pāñcarātra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
Shilpashastra (iconography)Source: archive.org: Pratima Kosa Encyclopedia of Indian Iconography - Vol 6
Saṃkarṣaṇa (संकर्षण) refers to one of the many varieties of the Śālagrāma (ammonite fossil stones).—The Saṃkarṣaṇa is two cakras at the opening joined face to face (lagna-dvicakrī); a cakra in front, and another at the back; the frontportion thicker than the back. Śālagrāma stones are very ancient geological specimens, rendered rounded and smooth by water-currents in a great length of time. They (e.g., Saṃkarṣaṇa stones) are distinguished by the ammonite (śālā, described as “vajra-kīṭa”, “adamantine worms”) which having entered into them for residence, are fossilized in course of time, leaving discus-like marks inside the stone.Source: archive.org: Isvara Samhita Vol 5 (shilpa)
Saṃkarṣaṇa (संकर्षण) is the name of a deity corresponding to the second vyūha (part of five-fold manifestation of the Supreme Consciousness) according to Pāñcarātrins thought.—The second form of Saṃkarṣaṇa has the form resembling the peak of sindūra tree, one face, four hands, meaning a cloth resembling the atasī flower, having the mark of the palm tree and holding with the main pair of hands which had the discus and the pestle in the hand of mace.
All these (e.g., Saṃkarṣaṇa) wear vanamālā, have the marks of Śrīvatsa, and shine with Kaustubha, the king of gems in the chest. They are to be thought of as always having crown, crest, beautiful necklace, armlets and anklets, variegated ornamental marks in the forehead, have the shining ear rings resembling the crocodiles, have different kinds of garlands and adorned with smearing of the beautiful camphor etc.
With a form black and yellow on the occasion of merging, Lord Saṃkarṣaṇa, who has a body yellow and red (in colour) amidst west and south in the acts that goes against the current (merging).
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Vaishnavism (Vaishava dharma)Source: Pure Bhakti: Brhad Bhagavatamrtam
Saṅkarṣaṇa (सङ्कर्षण) refers to:—(see Ananta Śeṣa) Name of Baladeva Prabhu. (cf. Glossary page from Śrī Bṛhad-bhāgavatāmṛta).
Vaishnava (वैष्णव, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnu’).
Shaktism (Shakta philosophy)Source: Google Books: Manthanabhairavatantram
Saṃkarṣaṇa (संकर्षण) refers to one of the eight Heroes (vīra-aṣṭaka) associated with Jālandhara (which is in the southern quarter), according to the Manthānabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess Kubjikā.—[...] The eight heroes: Ananta, Jvāla, Jṛmbhaṇa, Stambhana, Mohana, Stambhakārī, Saṃkarṣaṇa, Vighnāntaka.
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Languages of India and abroad
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
Saṅkarṣaṇa (सङ्कर्षण).—n S Drawing, pulling, attracting. 2 Ploughing.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
Saṅkarṣaṇa (सङ्कर्षण).—n Drawing, attracting. Ploughing.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionarySource: DDSA: The practical Sanskrit-English dictionary
Saṃkarṣaṇa (संकर्षण).—1 The act of drawing together, contracting; (sātvatī) या द्रष्टृदृश्ययोः संकर्षणम् (yā draṣṭṛdṛśyayoḥ saṃkarṣaṇam) Bhāg.5.25.1.
3) Ploughing, furrowing.
-ṇaḥ 1 Name of Balarāma; असियुद्धे गदायुद्धे रथयुद्धे च पाण्डवः । संकर्षणादशिक्षद्वै शश्वच्छिक्षां वृकोदरः (asiyuddhe gadāyuddhe rathayuddhe ca pāṇḍavaḥ | saṃkarṣaṇādaśikṣadvai śaśvacchikṣāṃ vṛkodaraḥ) || Mb.1.139.4; संकर्षणात्तु गर्भस्य स हि संकर्षणो युवा (saṃkarṣaṇāttu garbhasya sa hi saṃkarṣaṇo yuvā) Hariv.
2) Name of the great serpent Śeṣa; पातालतलमारभ्य संकर्षणमुखानलः (pātālatalamārabhya saṃkarṣaṇamukhānalaḥ) Bhāg.11.3.1.
3) The destructor of the world; क्षये संकर्षणं प्रोक्तं तमुपास्यमुपास्महे (kṣaye saṃkarṣaṇaṃ proktaṃ tamupāsyamupāsmahe) Mb.12.47.32.
4) Egotism (ahaṃkāra); सोऽग्रजं सर्वभूतानां संकर्षणमकल्पयत् (so'grajaṃ sarvabhūtānāṃ saṃkarṣaṇamakalpayat) Mb.12.27.1.
Derivable forms: saṃkarṣaṇam (संकर्षणम्).Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
(-ṇaṃ) 1. Attracting, drawing. 2. Ploughing, making furrows, &c. m.
(-ṇaḥ) Baladeva. E. sam before kṛṣ to plough, &c., aff. yuc or lyuṭ. As applied to the demi-god it referes to his removal in embryo from the womb of Devaki to that of Rohini.Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary
Saṃkarṣaṇa (संकर्षण).—i. e. sam-kṛṣ + ana, I. n. 1. Attracting. 2. Ploughing. Ii. m. 1. Baladeva, brother of Kṛṣṇa, [Johnson's Selections from the Mahābhārata.] 55, 140; [Rājataraṅgiṇī] 5, 112. 2. Name of another man, [Lassen, Anthologia Sanskritica.] 2. ed. 88, 24.Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary
Saṃkarṣaṇa (संकर्षण).—[masculine] the Plougher (Halāyudha).Source: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum
1) Saṃkarṣaṇa (संकर्षण) as mentioned in Aufrecht’s Catalogus Catalogorum:—father of Nīlāsura (Navakaṇḍikābhāṣya). Oxf. 380^a.
2) Saṃkarṣaṇa (संकर्षण):—son of Śeṣācārya: Satyanāthamāhātmyaratnākara. Satyanāthābhyudaya and—[commentary].Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary
1) Saṃkarṣaṇa (संकर्षण):—[=saṃ-karṣaṇa] [from saṃ-karṣa > saṃ-kṛṣ] n. drawing out, extraction, [Harivaṃśa; Bhāgavata-purāṇa]
2) [v.s. ...] a means of joining or uniting, [Bhāgavata-purāṇa]
3) [v.s. ...] drawing together, contracting, [Horace H. Wilson]
4) [v.s. ...] making rows, ploughing, [ib.]
5) [v.s. ...] m. Name of Bala-deva or Bala-rāma (also called Halāyudha [q.v.], the elder brother of Kṛṣṇa; he was drawn from the womb of Devakī and transferred to that of Rohiṇī; among Vaiṣṇavas he is considered as the second of the four forms of Puruṣôttama), [Mahābhārata; Harivaṃśa; Purāṇa; Sarvadarśana-saṃgraha]
6) [v.s. ...] Name of the father of Nīlāsura, [Catalogue(s)]
7) [v.s. ...] (also with sūri) of various authors, [ib.]Source: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary
Saṅkarṣaṇa (सङ्कर्षण):—[sa-ṅkarṣaṇa] (ṇaṃ) 1. n. Attraction; ploughing. m. Baladeva.Source: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)
Saṃkarṣaṇa (संकर्षण) in the Sanskrit language is related to the Prakrit word: Saṃkarisaṇa.
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionarySource: Alar: Kannada-English corpus
1) [noun] the act of drawing towards; attraction.
2) [noun] he who removes, avoids, wards off (evils).
3) [noun] Balarāma, elder brother of Křṣṇa.
4) [noun] Viṣṇu or Křṣṇa, who is very handsome.
5) [noun] one of the four forms which the highest Brahman assumes out of tenderness for his devotees, which rule the individual souls.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Full-text (+37): Vyuha, Lakshmana, Samkarushana, Aniruddha, Samkarisana, Caturatma, Samkarshana suri, Nilasura, Samkarshakanda, Ananta-shesha, Mantropanishad, Krishna, Ekanamsha, Satyanathamahatmyaratnakara, Nrisimhacampu, Caturvyuhavadin, Govardhana acarya, Satyanathabhyudaya, Sheshanaga, Pradyumna.
Search found 36 books and stories containing Samkarshana, Saṅkarṣaṇa, Saṃkarṣaṇa, Sankarṣaṇa, Samkarsana, Sankarsana, Sankarshana; (plurals include: Samkarshanas, Saṅkarṣaṇas, Saṃkarṣaṇas, Sankarṣaṇas, Samkarsanas, Sankarsanas, Sankarshanas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Narayaniya (Narayaneeyam) (by Vishwa Adluri)
The Garuda Purana (by Manmatha Nath Dutt)
Chapter CCXIX - The prophylactic charm of Vaishnava Kavacham < [Dhanvantari Samhita]
Chapter CCXX - The Sarvarthada Mantra < [Dhanvantari Samhita]
Chapter VIII - Description of the mode of worshipping Vishnu < [Agastya Samhita]
A History of Indian Philosophy Volume 3 (by Surendranath Dasgupta)
Part 5 - Philosophy of the Ahirbudhnya-saṃhitā < [Chapter XVI - The Pañcarātra]
Part 3 - The Pañcarātra Literature < [Chapter XVI - The Pañcarātra]
Part 3 - God according to Rāmānuja, Veṅkaṭanātha and Lokācārya < [Chapter XIX - The Philosophy of Yāmunācārya]
The Matsya Purana (critical study) (by Kushal Kalita)
Part 1.1 - Different names of Viṣṇu < [Chapter 4 - Religious aspects of the Matsyapurāṇa]
Brahma Sutras (Nimbarka commentary) (by Roma Bose)
Brahma-Sūtra 2.2.44 < [Adhikaraṇa 8 - Sūtras 42-45]
Brahma-Sūtra 2.2.42 < [Adhikaraṇa 8 - Sūtras 42-45]
Brahma-Sūtra 1.1.1 < [Adhikaraṇa 1 - Sūtra 1]
Brihad Bhagavatamrita (commentary) (by Śrī Śrīmad Bhaktivedānta Nārāyana Gosvāmī Mahārāja)