Rasagangadhara, Rasagaṅgādhara: 4 definitions
Introduction:
Rasagangadhara means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Kavyashastra (science of poetry)
Source: Shodhganga: The Kavyavilasa of Ciranjiva Bhattacarya (kavyashastra)Rasagaṅgādhara (रसगङ्गाधर) is the name of a work composed by the logician rhetorician Jagannātha. Jagannātha has mentioned various purposes of poetry. These are fame, extreme joy, and the grace of the preceptor, the king and the goddess etc. A brief survey of the views expressed by different rhetoricians will reveal that though they have enumerated two or three or four or six purposes behind the composition of poetry yet all agree to emphasize on the main purpose of poetry i.e., instantaneous joy.
Kavyashastra (काव्यशास्त्र, kāvyaśāstra) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.
Languages of India and abroad
Sanskrit dictionary
Source: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum1) Rasagaṅgādhara (रसगङ्गाधर) as mentioned in Aufrecht’s Catalogus Catalogorum:—a tedious work on poetics, by Jagannātha Paṇḍitarāja. Io. 280. L. 3014. K. 102. B. 3, 54. Ben. 40. Kāṭm. 8. Rādh. 45. NW. 606. Oudh. Xvii, 30. Np. Vii, 44. Viii, 16. Mysore. 9. Taylor. 1, 73. Oppert. 1311. 2978. 3197. 4038. 4804. 6646. 8202. Ii, 1148. 3771. 5776. 6397. 6693. 7437. 8580. 8931. 9840. Rice. 286.
—[commentary] Viṣamapadī. K. 104.
—[commentary] Gurumarmaprakāśa by Nāgeśa. Io. 1713. Np. V, 184. Sb. 314.
2) Rasagaṅgādhara (रसगङ्गाधर):—alaṃk. by Jagannātha Paṇḍitarāja. [Bhau Dāji Memorial] 55. Bl. 148. Gov. Or. Libr. Madras 74. Oudh. Xx, 98. Rgb. 530 (inc.). 531 (inc.). Stein 63.
—[commentary] Gurumarmaprakāśa by Nāgeśa. L. 4063. Oudh. Xx, 98. Stein 63 (inc.).
3) Rasagaṅgādhara (रसगङ्गाधर):—alaṃk. by Jagannātha Paṇḍitarāja. Ulwar 1068.
4) Rasagaṅgādhara (रसगङ्गाधर):—alaṃk. by Jagannātha Paṇḍitarāja. Ak 700 (inc.). 701 (inc.). As p. 159.
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionaryRasagaṅgādhara (रसगङ्गाधर):—[=rasa-gaṅgā-dhara] [from rasa > ras] m. Name of an author
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Dhara.
Full-text: Rasagangadhariya, Peru bhatta lakshmikanta, Nageshabhatta, Yamunavarnana, Jnanendra bhikshu, Ratimanmatha, Vireshvara pandita, Vyaktiviveka, Anaṇa, Jagannatha panditaraja, Jagannatha, Upadhi, Vrittivarttika, Jagannathapandita, Karmana.
Relevant text
Search found 9 books and stories containing Rasagangadhara, Rasaganga-dhara, Rasagaṅgā-dhara, Rasagaṅgādhara; (plurals include: Rasagangadharas, dharas, Rasagaṅgādharas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Kuntaka’s evaluation of Sanskrit literature (by Nikitha. M)
Origin and development of Sanskrit poetics < [Introduction]
Kavyamimamsa of Rajasekhara (Study) (by Debabrata Barai)
Part 17 - Rasagaṅgādhara of Jagannātha < [Chapter 2 - A General Outlines of Sanskrit Poetics]
Part 3.12 - Rājaśekhara’s concepts on Nature of Kāvya (poetry) < [Chapter 5 - Analyasis and Interpretations of the Kāvyamīmāṃsā]
Introduction to Kāvyaśāstra and Alaṃkāraśāstra < [Chapter 3 - Contribution of Rājaśekhara to Sanskrit Poetics]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Vyabhicārī-bhāvas (Transitory States) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Abhyāsa: Psuedo-Suggestion < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Śānta Rasa (the quietistic sentiment) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Alamkaras mentioned by Vamana (by Pratim Bhattacharya)
26: Alaṃkāra-śāstra according to Jagannātha (17th Century) < [Chapter 2 - The concept of alaṃkāra in Sanskrit Poetics]
23: Alaṃkāra-śāstra according to Appayya Dīkṣita (16th Century) < [Chapter 2 - The concept of alaṃkāra in Sanskrit Poetics]
1-2: The number of Alaṃkāras (poetic figures) mentioned < [Chapter 5 - A Comparative study of the different alaṃkāras mentioned by Vāmana]
Harshacharita (socio-cultural Study) (by Mrs. Nandita Sarmah)
Part 1: Sanskrit Kāvya and its Divisions < [Chapter 1 - Introduction]
The backdrop of the Srikanthacarita and the Mankhakosa (by Dhrubajit Sarma)
Part 2 - Rasa or the sentiment < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]
Part 2b - Rasa (2): Śṛṅgāra or the sentiment of love < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]