Prasadaguna, Prasādaguṇa, Prasada-guna: 1 definition
Introduction:
Prasadaguna means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Kavyashastra (science of poetry)
Source: Shodhganga: Bhismacaritam a critical studyPrasādaguṇa (प्रसादगुण) or simply Prasāda refers to the “quality of elegance” and represents one of the different Guṇas (‘qualities’) employed in the Bhīṣmacarita (Bhishma Charitra) which is a mahākāvya (‘epic poem’) written by Hari Narayan Dikshit.— Bhāmaha describes prasādaguṇa as comprehension of the sense even by the womenfolk and children. Vāmana’s prasādaguṇa as a verbal excellence is the laxity of structure and as an ideal guṇa; it is clearness of meaning brought about by the avoidance of superfluity. [... see prasāda]
Kavyashastra (काव्यशास्त्र, kāvyaśāstra) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.
See also (Relevant definitions)
Relevant text
Search found 9 books and stories containing Prasadaguna, Prasādaguṇa, Prasada-guna, Prasāda-guṇa; (plurals include: Prasadagunas, Prasādaguṇas, gunas, guṇas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Jivanandana of Anandaraya Makhin (Study) (by G. D. Jayalakshmi)
Analysis of Guṇas, Vṛttis and Rīti < [Chapter 6 - Dramatic aspects of the Jīvanandana Nāṭaka]
Malatimadhava (study) (by Jintu Moni Dutta)
Part 4.3c - Prasāda Guṇa (Lucidity) < [Chapter 2 - Literary Study of the Mālatīmādhava]
Part 4.3 - Delineation of Guṇa in the Mālatīmāhava (Introduction) < [Chapter 2 - Literary Study of the Mālatīmādhava]
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada Dāsa)
Text 8.10 < [Chapter 8 - Literary Qualities]
Text 8.20 < [Chapter 8 - Literary Qualities]
Text 8.25 < [Chapter 8 - Literary Qualities]
Gita-govinda of Jayadeva (comparative study) (by Manisha Misra)
4. The Riti and the Guna < [Chapter 5 - A Critical and Musical estimate of Kisora-chandrananda-champu]
2. The Riti and Guna < [Chapter 3 - A Critical and Musical study of the Gita-Govinda]
Mudrarakshasa (literary study) (by Antara Chakravarty)
3. Guṇa and Rīti applied by Viśākhadatta < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
1. Guṇa: It’s classification and components < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
The backdrop of the Srikanthacarita and the Mankhakosa (by Dhrubajit Sarma)
Part 3c - Guṇa (3): Prasāda < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]
Part 1 - Rīti or the style < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]