Pracanda, Pracaṇḍā, Pracaṇḍa: 21 definitions
Pracanda means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Alternative spellings of this word include Prachanda.
Shaktism (Shakta philosophy)Source: Wisdom Library: Śāktism
1) Pracaṇḍā (प्रचण्डा):—Name of one of the goddesses to be worshipped during Āvaraṇapūjā (“Worship of the Circuit of Goddesses”), according to the Durgāpūjātattva (“The truth concerning Durgā’s ritual”). They should be worshipped with either the five upācāras or perfume and flowers.
Her mantra is as follows:
ह्रीं ओं प्रचण्डायै नमः
hrīṃ oṃ pracaṇḍāyai namaḥ
2) Pracaṇḍa (प्रचण्ड, “fierce, furious”) is the central Bhairava of the Khecarīcakra, according to the Śrīmatottara-tantra and the Gorakṣa-saṃhitā. He is also known as Caṇḍa. He is seated within the triangle in the pericarp of the lotus and has a dark and awe-inspiring appearance and the lustre of the fire of destruction. He has a large body, five faces with three eyes, and twenty arms. He is decorated with many ornaments and dresses himself in a tiger skin.
His Śakti is seated on his lap and has three eyes and four arms, holding a nooise (pāśa), a hook (aṅkuśa), a lute (vīṇā) and a spear (śūla). She is also richly adorned with ornaments. Out of her desire twelve Yoginīs are born who are said to move through the sky and to cause both creation and destruction. They are seated on a twelve-petalled lotus in the centre of the Khecarīcakra.
These Yoginīs are called
- and Mahotkaṭā.
They each have three faces with threey eyes and twelve arms; they wear many ornaments and by emitting amṛta they, in turn, give birth to the twenty-four Khecarīs of the sūryamaṇḍala.Source: Wisdom Library: Śāktism
Pracaṇḍā (प्रचण्डा, “wrathful”):—One of the thousand names (nr. 827) of Lalitā, according to the Lalitā-sahasranāma.
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Purana and Itihasa (epic history)Source: Wisdom Library: Purāṇas
Pracaṇḍā (प्रचण्डा):—One of the nine Durgās (navadurgā) that are worshipped for the prosperity of children, according to the Agni-purāṇa. Her colour is gorocana (red sandal paste). She has sixteen hands each and holds within her right hands a skull, shield, mirror, bow, flag and pāśa (cord), and in her left hands a rod, iron pounder, Śūla, Vajra, sword, Aṅkuśa (a sticklike weapon), Śara (arrow), Cakra and a śalākā. These nine Durgās are seen as different forms of Pārvatī.Source: archive.org: Puranic Encyclopedia
Pracaṇḍa (प्रचण्ड).—A demon. Pracaṇḍa fought against Kārttikeya in the fight between Paramaśiva and the Tripuras. (Chapter 1, Gaṇeśa Purāṇa).Source: Cologne Digital Sanskrit Dictionaries: The Purana Index
Pracaṇḍā (प्रचण्डा).—A goddess enshrined at Chāgalāṇḍa.*
- * Matsya-purāṇa 13. 43.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Pancaratra (worship of Nārāyaṇa)Source: Wisdom Library: Pāñcarātra
Pracaṇḍa (प्रचण्ड):—One of the eight gatekeepers who are said to embody the eight siddhis (‘yogic powers’).
Pancaratra (पाञ्चरात्र, pāñcarātra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
Kavya (poetry)Source: Wisdom Library: Kathāsaritsāgara
Pracaṇḍa (प्रचण्ड) was a soldier in Sunītha and Sūryaprabha’s army whose strength is considered as equaling a fourfold-power warrior (caturguṇaratha), according to the Kathāsaritsāgara, chapter 47. Accordingly, as the Asura Maya explained the arrangement of warriors in Sunītha’s army: “... [Pracaṇḍa, and others], these princes are warriors of fourfold power”.
The story of Pracaṇḍa was narrated by the Vidyādhara king Vajraprabha to prince Naravāhanadatta in order to relate how “Sūryaprabha, being a man, obtain of old time the sovereignty over the Vidyādharas”.
The Kathāsaritsāgara (‘ocean of streams of story’), mentioning Pracaṇḍa, is a famous Sanskrit epic story revolving around prince Naravāhanadatta and his quest to become the emperor of the vidyādharas (celestial beings). The work is said to have been an adaptation of Guṇāḍhya’s Bṛhatkathā consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.
Kavya (काव्य, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetry’ and natya, or ‘dramatic poetry’.
Tibetan Buddhism (Vajrayana or tantric Buddhism)Source: Wisdomlib Libary: Vajrayogini
Pracaṇḍā (प्रचण्डा) is the goddess presiding over one of the six petals of the eastern lotus of the vārāhyabhyudaya-maṇḍala, according to the Vārāhyabhyudayatantra (largerly extracted from the 10th century Abhidhānottaratantra). These six petals are presided over by a kuleśvarī (presiding lady) named Māmakī. The central deity of the vārāhyabhyudaya-maṇḍala is the twelve-armed Vajravarāhī.
Pracaṇḍā is associated with the sacred site (pīṭha) named Pullīramalaya. All the goddess of the eastern lotus petals are to be visualised as dancing naked and being half-male / half-female (ardhanarīśvarī) with their two sides being white and green. In their four arms they brandish a bowl and staff, with a ḍamaru and their familial attribute.Source: academia.edu: A Critical Study of the Vajraḍākamahātantrarāja (II)
Pracaṇḍā (प्रचण्डा) is the name of a Ḍākinī (‘sacred girl’) presiding over Pullīramalaya: one of the four Pīṭhas (‘sacred spot’) present within the Cittacakra (‘circle of mid’), according to the 9th-centruy Vajraḍākatantra. The Cittacakra is one of three Cakras within the Tricakra system which embodies twenty-four sacred spots or districts resided over by twenty-four Ḍākinīs (viz., Pracaṇḍā) whose husbands abide in one’s body in the form of twenty-four ingredients (dhātu) of one’s body.
Pracaṇḍā has for her husband the hero (vīra) named Khaṇḍakapālin. She is the presiding deity of Pullīramalaya and the associated internal location is ‘head’ and the bodily ingredients (dhātu) are ‘fingernails’ and ‘teeth’.Source: academia.edu: The Structure and Meanings of the Heruka Maṇḍala
Pracaṇḍā (प्रचण्डा) is the name of a Ḍākinī who, together with the Vīra (hero) named Khaṇḍakapālin forms one of the 36 pairs situated in the Vajracakra, according to the 10th century Ḍākārṇava chapter 15. Accordingly, the vajracakra refers to one of the four divisions of the sahaja-puṭa (‘innate layer’), situated within the padma (lotus) in the middle of the Herukamaṇḍala. The 36 pairs of Ḍākinīs [viz., Pracaṇḍā] and Vīras each have one face and four arms; they hold a skull bowl, a skull staff, a small drum and a knife; they are dark-bluish-black in color.
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
General definition (in Buddhism)Source: Wisdom Library: Buddhism
Pracaṇḍa (प्रचण्ड):—The name of a minister of King Ajātaśatru, according to the Suvarṇavarṇāvadāna (a buddhist mahāyāna avadāna text.)
General definition (in Jainism)Source: archive.org: Een Kritische Studie Van Svayambhūdeva’s Paümacariu
Pracaṇḍa (प्रचण्ड) participated in the war between Rāma and Rāvaṇa, on the side of the latter, as mentioned in Svayambhūdeva’s Paumacariu (Padmacarita, Paumacariya or Rāmāyaṇapurāṇa) chapter 57ff. Svayambhū or Svayambhūdeva (8th or 9th century) was a Jain householder who probably lived in Karnataka. His work recounts the popular Rāma story as known from the older work Rāmāyaṇa (written by Vālmīki). Various chapters [mentioning Pracaṇḍa] are dedicated to the humongous battle whose armies (known as akṣauhiṇīs) consisted of millions of soldiers, horses and elephants, etc.Source: archive.org: The Jaina Iconography
Pracaṇḍā (प्रचण्डा) (or Caṇḍā, Gāndhārī) is the name of the Yakṣiṇī accompanying Vāsupūjya: the twelfth of twenty-four Tīrthaṃkaras or Jinas, commonly depicted in Jaina iconography.—The emblem constantly associated with Vāsupūjya, as wegather from Jaina books, is the buffalo. The other characteristics of his image viz. the Śāsanadeva and the Śāsanadevī are known by the names of Kumāra and Caṇḍā (Digambara: Gāndhārī). The tree which gave him shade while acquiring the Kevala knowledge is Pāṭalika according to the Abhidhānacintāmaṇi and Kadamba according to the Uttarapurāṇa. A King named Darpiṣṭa-Vāsudeva is to wave the Chowri or the fly-fan by his side.
Caṇḍā or Pracaṇḍā, as she is also called by the Śvetāmbaras, has a horse for her riding animal, and carries the symbols of Varada, spear, flower and club. The Digambara form of the same deity is represented as riding on a crocodile and having the hands equipped with a club, two lotuses and Varada-mudrā. Like the previous one, this Yakṣiṇī, too, lakes her part as a Vidyādevī. As such, the name borne by her is Gāndhārī. There is some essential connection between the Yakṣiṇī Gāndhāri’s animal of a crocodile and the Vidyadevī Gāndhārī’s animal of a tortoise, Caṇḍā or Pracaṇḍā seems to be, as the name indicates, a Jaina prototype of the Brahmanic Caṇḍā or Durgā.
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
pracaṇḍa (प्रचंड).—a (S) Extreme, excessive, superlative, transcendent. It bears great amplitude of application in the sense of Vehemence, outrageousness, stupendousness;--used of affections, qualification, and qualities, and, attrib. of the persons, substances, businesses the subject of them. Ex. pracaṇḍakrōdha-parākrama-vāyu-agni-vidyā-jñāna-audārya-sā- marthya &c.; also hā pracaṇḍa paṇḍita, tēṃ pracaṇḍa araṇya, tō pracaṇḍa samudra, kōśācēṃ kāma kēvaḍhēṃ pracaṇḍa.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
pracaṇḍa (प्रचंड).—a Extreme, excessive.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit-English dictionarySource: DDSA: The practical Sanskrit-English dictionary
1) Vehement, excessively violent, impetuous.
2) Strong, powerful, fierce.
3) Very hot, stifling (as heat).
4) Furious, wrathful.
5) Bold, confident.
6) Terrible, terrific.
7) Intolerable, unbearable.
-ṇḍaḥ A species of oleander.Source: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary
Pracaṇḍā (प्रचण्डा).—(compare Sanskrit id., eine Form oder Śakti der Durgā, [Boehtlingk and Roth]), name of a yoginī: Sādhanamālā 427.3.Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
(-ṇḍaḥ-ṇḍā-ṇḍaṃ) 1. Excessively hot or burning. 2. Intolerable, insupportable. 3. Bold, confident, presuming. 4. Wrathful, passionate. 5. Violent, strong. 6. Furious. 7. Terrible. m.
(-ṇḍaḥ) A sort of Nerium with white flowers. f.
(-ṇḍā) One of Durga'S emanations or attendants. E. pra very, caṇḍa hot, &c.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Starts with: Pracanda-kanikkai, Pracandabhairava, Pracandacandikasahasranamastotra, Pracandagaruda, Pracandaghona, Pracandamurti, Pracandamurtti, Pracandapandava, Pracandasena, Pracandashakti, Pracandasurya, Pracandata, Pracandatapa, Pracandatva, Pracandeshvara.
Full-text (+61): Pracandabhairava, Pracandata, Pracandashakti, Pracandasena, Pracandamurti, Pracandapandava, Pracandogra, Khandakapalin, Pulliramalaya, Civaravat, Chagalanda, Niraushadha, Kaliyari, Yashonidhi, Yashahkhandin, Sharasanavid, Stokatamas, Pakvashin, Candapracanda, Dyutakimkari.
Search found 10 books and stories containing Pracanda, Pracaṇḍā, Pracaṇḍa, Pra-canda, Pra-caṇḍa, Pra-caṇḍā; (plurals include: Pracandas, Pracaṇḍās, Pracaṇḍas, candas, caṇḍas, caṇḍās). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Shiva Purana (by J. L. Shastri)
Chapter 22 - Description of Jalandhara’s Battle < [Section 2.5 - Rudra-saṃhitā (5): Yuddha-khaṇḍa]
Chapter 8 - Description of the Hell (naraka) < [Section 5 - Umā-Saṃhitā]
The Padma Purana (by N.A. Deshpande)
One hundred and eight (108) names of Sāvitrī < [Section 1 - Sṛṣṭi-khaṇḍa (section on creation)]
Chapter 102 - Jalandhara Plays a Trick < [Section 6 - Uttara-Khaṇḍa (Concluding Section)]
Chapter 133 - The Holy Places in Jambūdvipa < [Section 6 - Uttara-Khaṇḍa (Concluding Section)]
The Skanda Purana (by G. V. Tagare)
Chapter 19 - Demon Mahiṣa Slain by Durgā < [Section 3b - Arunācala-khaṇḍa (Uttarārdha)]
Chapter 40 - Prāvaraṇa (Covering) Festival of Nṛsiṃha < [Section 2 - Puruṣottama-kṣetra-māhātmya]
Chapter 20 - Fight between Śiva and Jalandhara < [Section 4 - Kārttikamāsa-māhātmya]
Kathasaritsagara (the Ocean of Story) (by Somadeva)
The Markandeya Purana (by Frederick Eden Pargiter)
The Bhagavata Purana (by A.C. Bhaktivedanta Swami Prabhupada)
Chapter 27 - Lord Krishna’s Instructions on the Process of Deity Worship < [Canto XI - General History]