Prabhavati, aka: Prabhāvati, Prabhāvatī; 5 Definition(s)
Prabhavati means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Nāṭyaśāstra (theatrics and dramaturgy)
Prabhāvatī (प्रभावती) refers to a type of syllabic metre (vṛtta), according to the Nāṭyaśāstra chapter 16. In this metre, the second, the fourth, the ninth, the eleventh and the twelfth syllables of a foot (pāda) are heavy (guru), while the rest of the syllables are light (laghu).
Prabhāvatī falls in the Jagatī class of chandas (rhythm-type), which implies that verses constructed with this metre have four pādas (‘foot’ or ‘quarter-verse’) containing twelve syllables each.Source: Wisdom Library: Nāṭya-śāstra
Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).
Śaivism (Śaiva philosophy)
Prabhāvatī (प्रभावती) refers to the city of Kubera or Soma, situated on the northern lower slope of mount Meru, according to Parākhyatantra 5.66. Meru is the name of a golden mountained situated in the middle of nine landmasses (navakhaṇḍa): Bhārata, Hari, Kimpuruṣa, Ramyaka, Ramaṇa, Kuru, Bhadrāśva, Ketumāla and Ilāvṛta. Together these khaṇḍas make up the continent known as Jambūdvīpa.
Prabhāvatī is also known by the name Prabhā or Mahodayā, and is mentioned in various other sources, eg., the Svacchanda-tantra 10.132-136, Kiraṇa-āgama 8.51-54, Mṛgendra-āgama vidyāpāda 13.47-54, Sarvajñānottara-tantra adhvaprakaraṇa 34-36 and Mataṅga-āgama vidyāpāda 23.60-63
The Parākhyatantra is an old Śaiva-siddhānta tantra dating from before the 10th century.Source: Wisdom Library: Śaivism
Śaiva (शैव, shaiva) or Śaivism (shaivism) represents a tradition of Hinduism worshipping Śiva as the supreme being. Closeley related to Śāktism, Śaiva literature includes a range of scriptures, including tantras, while the root of this tradition may be traced back to the ancient Vedas.
Vajrayāna (Tibetan Buddhism)
Prabhāvatī (प्रभावती) is the goddess presiding over one of the six petals of the eastern lotus of the vārāhyabhyudaya-maṇḍala, according to the Vārāhyabhyudayatantra. These six petals are presided over by a kuleśvarī (presiding lady) named Māmakī. The central deity of the vārāhyabhyudaya-maṇḍala is the twelve-armed Vajravarāhī.
Prabhāvatī is associated with the sacred site (pīṭha) named Oḍḍiyāna. All the goddess of the eastern lotus petals are to be visualised as dancing naked and being half-male / half-female (ardhanarīśvarī) with their two sides being white and green. In their four arms they brandish a bowl and staff, with a ḍamaru and their familial attribute.
The Vārāhyabhyudayatantra is an explanatory tantra on the Laghuśaṃvara, but its verses are largerly extracted from the 10th century Abhidhānottaratantra, a scriputre describing various sādhanas (path towards spiritual realization).Source: Wisdomlib Libary: Vajrayogini
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
General definition (in Jainism)
1) Prabhāvatī (प्रभावती) is the mother of Mallinātha, the nineteenth of twenty-four Tīrthaṅkaras in Janism, according to the Ācāradinakara (14th century work on Jain conduct written by Vardhamāna Sūri). A Tīrthaṅkara is an enlightened being who has conquered saṃsāra (cycle of birth and death), leaving behind him a path for others to follow.
The husband of Prabhāvatī is Kumbha. It is an ancient Jain practice to worship the Tīrthaṅkara’s parents in various rites, such as the pratiṣṭhāvidhi.
2) Prabhāvati (प्रभावति) is the wife of Candrābha, who is a kulakara (law-giver) according to Digambara sources. The kulakaras (similair to the manus of the Brahmanical tradition) figure as important characters protecting and guiding humanity towards prosperity during ancient times of distress, whenever the kalpavṛkṣa (wishing tree) failed to provide the proper service.
These law-givers and their wifes (eg., Prabhāvati) are listed in various Jain sources, such as the Bhagavatīsūtra and Jambūdvīpaprajñapti in Śvetāmbara, or the Tiloyapaṇṇatti and Ādipurāṇa in the Digambara tradition.Source: Wisdom Library: Jainism
Prabhāvatī (प्रभावती) is the name of the queen-wife of Udāyana.—King Udāyana was a popular king of Sindhu-Sauvīra kingdom. The capital of this kingdom was Vītabhaya city, which was large, beautiful and prosperous in every way. Prabhāvatī was the queen of King Udāyana and Abhīcakumāra was their son. Udāyana's nephew Keśīkumāra too used to live with him. King Udāyana had great faith in the words of Lord Mahāvīra. He was a 12-vows follower of Mahāvīra.Source: HereNow4u: Lord Śrī Mahāvīra
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
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Candrābha (चन्द्राभ) is the name of a kulakara (law-giver) according to both Śvetāmbara and Dig...
Abhīcakumāra (अभीचकुमार) is the son of Udāyana and Prabhāvatī.—King Udāyana was a popular king ...
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Search found books containing Prabhavati, Prabhāvati or Prabhāvatī. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 3.2.154 < [Part 2 - Affection and Service (dāsya-rasa)]
Verse 2.4.157 < [Part 4 - Transient Ecstatic Disturbances (vyābhicāri-bhāva)]
Verse 2.3.74 < [Part 3 - Involuntary Ecstatic Expressions (sattvika-bhāva)]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 6: Story of the conversion of Udāyana < [Chapter XI - The story of Rauhiṇeya]
Part 8: Later history of the image < [Chapter XI - The story of Rauhiṇeya]
Part 37: Marriage with Prahhāvatī < [Chapter II - Marriages of Vasudeva with maidens]
Vivekachudamani (by Shankara)
List of Mahabharata people and places (by Laxman Burdak)
Kathasaritsagara (the Ocean of Story) (by Somadeva)
Chapter CVII < [Book XIV - Pañca]
Chapter CVI < [Book XIV - Pañca]
Nectar of Devotion (by A. C. Bhaktivedanta Swami Prabhupada)
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