Parivadini, Parivādinī: 6 definitions
Introduction:
Parivadini means something in Hinduism, Sanskrit, Buddhism, Pali, Jainism, Prakrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Kavya (poetry)
Source: archive.org: Naisadhacarita of SriharsaParivādinī (परिवादिनी) refers to a “seven-stringed lyre”, and is mentioned in the Naiṣadha-carita 21.44 and Māgha 6.9 [cf. Parivāda].
Kavya (काव्य, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetry’ and natya, or ‘dramatic poetry’.
Languages of India and abroad
Pali-English dictionary
Source: Sutta: The Pali Text Society's Pali-English DictionaryParivādinī, (f.) (fr. pari+vad, late Sk. the same) a lute of seven strings Abhp. 138.—See parivadentikā. (Page 435)
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
Prakrit-English dictionary
Source: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionaryParivādiṇī (परिवादिणी) in the Prakrit language is related to the Sanskrit word: Parivādinī.
Prakrit is an ancient language closely associated with both Pali and Sanskrit. Jain literature is often composed in this language or sub-dialects, such as the Agamas and their commentaries which are written in Ardhamagadhi and Maharashtri Prakrit. The earliest extant texts can be dated to as early as the 4th century BCE although core portions might be older.
Sanskrit dictionary
Source: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)Parivādinī (परिवादिनी) in the Sanskrit language is related to the Prakrit word: Parivādiṇī.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
Source: Alar: Kannada-English corpusParivādini (ಪರಿವಾದಿನಿ):—
1) [noun] a kind of musical instrment having seven strings; a kind of Vīṇe.
2) [noun] a woman who is accused of(some guilt or wrong-doing.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
Source: unoes: Nepali-English DictionaryParivādinī (परिवादिनी):—n. Mus. vina;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Starts with: Parivatini.
Full-text: Parivatini, Gomukhi, Parivadin, Parivada, Parikri.
Relevant text
Search found 6 books and stories containing Parivadini, Parivādinī, Parivādiṇī, Parivādini; (plurals include: Parivadinis, Parivādinīs, Parivādiṇīs, Parivādinis). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Musical Instruments in Sanskrit Literature (by S. Karthick Raj KMoundinya)
Musical instruments in the Naishadha Charita of Harsa < [Chapter 3 - Musical Instruments of India (with reference to Sanskrit literary sources)]
Musical instruments according to Magha < [Chapter 3 - Musical Instruments of India (with reference to Sanskrit literary sources)]
References to Musical Instruments by Kalidasa < [Chapter 3 - Musical Instruments of India (with reference to Sanskrit literary sources)]
Amarakoshodghatana of Kshirasvamin (study) (by A. Yamuna Devi)
Musical instruments (e.g., Stringed, Percussions, Cymbals and Wind-blown) < [Chapter 4 - Cultural Aspects]
Agni Purana (by N. Gangadharan)
Mahavastu (great story) (by J. J. Jones)
Chapter IX(b) - The Five Hundred Merchants (metrical) < [Volume III]
Chapter XVI - The great renunciation again < [Volume II]
Naishadha-charita of Shriharsha (by Krishna Kanta Handiqui)
Abhijnana Shakuntala (synthetic study) (by Ramendra Mohan Bose)
Chapter 5 - Pancama-anka (pancamo'nkah) < [Abhijnana Sakuntalam, text and commentary]