Padabandha, Pādabandha, Pada-bandha, Padabamdha: 11 definitions
Introduction:
Padabandha means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Shilpashastra (iconography)
Source: Wisdom Library: Śilpa-śāstraPādabandha (पादबन्ध) refers to a variety of adhiṣṭhāna, which is a pedestal or base of a structure, and a very important component in the art of construction (śilpa). Pādabandha is mentioned in the Mānasāra (chapter 14) as having a further four sub-varieties. In the Śilparatna and the Kāśyapaśilpa it is mentioned as having eight sub-varieties. Pādabandha is also mentioned in the Mayamata, Kāśyapaśilpa and the Vimānārcanakalpa.
The following are the 8 sub-varieties of pādabandha according to the Kāśyapaśilpa:
- ambujakesara,
- puṣpapuṣkala,
- śrīkāntabandha,
- śreṇibandha,
- vaprabandha,
- sundarābja,
- nalinakānta,
- ambujakānta.

Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Vastushastra (architecture)
Source: Shodhganga: Temples of Salem region Up to 1336 ADPādabandha (पादबन्ध).—A type of adhiṣṭhāna (‘pedestal’);—Pādabandha-adhiṣṭhāna contains five distinctly cut mouldings, according to Mayamata (verses 14.19-20) and Mānasāra (verses 14.5-11). They are,
- upāna,
- jagati,
- tripaṭṭa-kumuda,
- gala,
- paṭṭikā.
The name pādabandha given to this type of adhiṣṭhāna is probably due to the reason that the Pāda (literally feet), i.e., the lowest moulding dominates the elevation of the Plinth. Their prominence is enhanced further by making the lowest mouldings project forward like the human feet, from the vertical norm of the upper part of the plinth.
Source: OpenEdition books: Architectural terms contained in Ajitāgama and RauravāgamaPādabandha (पादबन्ध) refers to “n. of a type of base §§ 3.8, 15.”.—(For paragraphs cf. Les enseignements architecturaux de l'Ajitāgama et du Rauravāgama by Bruno Dagens)

Vastushastra (वास्तुशास्त्र, vāstuśāstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
Languages of India and abroad
Sanskrit dictionary
Source: DDSA: The practical Sanskrit-English dictionaryPadabandha (पदबन्ध).—a foot-step, step.
Derivable forms: padabandhaḥ (पदबन्धः).
Padabandha is a Sanskrit compound consisting of the terms pada and bandha (बन्ध).
Source: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit DictionaryPadabandha (पदबन्ध).—m. (= pāda-b°, q.v.), a particular technique of holding or wielding (the bow), viz. apparently [Page317-b+ 71] by using the foot in some way; Tibetan on Lalitavistara renders gom stabs, step-manner (making a step?); in a list of arts to be mastered by a prince, and associated with muṣṭi- bandha, q.v.: Lalitavistara 156.12; Divyāvadāna 100.12; 442.7. On the Tibetan see s.v. pāda-b°.
--- OR ---
Pādabandha (पादबन्ध).—m., = pada-b°, q.v.: Mahāvyutpatti 4980 (after muṣṭi-b°, śikhā-b°) = Tibetan gom staṅs, step-posture, or gom stabs, step-manner (the latter used by Tibetan on Lalitavistara for pada-b°). The definitions given by [Tibetan-English Dictionary] for these Tibetan cpds. cannot apply to our passages, which clearly relate to archery; see muṣṭi-b°.
Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English DictionaryPādabandha (पादबन्ध).—m. a chain for the feet, Mahābhārata 8, 2586.
Pādabandha is a Sanskrit compound consisting of the terms pāda and bandha (बन्ध).
Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionaryPadabandha (पदबन्ध).—[masculine] poem (lit. = seq.).
--- OR ---
Pādabandha (पादबन्ध).—[masculine] fetter for the feet.
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) Padabandha (पदबन्ध):—[=pada-bandha] [from pada > pad] m. a footstep, pace, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
2) Pādabandha (पादबन्ध):—[=pāda-bandha] [from pāda > pād] m. a tie or fetter for the feet, [Mahābhārata]
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
Source: Alar: Kannada-English corpusPadabaṃdha (ಪದಬಂಧ):—
1) [noun] the arrangement or interrelation of the words in a poem or passage; morphological construction.
2) [noun] construction of a line or lines in a poem.
3) [noun] any ornament for the ankle, foot, etc.
--- OR ---
Pādabaṃdha (ಪಾದಬಂಧ):—[noun] a thick chain used to tie to the leg of an elephant.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: Pada, Bandha.
Starts with: Padabandhana.
Full-text: Padabandhana, Padmabandha, Anghribandha, Nalinakanta, Ambujakesara, Sundarabja, Ambujakanta, Samjna, Shrikantabandha, Sangaya, Pushpapushkala, Vaprabandha, Shrenibandha, Mushtisambandha, Mushtibandha, Narasimha, Candracudeshvara, Virattaneshvara, Sheshashayi, Pasha.
Relevant text
Search found 4 books and stories containing Padabandha, Pada-bandha, Pāda-bandha, Padabamdha, Padabaṃdha, Pādabaṃdha, Pādabandha; (plurals include: Padabandhas, bandhas, Padabamdhas, Padabaṃdhas, Pādabaṃdhas, Pādabandhas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Vastu-shastra (5): Temple Architecture (by D. N. Shukla)
Kashyapa Shilpa-shastra (study) (by K. Vidyuta)
6. Components in the Storeys of the Gopuras < [Chapter 5 - Gopura Lakṣaṇa]
Manasara (English translation) (by Prasanna Kumar Acharya)
Chapter 42 - The royal orders and insignia (rāja-lakṣaṇa)
Chapter 45 - The thrones (siṃhāsana-lakṣaṇa)
Chapter 44 - The couches (śayana), bedsteads (paryaṅka), and swings (mañca)
Temples of Munnur (Historical Study) (by R. Muthuraman)