Ojaguna, Ojaguṇa, Ojas-guna: 1 definition
Introduction:
Ojaguna means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Kavyashastra (science of poetry)
Source: Shodhganga: Bhismacaritam a critical studyOjaguṇa (ओजगुण) or simply Ojas refers to the “quality of grandeur” and represents one of the different Guṇas (‘qualities’) employed in the Bhīṣmacarita (Bhishma Charitra) which is a mahākāvya (‘epic poem’) written by Hari Narayan Dikshit.—Ojaguṇa is the force effected by the presence or profusion of compounds (samāsabhūyastva) which is regarded as the soul of prose. Mammaṭa and Viśvanātha conceive ojaguṇa as the glaringness (dīptatva) which causes expansion of heart and which consists in abundant use of compounds, and verbosity.

Kavyashastra (काव्यशास्त्र, kāvyaśāstra) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.
See also (Relevant definitions)
Full-text: Ojas, Driptarasa, Vyayoga, Dripta, Gaudi, Pancali.
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Search found 9 books and stories containing Ojaguna, Ojaguṇa, Ojas-guna, Oja-guṇa, Ojas-guṇa; (plurals include: Ojagunas, Ojaguṇas, gunas, guṇas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Mudrarakshasa (literary study) (by Antara Chakravarty)
3. Guṇa and Rīti applied by Viśākhadatta < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
7. Conclusion < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
2. The theory of rīti < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
Malatimadhava (study) (by Jintu Moni Dutta)
Part 4.3b - Ojas Guṇa (Floridity) < [Chapter 2 - Literary Study of the Mālatīmādhava]
Part 4.3 - Delineation of Guṇa in the Mālatīmāhava (Introduction) < [Chapter 2 - Literary Study of the Mālatīmādhava]
Part 3.3b - Gauḍī Rīti < [Chapter 2 - Literary Study of the Mālatīmādhava]
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada Dāsa)
Text 8.11 < [Chapter 8 - Literary Qualities]
Text 8.5 < [Chapter 8 - Literary Qualities]
Text 7.22 < [Chapter 7 - Literary Faults]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
1.4. Types of Drama < [Chapter 3 - Drama and Dance]
Hanuman Nataka (critical study) (by Nurima Yeasmin)
Alankara Sastra (English study) (by V. Raghavan)