Oil: 5 definitions

Introduction
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In Hinduism
In Jainism
1. General definition
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Introduction:

Oil means something in Hinduism, Sanskrit, Jainism, Prakrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.

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In Hinduism

Ayurveda (science of life)

Veterinary Medicine (The study and treatment of Animals)

Source: Asian Agri-History: Paśu Āyurvēda (Veterinary Medicine) in Garuḍapurāṇa

Oil (in Sanskrit: taila) is used in the various Anupāna (“drink take”), according to sections on the treatment of Horses (Gajāyurveda or Aśvāyurveda) in the Garuḍapurāṇa.—The Anupāna i.e. the drink take along with or after medicine was important in treatment. Because it may help in carrying, absorption, assimilation and enhancing action of the drugs. Normally the selection of anupāna is done depends upon disease, doṣa etc.—[...] In diseases of the deranged and aggravated vāyu the medicine should be administered through the taila (oil), or in combination with śarkarā (sugar), ājya/ghṛita (ghee) or toya (water).

Rasashastra (Alchemy and Herbo-Mineral preparations)

Source: History of Science in South Asia: Making Gems in Indian Alchemical Literature

Oil (in Sanskrit: Taila) is used in the Indian art of painting as well as coating stones for creating artificial gems such as Rubies, according to the Vādakhaṇḍa section of the Rasaratnākara (lit. “jewel mine of mercury”): a 13th century alchemical work in Sanskrit written by Nityanātha.—Oil can be used to create a glaze, providing both protection for the pigment and a sheen to the painting. Presumably, the idea in the Rasaratnākara’s ruby recipe was to give the imitation ruby an extra gleam. [...] The recipes after that just mention that the stones should be cooked as before, which could include their coating with oil, but may also not. Notably, the Garuḍapurāṇa (I.70.24) mentions appearing to be smeared with oil, or losing its lustre when rubbed as a sign of a fake ruby, pointing to a history of imitation jewels coated with oils.

context information

Āyurveda (आयुर्वेद, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Āyurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.

Natyashastra (theatrics and dramaturgy)

Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)

Oil (i.e., greasy substances) is associated with Catura-hasta: one of the twenty-two Single-hand Gestures (in Indian Dramas) (known as asaṃyuktahastas), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—According to the Viṣṇudharmottarapurāṇa, some colours are pointed with the catura hand gesture. [...] Instead of showing colours, in the Abhinayadarpaṇa, the caturahasta posture denotes some metals like gold, copper and iron. This posture also shows the application of some greasy substances like oil, ghee etc on the face

context information

Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

Shilpashastra (iconography)

Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)

Oil represents one of the various substances used in the process of creating a Canvas, in the ancient Indian art of Painting (citra), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—Canvas is a kind of surface on which a painter can draw a picture. In ancient time walls are seen to be plastered with different substances (i.e., “oil”) and these were prepared for Painting. [...] For the process of plastering on a wall (i.e., kuḍya or bhitti), the painter needs to mix and mingle various ingredients [viz., oil, etc.]. After that, the mixture should be transferred to a touch stone mortar for the process of pounding.

context information

Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.

In Jainism

General definition (in Jainism)

Source: The University of Sydney: A study of the Twelve Reflections

Oil (of a lamp) symbolically refers to asceticism, as discussed in Bhūdhardās’s composition dealing with the twelve reflections (bhāvanā or anuprekṣā), also found in the Tattvārtha-sūtra.—Accordingly, “[...] [the influx of karma]—Residents of the world wander forever in the sway of a delusional dream. On all sides the thieves of karma loot everyone but we pay no attention. (7) [blocking the influx of karma]—The true guru wakes us up when we are under the influence of the delusional dream. We can take his aid and stop the karma thieves. (8) The lamp of knowledge is full of the oil of asceticism. Study your home and put aside wandering. Thieves have already broken in, you can’t expel them without the rituals. (9) [...]”.

context information

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.

Relevant text

Search found 420 books and stories containing Oil, The oil, Oils; (plurals include: Oils, The oils, Oilses). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:

Deep-fried keropok lekors Increase Oxidative Instability in Cooking Oils < [Volume 19 (issue 4), Oct-Dec 2012]

Impact of Fat-Soluble Antioxidants on Acrylamide in Frying Oil < [v.25(5): 1–161 2018 Sep]

Effect of Heated Palm Olein on Blood Pressure and Lipid Peroxidation < [Volume 19 (issue 1), Jan-Mar 2012]

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Physicochemical characterization of Pogostemon essential oils. < [2019: Volume 8, May issue 6]

Extraction and analysis of oil from pineapple peels. < [2018: Volume 7, November issue 18]

Brief literature on essential oils – a systematic review < [2020: Volume 9, November issue 14]

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Oil gum massage therapy's effect on oral pathogens: a trial. < [Volume 18 (issue 4), Jul-Aug 2014]

Ozonated oil vs. chlorhexidine for plaque-induced gingivitis: RCT. < [Volume 20 (issue 1), Jan-Feb 2016]

Virgin Coconut Oil vs. Palm Oil Pulling for Gingival Inflammation < [Volume 26 (issue 1), Jan-Feb 2022]

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