Niyatapti, Niyatāpti: 6 definitions
Introduction:
Niyatapti means something in Hinduism, Sanskrit, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Niyatāpti (नियताप्ति, “Certainty of Attainment”).—One of the five stages of the exertion of the Hero for the result to be attained in a Hindu dramatic play (nāṭya), as explained in the Nāṭyaśāstra.
The corresponding Element of the Plot is the “Episodical Incident” (prakarī).
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Kavyashastra (science of poetry)
Niyatāpti (नियताप्ति) refers to one of the five stages of the development of the plot of an epic poem (i.e., Kāryāvasthā).
Kavyashastra (काव्यशास्त्र, kāvyaśāstra) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.
Languages of India and abroad
Sanskrit dictionary
Niyatāpti (नियताप्ति):—[=ni-yatāpti] [from ni-yata > ni-yam] f. (in [dramatic language]) sure expectation of attaining an object by overcoming a [particular] obstacle, [Sāhitya-darpaṇa]
Niyatāpti (नियताप्ति):—[(niyata + ā)] f. in der Dramatik die sichere Aussicht auf Erreichung des Zieles durch Ueberwindung eines bestimmten Hindernisses [Sāhityadarpana 328.]
Niyatāpti (नियताप्ति):—f. in der Dramatik die sichere Aussicht auf Erreichung eines Zieles durch Ueberwindung eines bestimmten Hindernisses.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
Niyatāpti (नियताप्ति):—(nf) (in a drama) anagnorisis, denouement.
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See also (Relevant definitions)
Full-text (+0): Karyavastha.
Relevant text
Search found 14 books and stories containing Niyatapti, Ni-yatapti, Ni-yatāpti, Niyatāpti; (plurals include: Niyataptis, yataptis, yatāptis, Niyatāptis). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Jivanandana of Anandaraya Makhin (Study) (by G. D. Jayalakshmi)
Basic features of Nāṭaka < [Chapter 6 - Dramatic aspects of the Jīvanandana Nāṭaka]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Sandhi (the combination of different phases) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Patākā-Sthānaka < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Mudrarakshasa (literary study) (by Antara Chakravarty)
4. Kāryāvasthās found in Mudrārākṣasa < [Chapter 6 - Other Literary Estimates of Mudrārākṣasa]
5. Deliberation of the Pañcasandhi in Mudrārākṣasa < [Chapter 6 - Other Literary Estimates of Mudrārākṣasa]
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
The Ratnavali-natika and the Chandrakala-natika (study) (by Jewti Boruah)
Part 4 - Discussion on Kāryāvasthā (stages of the action) < [Chapter 3 - Dramatic aspects of the Ratnāvalīnāṭikā and the Candrakalānāṭikā]
Part 5 - Discussion on Sandhi (Juncture) < [Chapter 3 - Dramatic aspects of the Ratnāvalīnāṭikā and the Candrakalānāṭikā]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 11 - The five stages of action (avasthā) < [Chapter 1 - Nāṭaka (critical study)]
Similarity between the Daśarūpaka and the Nāṭyaśāstra < [Introduction]
Similarity Between The Daśarūpaka And The Nāṭyaśāstra < [Introduction]